Phindie is the place for Philadelphia coverage coverage, with the best previews, interviews with artists, and reviews.
Annielille Gavino-Kollman’s piece focuses on the immigrant experience and includes a cast drawn from diverse cultural backgrounds, all of which influence the music and movement of the work.
View More Foreign Affair: Annielille Gavino-Kollman talks diversity and dance ahead of Fringe show FORE-IGN FORE-OUT
Dance takes center stage this year at the 20th Fringe Festival with 6 curated performances and over 27 Independent Fringe Fringe shows.
View More The Ultimate Guide to Dance at the 2016 Fringe Festival
Chris compares the Edinburgh and Philly Fringe festivals and shares his thoughts on waking up to the scent of Napalm.
View More The Lonely Heart of Darkness: Chris Davis on his ONE-MAN APOCALYPSE NOW
This 60-minute spectacle of trangressive theater sounds like a seriously good Fringe time. Zach Trebino and Jenni Messner tell more.
View More Sex Public and Private: Artist lovers bring STORY OF MY EYE to the Fringe
Tina Brock talks about Idiopathic Ridiculopathy Consortium’s Fringe show Eugene Ionesco’s THE CHAIRS.
View More Ionesco Anticipation: IRC’s Tina Brock on another buzz-worthy Fringe show, and her favorite chair
Can’t decide what to see in the 2016 Philadelphia Fringe Festival? Check out Deb Miller’s recommendations in her annual top picks preview.
View More Deb Miller’s Top Picks for the 2016 Philadelphia Fringe Festival
A commentary on technology, as well as a platform for cultural and philosophic questions
View More THE EXTRA PEOPLE (Ant Hampton): 2015 Fringe review 71
Stein makes you notice things about the Iron Factory that you would not have noticed before
View More BELLOWS FALLS (Leah Stein Dance Company): 2015 Fringe review 70
Sothis devises experimental theater to call attention to collective and conscious freedom.
View More SECOND SKULL (Sothis Music-Theater Ensemble): 2015 Fringe review 69
The Philadelphia Fringe Festival aims to celebrate innovation and creativity, and Vervet Dance certainly lived up to that goal
View More BOING! (Vervet Dance): 2015 Fringe review 68
Covering everything from a cell wall to the Great Wall of China, WALLS explores of how walls—and the acts which build and destroy them—shape lives
View More WALLS (Darcy Lyons): 2015 Fringe review 67
An intensely physical performance rooted in an extreme manifestation of experience, SOUL PROJECT, is able to create a powerful reaction of joy and passion
View More SOUL PROJECT (David Zambrano): 2015 Fringe review 66
Three works focused on “the female embodied”.
View More TRACES OF SHE (Evalina Carbonell, Meredith Stapleton, Kat J. Sullivan): 2015 Fringe review 65
Director Tina Brock shares her thoughts as she steps into the lead role for IRC’s final performances of EXIT THE KING
View More When an actor cannot move, the director has to jump in: Tina Brock is the new KING in the sold-out final performances of Ionesco’s classic
A theater company, in the midst of financial crisis, ventures into new and risky territory in its upcoming production of The Tempest.
View More NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64
100 is more than an elegantly written play told in random pieces—it’s an intense experience if you are open to it.
View More 100 (Sam Henderson): 2015 Fringe review 63
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 9: SOLDIER BEAR (Leila and Pantea Productions)
An exploration of unrepeated and layered movements, Gregory Holt’s 2,000 MOVEMENTS is a living archive of body and space
View More 2,000 MOVEMENTS (Gregory Holt): 2015 Fringe review 62
A clever new take on Shakespeare’s early romantic comedy imparts the flavor of 1960’s-70s Americana with live country-rock music and a multi-talented cast of actors/singers/musicians.
View More LOVE’S LABOUR’S LOST (Revolution Shakespeare): 2015 Fringe review 61
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 8: JUMP THE MOON (Philadelphia Opera Collective)