There’s a lot of Twelfth Night going around in the Philadelphia area, all different. The Wilma conjures a fresh seaside setting. A dock moves forward.…
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Tag: JungWoong Kim
TWELFTH NIGHT (Wilma): Foolery shines everywhere
“Foolery, sir, does walk about the orb like the sun; it shines every where.” Leaving Copernicus aside, the Fool’s wry remark is an apt description…
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YOU FOR ME FOR YOU (Interact): Sisters in different worlds
This thoughtful production changes how we see the world and ourselves
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A SINGLE SHARD (People’s Light): A yarn spun on a potter’s wheel
A powerful sensory experience that can be likened to listening to an engaging storyteller while staring at the fire
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BELLOWS FALLS (Leah Stein Dance Company): 2015 Fringe review 70
Stein makes you notice things about the Iron Factory that you would not have noticed before
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TURBINE (Leah Stein/ Mendelssohn Club): Stein’s water-dances power the Water Works
Greek revival structures and riverscape environs inspire an immersive choral-dance work that explores the specific interplay of machinery and nature.
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IMPROVISATIONAL DANCE PERFORMANCE (Graffito): From playful to meditative, Graffito Works movers capture the spirit at Shofuso Japanese House & Garden
It was a blistering hot day in Philadelphia as the newly formed Graffito Works dance had its launch at Shofuso Japanese House and Garden in…
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SPLICE (Leah Stein Dance Company): Fringe Review 84
In SPLICE, a single flat wave of board whoops its way through the Leonard Pearlstein Gallery, which consists of about four rooms, vaguely defined by false walls.
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