Suspense is just a side effect to this crime-ridden film that’s not a crime film

THE (TORTURE) REPORT is captivating start to finish — the audience is expected to keep up with all the timeline and key elements changing the course of the investigation, and…

Prepare to be outraged, triggered, maybe cringe a bit, cry a bit, smile a bit, or get up and cheer for justice. At the very least, you’ll grow more empathy…

The more things change, the more they stay the same.

An exciting film from a duo of filmmakers who I will surely be watching out for.

You’ve never seen a movie like HARRIET

Even those not on board with the film’s themes will be won over by the sensory experience

A stunningly realized world with an ensemble of legends doing what they do best

If Bacurau is what an international genre film looks like, color me excited, because it’s a great look.

There is nobody making films like Quentin Dupieux. The gleefully immature DEERSKIN might be his most mature work yet

Appropriately enough, THE LODGE leaves us cold.

It’s not to be missed. And that’s no bull.

This years Palme d’Or winner at Cannes was also the opening night film for the 28th annual Philadelphia Film Festival.

Perhaps the biggest compliment I can give the film is also the one that scares me most: I want to listen to more country.

The film blogosphere has been alight about Joseph Kahn’s latest feature, Bodied, since its explosive debut at TIFF over a year ago.

In this world, space isn’t the final frontier. It’s the California desert post-gold rush.

Dan Scully reviews the latest movie from the director of The Lobster.

Like all good thrillers, THE GUILTY weaves in current issues from the real world,

Call me a snob, but I’ve never understood the idea of enjoying something ironically. The enjoyment of the “it’s so good it’s bad” phenomena for movies like The Room tend…

A film with a concept you didn’t know you needed