This play-within-a-play about a play takes place on the Bluver Theatre’s tiny stage, brightly lit, although called dim by the characters. The audience, up close…
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Tag: Tina Brock
TWO-CHARACTER PLAY (IRC): 2022 Fringe review
Nobody writes crazy, despairing, desperate women like Tennessee Williams
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Phindie editor Christopher Munden goes Into the Absurd
IRC producing artistic director Tina Brock interviews Christopher Munden about Kensington Soccer Club, Chosen by Committee, his work as a theater critic and editor, and his hungry cat Walter cat.
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IRC Goes Into the Absurd with A Weekly Virtually Existential Dinner Conversation
Philly’s absurdist theater company continues to bring good nothingness to life even in this time of absurd nothingness
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THE BALD SOPRANO (IRC): It’s not that way. It’s over here
We are living in absurd times
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WOMAN AND SCARECROW (Irish Heritage Theatre): When did this all end in tragedy?
An existential, feminist play of wildly mournful keening, filled with rich Ianguage, intense questions, and rueful comedy
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Spooky Queers, Reimagined Classics, Giant Misses: 2019 Fringe recap from an outsider
3 weeks. 10 plays. My first Fringe Festival.
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COME BACK, LITTLE SHEBA (IRC): 2019 Fringe review
IRC widens the scope of what absurdism means in our absurd world
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BETTY’S SUMMER VACATION (IRC): A terribly funny nightmare of a beach trip
For their June show, the Idiopathic Ridiculopathy Consortium decided to take on a grotesque play by Christopher Durang which Tina Brock directed. Brock herself has…
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Theater in Sketch: DREAM GIRL (IRC)
Chuck Schultz reviews Idiopathic Ridiculopathy Consortium’s DREAM GIRL in sketch and words.
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Getting to Know Tina Brock of Idiopathic Ridiculopathy Consortium
John Rosenberg brings his series of long-form interviews to Phindie with IRC director Tina Brock.
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ECCENTRICITIES OF A NIGHTINGALE (Idiopathic Ridiculopathy Consortium): 2018 Fringe review (2nd)
Another review of IRC’s 2018 Fringe piece.
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ECCENTRICITIES and random notes on Tennessee Williams
Tennessee Williams slept with my boyfriend’s father. I love saying that at a party.
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ECCENTRICITIES OF A NIGHTINGALE (Idiopathic Ridiculopathy Consortium): 2018 Fringe review
ECCENTRICITIES is lush, loquacious and very typical Tennessee Williams: lonely, sex-starved women, men struggling against overbearing mothers, desperation everywhere.
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THE WOMEN OF IRELAND (Irish Heritage Theater): Short Irish classics
From modern to historic, tragic to fantastic, THE WOMEN OF IRELAND views the feminine from many angles, creating a fleshed out sculpture of Irish life.
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Remembering TIME REMEMBERED: Interviews with the IRC cast
Henrik Eger talked to the IRC cast about their production of Jean Anouith’s play.
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Theater in Sketch: TIME REMEMBERED (IRC)
Sketches of TIME REMEMBERED by Jean Anouilh, presented by the Idiopathic Ridiculopathy Consortium February 6-March 4, 2018 at the Walnut Street Theatre Studio 5
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TIME REMEMBERED (IRC): What is love and how do we kill it?
The IRC prove once again that they are able to pluck strange fruits out of theatrical history and serve them up ably.
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Dinner for One: The greatest cult film you’ve never heard of
A comedy little known in its native Britain has become a cult favorite in Germany.
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International Fringe 2017: A welcome to theater from around the world coming to the Philadelphia Fringe Festival
Welcome to Philadelphia, international Fringe artists.
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