Class. Money. Power: The carrots start flying at the Urban Creators farm collective.
View More ANIMAL FARM TO TABLE (Renegade Company): 2016 Fringe review 3
Category: Fringe reviews
Reviews of theater and performing arts events in the Philadelphia Fringe Festival. Phindie is providing more critical coverage of the festival than any other publication in Philadelphia.
SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2
This site-specific installation unravels the layers of emotion and humanity that the historic Powel House contains
View More SHADOW HOUSE (Brenna Geffers and Philadelphia Opera Collective): 2016 Fringe review 2
CAT-A-STROPHE (Fail Better): 2016 Fringe review 1
Fallacies and facts concerning male-female relations are explored within a farcical framework.
View More CAT-A-STROPHE (Fail Better): 2016 Fringe review 1
THE EXTRA PEOPLE (Ant Hampton): 2015 Fringe review 71
A commentary on technology, as well as a platform for cultural and philosophic questions
View More THE EXTRA PEOPLE (Ant Hampton): 2015 Fringe review 71
BELLOWS FALLS (Leah Stein Dance Company): 2015 Fringe review 70
Stein makes you notice things about the Iron Factory that you would not have noticed before
View More BELLOWS FALLS (Leah Stein Dance Company): 2015 Fringe review 70
SECOND SKULL (Sothis Music-Theater Ensemble): 2015 Fringe review 69
Sothis devises experimental theater to call attention to collective and conscious freedom.
View More SECOND SKULL (Sothis Music-Theater Ensemble): 2015 Fringe review 69
BOING! (Vervet Dance): 2015 Fringe review 68
The Philadelphia Fringe Festival aims to celebrate innovation and creativity, and Vervet Dance certainly lived up to that goal
View More BOING! (Vervet Dance): 2015 Fringe review 68
WALLS (Darcy Lyons): 2015 Fringe review 67
Covering everything from a cell wall to the Great Wall of China, WALLS explores of how walls—and the acts which build and destroy them—shape lives
View More WALLS (Darcy Lyons): 2015 Fringe review 67
SOUL PROJECT (David Zambrano): 2015 Fringe review 66
An intensely physical performance rooted in an extreme manifestation of experience, SOUL PROJECT, is able to create a powerful reaction of joy and passion
View More SOUL PROJECT (David Zambrano): 2015 Fringe review 66
TRACES OF SHE (Evalina Carbonell, Meredith Stapleton, Kat J. Sullivan): 2015 Fringe review 65
Three works focused on “the female embodied”.
View More TRACES OF SHE (Evalina Carbonell, Meredith Stapleton, Kat J. Sullivan): 2015 Fringe review 65
NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64
A theater company, in the midst of financial crisis, ventures into new and risky territory in its upcoming production of The Tempest.
View More NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64
100 (Sam Henderson): 2015 Fringe review 63
100 is more than an elegantly written play told in random pieces—it’s an intense experience if you are open to it.
View More 100 (Sam Henderson): 2015 Fringe review 63
Fringe in Sketch 9: SOLDIER BEAR (Leila and Pantea Productions)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 9: SOLDIER BEAR (Leila and Pantea Productions)
2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62
An exploration of unrepeated and layered movements, Gregory Holt’s 2,000 MOVEMENTS is a living archive of body and space
View More 2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62
LOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61
A clever new take on Shakespeare’s early romantic comedy imparts the flavor of 1960’s-70s Americana with live country-rock music and a multi-talented cast of actors/singers/musicians.
View More LOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61
Fringe in Sketch 8: JUMP THE MOON (Philadelphia Opera Collective)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 8: JUMP THE MOON (Philadelphia Opera Collective)
THEY ONLY COME OUT AT NIGHT: A GRAVEYARD CABARET (REV Theatre): 2015 Fringe review 60
Charles Dickens comes undead at this haunting site-specific show.
View More THEY ONLY COME OUT AT NIGHT: A GRAVEYARD CABARET (REV Theatre): 2015 Fringe review 60
INTO THE LIGHTS (Dancefusion & Ballet Fleming): 2015 Fringe review 59
Modern dance meets contemporary ballet in an expressive collaboration by two of Philadelphia’s top-notch companies.
View More INTO THE LIGHTS (Dancefusion & Ballet Fleming): 2015 Fringe review 59
IN TRANSIT: DANCE|MUSIC|THEATER (FringeArts / PMA): 2015 Fringe review 58
Staged in the American Art Galleries in the Philadelphia Museum of Art, this interactive pop-up work of art, gives a new insight into how to “experience” the…
View More IN TRANSIT: DANCE|MUSIC|THEATER (FringeArts / PMA): 2015 Fringe review 58
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
o subtitles necessary to hear praises sung for women astronomers of the late 19th century.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2