The best bartenders remember you by the names of the cocktails you drink.
How do you capture A BILLION NIGHTS ON EARTH in a 90 minute play while appealing to an audience aged 3-99?
Another other take on NPL’s HELLO BLACKOUT!
Relevant themes and ideas rarely seen on an opera stage
The Fringe is an excellent place for companies to mount political protest plays
The promise of “something for everyone” is both too little and too much.
It looks like a father’s love went into the making of this big adventure, Phillips’s warmest work yet.
A beautiful spectacle, full of humor, sadness, joy and handstands
How did Kellyanne Conway go from Hammonton, New Jersey blueberry-packing champ to the first woman to manage a successful U.S. presidential Campaign?
TOWN feels like a writer’s first draft. Ultimately, nothing seems to be at stake.
Asya Zlatina’s new work STORM is sophisticated and well-done.
Razors pain you; Rivers are damp; Acids stain you; And drugs cause cramp. Guns aren’t lawful; Nooses give; Gas smells awful; You might as well live .—”Resumé” by Dorothy Parker…
How could so many juries acquit so many killers of unarmed African Americans.
A surprising reminder of how good it is just to be alive.
THE GROOM’S A FAG; THE BRIDE’S A CUNT; THE BEST MAN’S A WHORE; AND THE MAIDEN OF HONOR (JUST) HUNG HERSELF IN THE CLOSET (On the Rocks): 2017 Fringe review
On the Rocks proves you can dismantle the master’s house with his tools.
In (MISS) JULIE, Svada Theatre Collective gives the naturalistic classic a much-needed reinterpretation.
A mythical world of secret rituals: special handshakes, dream sharing, playacting the stories of their ancient namesakes