Quintessence Theatre Group explores the Shakespearean death throes of the Roman Republic.
View More JULIUS CAESAR (Quintessence): Why must republics fall?Tag: Julius Caesar
2018 Theater Preview: Quintessence Theatre Group
Quintessence Theatre Group of Mount Airy produces contemporary stagings of classic theatrical works.
View More 2018 Theater Preview: Quintessence Theatre GroupInternational Fringe 2016: A welcome to theater from around the world, including refugees
The International Philly Fringe: A welcome to 28 countries
View More International Fringe 2016: A welcome to theater from around the world, including refugeesJULIUS CAESAR (PA Shakespeare): A staging come to steal away your hearts
One must praise Pennsylvania Shakespeare Festival’s CAESAR and do everything to keep it from being buried until the maximum number of people see Patrick Mulcahy’s intelligent, timely production.
View More JULIUS CAESAR (PA Shakespeare): A staging come to steal away your heartsMen At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HAND
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
View More Men At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HAND2013/14 Critics’ Awards: The best in Philadelphia theater
For the second year, Phindie asked local theater writers to vote on the best theatrical work produced in or near the city in the 2013/14 theater season.
View More 2013/14 Critics’ Awards: The best in Philadelphia theaterThe fault, dear Brutus, Act III: Makoto Hirano interviews Lantern AD Charles McMahon about “Super Racist” Julius Caesar
Makoto Hirano asks Lantern artistic director Charles McMahon some tough questions about the “Super Racist” Julius Caesar. And a clearly contrite McMahon does his best to explain the process that lead to the company’s misguided choices.
View More The fault, dear Brutus, Act III: Makoto Hirano interviews Lantern AD Charles McMahon about “Super Racist” Julius CaesarThe fault, dear Brutus, Act II: Interview with Makoto Hirano about “Super Racist” Julius Caesar
You may have seen the Lantern Theater Company’s JULIUS CAESAR, which recast Shakespeare’s political tragedy in Feudal Japan. You may also have seen the open letter that local playwright and performer Makoto Hirano hand-delivered to The Lantern on “How to Stage Your Show Without Being Super Racist,” which he signed “Makoto Hirano, Dance-theatre artist, actual Japanese person, and actual Samurai descendent,” reposted on Phindie with Hirano’s consent.
View More The fault, dear Brutus, Act II: Interview with Makoto Hirano about “Super Racist” Julius CaesarJULIUS CAESAR (Lantern): Political persuasion in feudal Japan
If William Shakespeare was alive today he’d be a …. well, he’d probably be a poet and playwright, but he’d also make a damn good political speechwriter. The crux of his JULIUS CAESAR, now in an accessible production by Lantern Theater Company, comes in a speech following the title character’s assassination.
View More JULIUS CAESAR (Lantern): Political persuasion in feudal JapanOn the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESAR
Director Charles McMahon, founding artistic director of the Lantern Theater Company, asserts that all of Shakespeare’s plays, whenever or wherever they’re set, are in fact observations about contemporary England. By shifting the locales to places outside of his homeland.
View More On the Universality of Shakespeare: Roman History through a Shoji Screen in the Lantern’s THE TRAGEDY OF JULIUS CAESARShakespeare in Philadelphia: The Arden’s Romeo and Juliet Introduces a Season of the Bard
Four hundred years after his death, William Shakespeare remains the world’s most produced playwright. For evidence of his enduring popularity look no further than the region’s stages:…
View More Shakespeare in Philadelphia: The Arden’s Romeo and Juliet Introduces a Season of the Bard