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Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.
View More On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR
In keeping with their native tradition of storytelling, Irish playwrights Paul Meade and David Parnell weave an engaging tale of two estranged men who reconnect…
View More TROUSERS (Inis Nua): The Proof Is in the Pants
Talented and celebrated director Aaron Cromie teams up with the idiosyncratic Idopathic Ridiculopathy Consortium to tackle French impressionist Jean Giraudoux at the Walnut Street Theatre…
View More ONDINE (Idiopathic Ridiculopathy Consortium): At sea with emotional hyperbole
Love sought is good, but given unsought, is better Philadelphia’s newest Shakespeare company, Revolution Shakespeare, will present the second offering of its inaugural season on…
View More The City of Brotherly Bard: Revolution Shakespeare returns with a show and a webseries
When Hans, a handsome but not-so-smart knight-errant of Wittenstein, meets the unbridled naiad Ondine at a fisherman’s cottage in the woods, they fall recklessly in…
View More ONDINE (Idiopathic Ridiculopathy Consortium): Nature versus Human Nature
Sibling rivalry, conflicting personalities, and antithetical lifestyles regress to anti-social antics, primal rage, and role reversal in TRUE WEST, Sam Shepard’s dark comedy about two…
View More TRUE WEST (Theatre Exile): Sibling rivalry and the American dream
Last night at Christ Church Neighborhood House, Hybridge Arts Collective brought it to me live with ID:3, an evening of three performance works by the…
View More ID:3 (Hybridge Arts): Tapas of challenging dance and theater
GRIMMS’ JUNIPER TREE weaves in plot points from various famously morose Grimm brothers’ fairy tales around one lesser known story—that of the Juniper Tree. This…
View More GRIMMS’ JUNIPER TREE (Renegade): 60 Second Review
Theatre Exile mounts new, dicey plays and modern classics—badass classics, that is, from outstanding contemporary playwrights like Tracy Letts, Martin McDonough, and in this case,…
View More TRUE WEST (Theatre Exile): a rare, in-your-face take on a modern classic
Based on the dark and disturbing folktales of the Brothers Grimm, James Stover’s original world-premiere adaptation for the Renegade Company, GRIMMS’ JUNIPER TREE, examines the…
View More GRIMMS’ JUNIPER TREE (Renegade): Important Lessons to Be Learned
BRAT Productions, Philly’s foremost purveyor of fearless rock-and-roll theater, rocks the Tin Angel with a new installment of its Barrymore Award-winning series THREE CHORD FICTION:…
View More THREE CHORD FICTION: LOVE BITES (BRAT): A Riotous Night of Rock-Theater Cabaret
The tragic news of Phillip Seymour Hoffman’s death by OD has, for the moment, wrested the subject of substance abuse from the shadows and thrust…
View More WATER BY THE SPOONFUL (Arden Theatre): Dissonance v. harmony
With clever repartee, SNOWGLOBE cleverly tackles deep existential questions. Under Bill McKinlay’s direction, the actors bring life and nuance to the clever Beckettian back-and-forth.
View More SNOWGLOBE (MacKnight Foundation): 60-second review
January | February | March | April | May | June July | August | September | October | November | December Sideways Stories from Wayside School. Adapted by John Olive from the books by Louis…
View More Philadelphia Theater Calendar: February 2014
Enter the world of Japanese Japanese theater company Niwa Gekidan Penino: claustrophobic, hallucinatory, voyeuristic, surreal. Niwa is the Japanese word for “garden.” For over a decade…
View More THE ROOM NOBODY KNOWS (FringeArts): Put your secret emotions, dangerous illusions here
Though the classroom where GIDION’S KNOT takes place looks as cheery, bright, and typical as any, the story that unfolds in it is certainly not.…
View More GIDION’S KNOT (InterAct) is a two-person powerhouse
Thank God for Taylor Swift. After seeing Luna Theater‘s mindcrushing production of Martin McDonagh’s THE PILLOWMAN last night, I found myself a broken man. I was shellshocked.…
View More The Five Stages of THE PILLOWMAN (Luna Theater)
Yesterday morning, I received an email from the National Football League. I get these every day, more or less—updates from NFL.com on what’s happening around…
View More THE DISAPPEARING QUARTERBACK (Plays and Players) tackles football’s deadly foible
With all the claustrophobia of an Otto Dix painting, Luna Theater’s production of Martin McDonagh’s THE PILLOWMAN is a delicious 140-minute-anxiety attack. Robert DaPonte is remarkably arresting…
View More THE PILLOWMAN (Luna Theater): 60 Second Review
The performance spaces which have made Kensington their home (Walking Fish Theatre, Hella Fresh, Mascher Space, and fidgetspace) are remote, both financially and physically, from the city, yet still close enough to converse artistically with downtown venues and even to attract funding.
View More You’re Probably Missing Out: A tour of Kensington’s performance spaces