Philadelphia’s first and largest LGBTQ theater festival, GayFest! by Quince Productions, returns this August 5-23 to Plays and Players Skinner Studio. Opening this year’s festival is the The Bang Group’s HEAD OVER HEELS, a high energy mix of concert dance, slapstick, and musical theater in a cabaret setting. Artistic director and choreographer David Parker took time with me to offer some insights into the dance and his New York City dance ensemble’s interests in creating the piece.
View More Quince Productions’ GayFest! kicks off with HEAD OVER HEELSCategory: Features
The Walnut Street Theatre: Part 2, Crafting a Popular Season
In the second of her three-part series on the Walnut Street Theatre, Katelyn Behrman looks at how the Walnut puts together its season of popular productions, and considers the opportunities presented by the second stage and rented facilities.
View More The Walnut Street Theatre: Part 2, Crafting a Popular SeasonDeb Miller’s 15 Top Picks for the 2014 Philadelphia Fringe Festival
Phindie will provide more Philly Fringe Festival coverage than any publication in the world! Coverage begins with 15 picks from star Phindie writer Deb Miller.
View More Deb Miller’s 15 Top Picks for the 2014 Philadelphia Fringe FestivalThe Walnut Street Theatre: Part 1, The People’s Playhouse
In the first section three-part series, Kathryn Behrman sits down with Walnut artistic director Bernard Havard and other local theater folk to consider the playhouse’s commitment to popular entertainment.
View More The Walnut Street Theatre: Part 1, The People’s PlayhouseSebastian Cummings talks about LIFE ON THE FRINGE
Sebastian Cummings has always been a little edgy. A military brat, a black man in the white suburbs, a Jamaican American in African American black society, a gay…
View More Sebastian Cummings talks about LIFE ON THE FRINGESustainability and the Artist
Lately I’ve been thinking about that “worthwhile strategy” in regards to making a living as a theatre artist. Too many of my colleagues can’t afford to get sick, and certainly can’t afford to start a family. An interview with Charlotte Ford (revealing she’s stepping away from theater to go back to school for speech pathology) seems to have sparked a vigorous public debate about how difficult it is to make a living as an artist, and what can be done about it.
View More Sustainability and the ArtistThe Ups and Downs of Success: Theater artists between jobs
“There aren’t enough cocktails to help me understand why I continue to be an actor! This shit is for the birds!”
Thus begins the Facebook entry by Joey, a dancer-actor-singer who played many roles along the U.S. east coast, but recently did not get hired for a new musical.
View More The Ups and Downs of Success: Theater artists between jobsPhilly Performing Artists Discuss their Untenable Careers: Video from the Philadelphia Artists Summit
Josh McIlvain’s interview with Charlotte Ford “The untenable career of a successful Philadelphia theater artist” sparked some soul-searching among Philadelphia performers. They met on June 23rd to discuss.
View More Philly Performing Artists Discuss their Untenable Careers: Video from the Philadelphia Artists SummitAsaki Kuruma on Writing, Immigration, and the Racial Dynamics of Philadelphia Theater
“It’s really hard to do acting and make a living unless you’re really good—and a Caucasian man.”
View More Asaki Kuruma on Writing, Immigration, and the Racial Dynamics of Philadelphia TheaterFull House (Quince): You deserve a cabaret!
Downtown theater company Quince Productions – the punchy, LGBTQ-leaning bunch that puts on GayFest! every August – opens their sixth annual Full House cabaret series this Thursday in its ancestral home, the Red Room at the Society Hill Playhouse, and it’s looking as wicked, delightful and boozy as ever. (Boozy because your ticket includes the price of a drink.)
View More Full House (Quince): You deserve a cabaret!MICHAEL THE REBEL (Humble Treasure): Tearing up the German Society library
Director Manon Manavit had not heard of Heinrich von Kleist when she found a copy of his Michael Kohlhaas on a street in Montreal. It’s easy to understand why she was attracted to the text.
View More MICHAEL THE REBEL (Humble Treasure): Tearing up the German Society libraryManon Manavit: Taking Philadelphia by Sturm und Drang
Phindie talks to Manon Manavit, a future star of Philadelphia performing arts, before her debut show in the city. She just relocated from Montreal, where she worked with Cirque Du Soleil.
View More Manon Manavit: Taking Philadelphia by Sturm und DrangPhiladelphia Misses Kate Brennan: Interview with the now NYC-based actor and producer
Kate Brennan lit up the Philadelphia stages for years as an actor and producer for BCKSEET Productions. Now NYC-based, she’s back in town this summer for an offbeat theater camp. Phindie asks her about this and her memories of Philly.
View More Philadelphia Misses Kate Brennan: Interview with the now NYC-based actor and producer30/30 Vision: Tamanya Garza on Latinos in Philadelphia theater
Phindie talked to Tamanya Garza, a longtime leader of the Philadelphia Latino theater community and director of EL NOGALAR, part of the three-play 30/30 series exploring Latino theater.
View More 30/30 Vision: Tamanya Garza on Latinos in Philadelphia theaterPutting the value on the art of performing art
The support for performing arts organizations and artists, of all sizes, pales in comparison to the type of funding that art museums obtain. It is time to start placing more value on the “art” part of performing arts.
View More Putting the value on the art of performing artInterview with Charlotte Ford: The untenable career of a successful Philadelphia theater artist
Philadelphia’s theater scene is better than ever—haven’t you heard? But so few of its practitioners can eke out a living wage from it. This interview Charlotte Ford takes a serious look at how poor the health of the theater industry is in this city.
View More Interview with Charlotte Ford: The untenable career of a successful Philadelphia theater artistTHE FUTURE has arrived: Interview with Peter Gaffney, musical creator of BRAT’s latest production
In ALWAYS COMING SOON: THE FUTURE, BRAT Productions takes another look at what the future holds, and the auguries are not pretty: Derelict clowns, aggressive barkers, and obscene control culture. But THE FUTURE is funny and fun: It’s another of the entertaining rock cabarets which the company has launched in recent years,
View More THE FUTURE has arrived: Interview with Peter Gaffney, musical creator of BRAT’s latest productionThe fault, dear Brutus, Act III: Makoto Hirano interviews Lantern AD Charles McMahon about “Super Racist” Julius Caesar
Makoto Hirano asks Lantern artistic director Charles McMahon some tough questions about the “Super Racist” Julius Caesar. And a clearly contrite McMahon does his best to explain the process that lead to the company’s misguided choices.
View More The fault, dear Brutus, Act III: Makoto Hirano interviews Lantern AD Charles McMahon about “Super Racist” Julius CaesarCommunitas Organizer: Interview with Ben Grinberg about his dance circus theater
Together with collaborator Nick Gillette, Ben Grinberg founded Almanac Dance Circus Theatre to offer production of his unique brand of acrobatic theater. Almanac’s inaugural show, Communitas, launches this May 22-24 at Christ Church Neighborhood House. Phindie asked Ben a few questions about the show and his new company.
View More Communitas Organizer: Interview with Ben Grinberg about his dance circus theaterChecking in with Adrienne Mackey: Musing on the future of theater arts and artists
Adrienne Mackey, 32, is the artistic director of Swim Pony Performing Arts, a performing arts company that prides itself on presenting work that is “loud, strange, and never seen before on earth.”
View More Checking in with Adrienne Mackey: Musing on the future of theater arts and artists