Michael Osinski is a Philadelphia-based director, educator, and deviser (a person who works with a form of theater where the script originates not from a…
View More The Howl of the Under-Represented: Interview with WOLVES director Michael Osinski
Tag: Quince Productions
HARBOR (Quince): A house of mirth
The second play in this year’s GayFest expertly navigates between comedy and tragedy.
View More HARBOR (Quince): A house of mirth
Male, Male, Female: Interview with GayFest! playwright David Kimple
Interview with the author of MMF.
View More Male, Male, Female: Interview with GayFest! playwright David Kimple
Sailing into Success at GayFest! Interview with HARBOR playwright Chad Beguelin
Talking to the playwright for GayFest! 2016’s Mainstage production.
View More Sailing into Success at GayFest! Interview with HARBOR playwright Chad Beguelin
MY FAVORITE HUSBANDS (Quince): The illogical politics of love
Political rom-com MY FAVORITE HUSBANDS launches the sixth annual LGBT theater festival, GayFest!
View More MY FAVORITE HUSBANDS (Quince): The illogical politics of love
RODEO (Quince): “Who you calling a lady?”
Throw your preconceived notions about gender aside and ride your own exasperated mule to Quince Productions’ staging of RODEO.
View More RODEO (Quince): “Who you calling a lady?”
[photo essay] Reverse Cowgirls and Hot Cowboys: Quince presents RODEO by Philip Dawkins
Photographer John Donges was at a recent run-through of RODEO, a fun family friendly play by Chicago writer Philip Dawkins.
View More [photo essay] Reverse Cowgirls and Hot Cowboys: Quince presents RODEO by Philip Dawkins
It’s Family Friendly But It Still Has Hot Cowboys: Quince director Rich Rubin on RODEO by Philip Dawkins
Quince artistic director Rich Rubin about his company, its latest production, and the unique challenges of staging a family show.
View More It’s Family Friendly But It Still Has Hot Cowboys: Quince director Rich Rubin on RODEO by Philip Dawkins
THE SECRETARIES (Quince): An erotic-hilarious farce—not suited for an embarrassed young man?
Warning: Don’t see this erotic-thriller-parody if you take life too seriously! Also: Don’t take life to seriously.
View More THE SECRETARIES (Quince): An erotic-hilarious farce—not suited for an embarrassed young man?
AT THE FLASH (Quince/GayFest!): No wigs, no props, no problem
Leeper uses the story of five disparate characters at one gay bar to trace five decades of LGBT history.
View More AT THE FLASH (Quince/GayFest!): No wigs, no props, no problem
GayFest! Reveals a Different Kind of “Love Triangle”: Interview with MOTHER TONGUE playwright F.J. Hartland, part 2
Part 2 of our interview with GayFest! playwright FJ Hartland.
View More GayFest! Reveals a Different Kind of “Love Triangle”: Interview with MOTHER TONGUE playwright F.J. Hartland, part 2
Cruising through History with Rainbow Sails at GayFest!: Interview with Sean Chandler and David Leeper, co-authors of AT THE FLASH, part 2
Part two of our interview with GayFest! cowriters David Leeper and Sean Chandler.
View More Cruising through History with Rainbow Sails at GayFest!: Interview with Sean Chandler and David Leeper, co-authors of AT THE FLASH, part 2
GayFest! Goes Beyond the Gay Archetype: Interview with Sean Chandler and David Leeper, co-authors of AT THE FLASH, part 1
Couple David Leeper and Sean Chandler created AT THE FLASH, the flagship production of GayFest! 2015.
View More GayFest! Goes Beyond the Gay Archetype: Interview with Sean Chandler and David Leeper, co-authors of AT THE FLASH, part 1
BARE: A Pop Opera – In Concert: Bare-bones budget but not a bare-bones sound. Interview with Fernando Gonzales, artistic director of Truth Be Told, Philadelphia
Fernando Gonzales, Philadelphia theater artist and co-director of Truth Be Told Productions, made his regional directing debut with The Shape of Things at the Ritz…
View More BARE: A Pop Opera – In Concert: Bare-bones budget but not a bare-bones sound. Interview with Fernando Gonzales, artistic director of Truth Be Told, Philadelphia
THE SUBMISSION (Quince): Things we dare not even think about
THE SUBMISSION revels in its unique brand of pot stirring, inflammatory, back and forth that has the characters talk openly and passionately about things most people seem reluctant to even think of—racism and homophobia.
View More THE SUBMISSION (Quince): Things we dare not even think about
“A conversation until it’s a fight”: Playwright Jeff Talbott talks about THE SUBMISSION (Quince)
An explosive tale of race, sexuality, and prejudice, THE SUBMISSION gave Jeff Talbott awards, acclaim, and a new life. Phindie talks to the playwright ahead of it’s Philadelphia premiere.
View More “A conversation until it’s a fight”: Playwright Jeff Talbott talks about THE SUBMISSION (Quince)
Making Dreams Happen: The closing of the Shubin Theatre
The much-loved little Shubin Theatre is closing. Rich Rubin shares his memories and thoughts.
View More Making Dreams Happen: The closing of the Shubin Theatre
YOU KNOW MY NAME: A DANIEL TALBOTT TRIO (Quince): Devils and saints in small-town America
Daniel Talbott’s YOU KNOW MY NAME: A DANIEL TALBOTT TRIO presents some unique challenges. Three short plays which could easily take place in the same town dwell with nearly pornographic clarity on the cruelty of the town’s inhabitants and of fate.
View More YOU KNOW MY NAME: A DANIEL TALBOTT TRIO (Quince): Devils and saints in small-town America
Photographing Quince Productions’ YOU KNOW MY NAME: A DANIEL TALBOTT TRIO
In shooting YOU KNOW MY NAME: A DANIEL TALBOTT TRIO, I wanted to capture not only the unique world in which Talbott’s plays occur, but the very different worlds of these three short plays. A kitchen (Break My Face on Your Hand), a public bench (You Know My Name), and a bedroom (What Happened When) become joyous, sinister, hopeful, despairing, or reassuring places as the plays move along and flow into one another.
View More Photographing Quince Productions’ YOU KNOW MY NAME: A DANIEL TALBOTT TRIO
THE HAUNTED HOST (Quince Productions): Neon Nihilism
On a favor called in by a friend, the misanthropic Jay agrees to let a traveling college drop-out, Frank, crash on his couch for the night. Jay has given up on his dream of becoming a writer, while Frank eagerly seeks advice and guidance on his own play. However, in a great display of “neon nihilism,” Jay teases and bullies his straight guest Frank, who looks uncannily similar to Jay’s recently deceased boyfriend. As these men come to understand each other, and themselves, we discover what it means to sacrifice yourself for lovers, friends, and art.
View More THE HAUNTED HOST (Quince Productions): Neon Nihilism