Events of all types are held at L'Etage Cabaret at 6th and Bainbridge streets.

Striptease Fundraiser: A true story

Henrik Eger tried to go to a fundraiser for Hidden River Arts… and ended up at a burlesque show instead.

Raw Onion Review, IRC, May 3, 2015, vertical

That’s Just Like Your Opinion, Man: RAW ONION REVIVAL (IRC) actors become their own critics

Every actor has experienced theater critics who got things a little wrong. Here’s their chance to peel their own onion.

Rott (Steve Underwood) interrogates Bonhoeffer (Chase Byrd) against swastika background. Photo by © James Jackson.

A Theologian and the Nazis: Interview with Mary Ruth Clarke, playwright of BONHOEFFER’S COST (Beacon Theatre Productions)

We spoke to Mary Ruth Clarke her thought-provoking play based on an extraordinary German theologian who worked for the anti-Nazi resistance.

The innocent Bonhoeffer (Chase Byrd) holding hands with his naïve fiancée (Anna Lou Hearn) with Klopstock (Adam Hammet) on duty, but not interfering. Photo by  © James Jackson.

BONHOEFFER’S COST (Beacon): 60-second review

A serious drama about the last year and a half of a short, fascinating life.

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“My greatest challenge as a director on Shakespeare”: Alex Burns on language in MACBETH (Arden), part 2

“The magic of Shakespeare is not in his plots. Shakespeare’s genius is his poetry,”

Alexander Burns directing MACBETH at the Arden

“I was born into Shakespeare, the American Shakespeare”: Alex Burns on directing MACBETH (Arden), part 1

I will never forget the first time I saw Hamlet. My sister and I were out playing on the street in Mount Airy, Philadelphia.

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Physical, Naked Honesty On Stage: Interview with Zainab Jah, female Hamlet at the Wilma Theater

Interview with British actor Zainab Jah, who takes on the role of HAMLET at the Wilma Theater.

LC poster lansdowne folk club March 2015

LAST CHANCE: From law to lyrics, from classics to folk, interview with Jack Scott and Ingrid Rosenback, Philadelphia’s popular duo.

Last Chance, the musical duo of singer-songwriter Jack Scott (banjo and guitar) and fiddler-vocalist Ingrid Rosenback, has been playing together since 2011 and as a duo since 2012.

Kirsten Quinn and Renee Richman-Weisband in Isis Productions’ COLLECTED STORIES (Photo credit: Kristine DiGrigoli)

COLLECTED STORIES (Isis): Lifting the mothballed veils of secrecy

Donald Margulies’s shocking intergenerational encounter COLLECTED STORIES is given a brutal performance at the Walnut Street Theatre Studio

Buck Schirner and Daniel Fredrick in Mickle Street at Walnut Street Theatre’s Independence Studio on 3. Photo by Mark Garvin.

MICKLE STREET (Walnut): There is more to life than theatrics

Philadelphia playwright Michael Whistler’s latest play, Mickle Street, shows Oscar Wilde, 27, searching for an identity and seeking out advice from older poet Walt Whitman.

Jeanne Sakata at Courage in Action, University of Washington Library Special Collections, Feb. 22, 2014, photo by Joe Mabel

A “real” American isn’t just a white American: Jeanne Sakata and the Journey of Gordon Hirabayashi. Part 2 of the interview with the playwright of HOLD THESE TRUTHS (Plays & Players

Jeanne Sakata gives another interview on her moving play HOLD THESE TRUTHS, about Gordon Hirabayashi’s battle with the Supreme Cour to stop the injustices of Japanese American internment camps.

Denise Shubin with crown, color

“We are not nearly as special as we think we are!”: Denise Shubin gives a candid interview about the Philadelphia theater community

For almost three decades, hundreds of theater artists and young companies spread their wings at the Shubin Theatre, Denise Shubin’s converted house on Bainbridge Street.

Rebecca Wright by Kathryn Raines, 2015-02-20

Meta-morphing Kafka’s Gregor: Interview with director Rebecca Wright in THE METAMORPHOSIS, (Quintessence Theatre Group)

Henrik Eger talks to director Rebecca Wright about her work and influences.

Jeanne Sakata (Photo by Lia Chang)

However Painful the History: Interview with Jeanne Sakata, playwright of HOLD THESE TRUTHS (P&P)

One of the most shameful aspects in modern US history took place during World War II, when large numbers of Japanese-American citizens of all ages, including babies, were forced to…

Michael Hollinger, backyard headshot by Megan Bellwoar

UNDER THE SKIN Gets Under My Skin: Interview with playwright Michael Hollinger

Henrik Eger talks to playwright Michael Hollinger about his latest work, UNDER THE SKIN.

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Intergenerational Theater, part 2: Penelope Reed on working with a young director in ON THE VERGE (Hedgerow)

In this two-part series, Henrik Eger talks to Penelope Reed and Kittson O’Neill about their intergenerational collaboration in Hedgerow Theatre’s ON THE VERGE.

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Intergenerational Theater, part 1: Kittson O’Neill talks about directing the veteran cast of ON THE VERGE (Hedgerow)

In this two-part series, Henrik Eger talks to Penelope Reed and Kittson O’Neill about their intergenerational collaboration in Hedgerow Theatre’s ON THE VERGE.

Bob Weick stars as Howard Zinn in VOICES OF A PEOPLE'S HISTORY OF THE UNITED STATES.

Being Howard Zinn: Interview with Bob Weick, who plays the historian in VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players)

Henrik Eger interviews Bob Weick, who is taking on the role of the brilliant, if much maligned Howard Zinn in VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES.

John Doyle, director of VOICES OF A PEOPLE'S HISTORY OF THE UNITED STATES.
Jen silverman. Photo by Marilu Snyders.

Pretty Mbane and “Corrective Rape”: Traveling around the world with playwright Jen Silverman

Henrik Eger interviews Jen Silverman about her world premiere play THE DANGEROUS HOUSE OF PRETTY MBANE! and the issues it raises.