Matt Pfeiffer talks love of Shakespeare and SHAKESPEARE IN LOVEView More Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)
By revealing the plot through meta layers, Goidel reinforces the idea that we’re watching self-discovery through art.View More THE GAP (Azuka): Self-discovery onstage
What exactly is the relationship between Jean and Terry?View More JEAN & TERRY (FringeArts): A mystery of the heart
Philadelphia artist Melissa Krodman and long-time collaborator Kelly Bond enter the mind’s eye for an experimental new play.View More Theater in Sketch: JEAN & TERRY
The second part of No Face Performance Group’s ABBOT ADAM series begins with the faintly absurd and moves to the thoroughly absurd.View More ABBOT ADAM: NONE (No Face/ FringeArts): What does it all mean?
This three-part series by Miguel Gutierrez explores the difficulties of the performer’s life and career.View More AGE & BEAUTY, parts 1 & 2 (Miguel Gutierrez/ FringeArts): Choreographing the harsh realities of being a working artist
In George + Co.’s HOLDEN, J. D. Salinger hasn’t published another book since two assassins blamed his The Catcher in the Rye for their own acts of violence.View More Holden (George + Co.): Violence in the 21st
You are in a spacey kind of facility thing. It’s all white in there, with some technological lookin’ kinda lights. There are three doors; soon,…View More  BASTARD PIECE (No Face Performance Group): Fringe review