Matt Pfeiffer talks love of Shakespeare and SHAKESPEARE IN LOVE
View More Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)
Tag: Jahzeer Terrell
Spooky Queers, Reimagined Classics, Giant Misses: 2019 Fringe recap from an outsider
3 weeks. 10 plays. My first Fringe Festival.
View More Spooky Queers, Reimagined Classics, Giant Misses: 2019 Fringe recap from an outsider
OPERATION: WAWA ROAD TRIP (Tribe of Fools): 2019 Fringe review
Take a wild ride to a very special Wawa.
View More OPERATION: WAWA ROAD TRIP (Tribe of Fools): 2019 Fringe review
Fringe preview: A run to Wawa
Fringe favorites Tribe of Fools look at the unlikely places people consider home
View More Fringe preview: A run to Wawa
KING LEAR (Quintessence): England at his feet
As Lear, Robert Jason Jackson is “every inch a king.
View More KING LEAR (Quintessence): England at his feet
Theater in Sketch: THREE SISTERS TWO (EgoPo)
Chuck Schultz gives his thoughts in words and sketch
View More Theater in Sketch: THREE SISTERS TWO (EgoPo)
MARY ROSE (Philadelphia Artists’ Collective): 2018 Fringe review
However crammed your Fringe calendar may be, don’t miss this one.
View More MARY ROSE (Philadelphia Artists’ Collective): 2018 Fringe review
Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)
The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
View More Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)
LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
View More LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
International Fringe 2016: A welcome to theater from around the world, including refugees
The International Philly Fringe: A welcome to 28 countries
View More International Fringe 2016: A welcome to theater from around the world, including refugees
THE MANDRAKE (Quintessence): A Machiavellian sex satire
What could be so funny in a play written nearly 500 years ago? There is something for everyone to either laugh or balk at in this bawdy production of a play by Machiavelli.
View More THE MANDRAKE (Quintessence): A Machiavellian sex satire
ROMEO AND JULIET (Quintessence): What fray was here?
In the eyes of director Alexander Burns this doomed romance never stood a chance.
View More ROMEO AND JULIET (Quintessence): What fray was here?
MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]
The elements which displease other writers are what makes this production a success, according to Michael Fisher in review five of the ongoing Critical Mass series.
View More MACBETH (Arden): Rare emotion and rarer straightforwardness [critical mass review #5]
MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]
Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.
View More MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]
MACBETH (Arden): Fast but not furious [critical mass review #2]
Alexander Burns’ production of MACBETH at Arden Theatre Company is energetic and visually engaging, but it lacks ferocity and substance.
View More MACBETH (Arden): Fast but not furious [critical mass review #2]
MACBETH (Arden): Bloody bold and resolute [critical mass review #1]
Burns maintains the energy and pacing of his best work for Quintessence and takes full advantage of the Arden’s high production values to create an exuberant and understandable version of Shakespeare’s masterpiece.
View More MACBETH (Arden): Bloody bold and resolute [critical mass review #1]