Malpaso Dance Company brings heat to the Prince Theater with energetic dancers trained at Cuba’s national dance schools.
Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.
In a city cooled by icy air, BalletX heats up the Wilma Theater with a two-week run of Winter Series 2017
Comparinge the absurdist comedy of Giraudoux with the serious drama of Ibsen.
SANS EVERYTHING (FringeArts): Artificial Intelligence with Lightning Rod Special + Strange Attractor
Humanity creates its own godhead – AI – that longs to experience its creators through Shakespeare
Philly’s favorite absurdist company Idiopathic Ridiculopathy Consortium revives Jean Giraudoux’s THE ENCHANTED.
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
Theatergoers who long for the good ol’ days of pre-political correctness will love it. Everyone else, just enjoy the ride.
Two shows by Philadelphia writer Mary Tuomanen opened on consecutive nights last week, providing a singular opportunity to assess common threads tying together works by the author.
Through performance, we how to keep our boundaries and respect each other, sharing what we love and cherish
Bedlam’s imagination and the energy of their acting make their production stand out.
The play has a compelling point to make about the diversity of truth and mutual respect, but in the end, it’s difficult to take the argument seriously.
AND THEN THERE WERE NONE (Allens Lane): This production of Agatha Christie’s classic stays close to the original
The real horror of Christie’s original ending sits in discord with the show’s campy beginning.
Familiarity with the pan-galactic Hitchhikers Guide isn’t necessary to appreciate this cosmic comedy, just a general suspension of time, disbelief and willingness to have infinite fun.
Leave cynicism in the lobby and pick it up later