Philly Improv Theater has a great concept on their hands with REASONABLE DOUBT. They start off with one suggestion from the audience. From there the…
View More [52] REASONABLE DOUBT (Philly Improv Theater): Fringe review
Category: Reviews
[51] ASYLUM (Rainy Day Players): Fringe review
Grown-ups aren’t frightened by monsters under the bed. The real ones to worry about lay there right next to us, whispering away in the dark.…
View More [51] ASYLUM (Rainy Day Players): Fringe review
[5.2] THIS IS THE TWILIGHT KINGDOM (Found Theater Company): Fringe review
Devised and performed by Found Theater Company, and helmed by co-founder Sean Lally in an impressive directorial debut, THIS IS THE TWILIGHT KINGDOM takes a…
View More [5.2] THIS IS THE TWILIGHT KINGDOM (Found Theater Company): Fringe review
[50] IF I WERE A DRAG QUEEN, I WOULD BE FAMOUS (Shannon Agnew): 2013 Fringe review
Keep an eye (and an ear) out for Shannon Agnew. Her new show, IF I WERE A DRAG QUEEN, I WOULD BE FAMOUS, is a…
View More [50] IF I WERE A DRAG QUEEN, I WOULD BE FAMOUS (Shannon Agnew): 2013 Fringe review
[49] LIFE AND TIMES: EPISODE 2 (Nature Theater of Oklahoma): Fringe review
Published by The Dance Journal. Republished with kind permission. LIFE AND TIMES chronicles a life from childhood to adulthood, in painful, embarrassing, mind numbing detail. Episode two (of…
View More [49] LIFE AND TIMES: EPISODE 2 (Nature Theater of Oklahoma): Fringe review
[48] FEDERAL DETENTION: THE MUSICAL (The Panic Hour): Fringe review
When the members of the Panic Hour talk about 9/11, reptilians, and the Federal Reserve, I don’t think they’re kidding. Imagine if Ron Paul wrote…
View More [48] FEDERAL DETENTION: THE MUSICAL (The Panic Hour): Fringe review
[47] THE TOOLS OF IGNORANCE PRESENT: HIGH CHEESE (Tools of Ignorance): Fringe review
It’s a shame theater and sports don’t intersect more often. The goings-on of the four major professional sports—especially in Philadelphia—never fail to provide fans with…
View More [47] THE TOOLS OF IGNORANCE PRESENT: HIGH CHEESE (Tools of Ignorance): Fringe review
[46] ETERNAL GLAMNATION (Brat Productions): Fringe review
A remount of Jess Conda’s gloriously glitzy glam-rock musical that enjoyed a smash-hit world premiere at the 2012 Fringe, Brat Productions’ ETERNAL GLAMNATION invaded this…
View More [46] ETERNAL GLAMNATION (Brat Productions): Fringe review
[45] ON THE CONCEPT OF THE FACE REGARDING THE SON OF GOD (Societas Raffaello Sanzio): Fringe review
Life involves shit and gets messy. Life is anguish and suffering. Life is also care, love, frustration, solace, and release. Life is not easy for…
View More [45] ON THE CONCEPT OF THE FACE REGARDING THE SON OF GOD (Societas Raffaello Sanzio): Fringe review
[44] DUTCH MASTERS (Azuka Theatre): Fringe review
1992. It’s sixteen years before Barack Obama is elected president, but New York City has its first (and still only) black mayor, David Dinkins, soon…
View More [44] DUTCH MASTERS (Azuka Theatre): Fringe review
[43] DIRTY JOKE (Jennifer Blaine/5,000 Women): Fringe review
Actor/comedian Jennifer Blaine was a feature of the Philly Fringe for its first decade. Returning for the first time since 2007, she brings back one…
View More [43] DIRTY JOKE (Jennifer Blaine/5,000 Women): Fringe review
[42] LEO (Y2D Productions, in association with Chamäleon Productions): Fringe review
Montreal-based performer William Bonnet (formerly of 7 Fingers, who delighted in last year’s Philadelphia Live Arts with Sequence 8) executes a seamless blend of dance,…
View More [42] LEO (Y2D Productions, in association with Chamäleon Productions): Fringe review
[41] DREADFULLY WHITE (Susan Pope): Fringe review
For the first few years of the Philly Fringe, it cost like five dollars to see a show. You could take a gamble on shows…
View More [41] DREADFULLY WHITE (Susan Pope): Fringe review
[40.1] THE OBJECT LESSON (Geoff Sobelle): Fringe review
Object lesson: A demonstration of a principle using a material object, which forms the basis of the lesson and is available to be inspected. —Collins…
View More [40.1] THE OBJECT LESSON (Geoff Sobelle): Fringe review
[39] SIX FEET (ABOVE AND) UNDER: A GRAVEYARD CABARET (REV Theatre Company): 2013 Fringe review
The sun has set at Laurel Hill Cemetery. A half-moon barely illuminates the gravestones, with faint shadows moving about off in the distance. There is…
View More [39] SIX FEET (ABOVE AND) UNDER: A GRAVEYARD CABARET (REV Theatre Company): 2013 Fringe review
[38] MORE SEX-ED BURLESQUE (Chlamydia dell’Arte): Fringe review
The delightful and hilarious ladies of Chlamydia dell’Arte—Gigi Naglak and Meghann Williams—would like to educate you. They would like to sing you a song about…
View More [38] MORE SEX-ED BURLESQUE (Chlamydia dell’Arte): Fringe review
[37] ALL THE SEX I’VE EVER HAD (Mammalian Diving Reflex): Fringe review
At Plays & Players, a serene air of sophistication, and a soothing nostalgia of productions past blanket the crowd of the fully seated theater. The…
View More [37] ALL THE SEX I’VE EVER HAD (Mammalian Diving Reflex): Fringe review
[36] POLYGON COMEDY PRESENTS: THE FRINGE! (Polygon Independent Comedy): Fringe review
Courtesy of Philly “Art” Blog. Performing at POLYGON COMEDY PRESENTS: THE FRINGE! were Rosen and Milkshake and Alex Pearlman, local acts with previous stand-up credentials and unpretentious indie appeal.…
View More [36] POLYGON COMEDY PRESENTS: THE FRINGE! (Polygon Independent Comedy): Fringe review
[35] OPERA MACABRE: EDGAR ALLAN POE (Philadelphia Opera Collective): Fringe review
An original chamber opera by the exciting young Philadelphia Opera Collective, OPERA MACABRE—which fittingly opened on Friday the 13th!—captures all the hair-raising suspense and psychological…
View More [35] OPERA MACABRE: EDGAR ALLAN POE (Philadelphia Opera Collective): Fringe review
THE SEA PLAYS (Philadelphia Artists’ Collective): 2013 Fringe review 32.2
Eugene O’Neill’s early maritime heart-wrenchers, Bound East for Cardiff and In the Zone, are brought to life in the Philadelphia Artists’ Collective’s devastatingly effective site-specific…
View More THE SEA PLAYS (Philadelphia Artists’ Collective): 2013 Fringe review 32.2