In adapting THE BLUEST EYE, Lydia R. Diamond trusts Toni Morrison.
Republished by kind permission from Neals Paper. Vocally, Jenny Lee Stern channels Patsy Cline. The clean, heartfelt sounds register. Physically, I kept seeing Judy Garland and began hoping Stern, a known…
Mel Brooks’s THE PRODUCERS has gone from Screen Comedy to Musical Comedy to Screen Musical Comedy and back to the stage again.
The choreography is intellectual and at the same time improvisational and spontaneous
If you’re a Leonard Bernstein fan, don’t miss the terrific new exhibit at the National Museum of American Jewish History.
SWAN LAKE is the classic that people think of when they hear the word “ballet.”
The Curtis Institute of Music and Opera Philadelphia’s stunning production Leonard Bernstein’s opera, A Quiet Place, is one of many worldwide celebrations of his centennial;
The program showcases the company’s unique character and the strength.
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
David Bradley’s production of this classic is a sterling example of a strong scripts coupled with a great ensemble.
Catherine Trieschmann’s THE MOST DESERVING is an all out cuckoo cultural clash, insanely hilarious as performed at Allens Lane
Danton, Marat, Robespierre, and their ilk have mostly been forgotten, while the guillotined Marie retains fame.
If you’re a fan of TV police procedurals this is the play for you.
Frank Ferrante can turn into his boyhood and current idol, Groucho Marx, on a dime.
Perhaps it is Harris’s adept characterization of economic pains and societal pressures which sets light romantic comedy in pleasant relief.
Light, shadows, sound and silences coalesce with acting artistry to create a stirring, sensational air of suspense
Ballets Jazz de Montréal returned to the Prince Theater this weekend to perform three Philadelphia premieres.