The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
View More Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)Tag: Ed Swidey
LYDIE BREEZE PART 2: AIPOTU (EgoPo): Seeking utopia
EgoPo’s presentation of John Guare’s Lydie Breeze continues with a look at a New England utopia.
View More LYDIE BREEZE PART 2: AIPOTU (EgoPo): Seeking utopiaLYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
View More LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow2018 Theater Preview: EgoPo Classic Theatre
EgoPo Classic Theatre focuses its 2017/18 series on the work of John Guare with the world premiere of Guare’s Lydie Breeze Trilogy as one fluid theatrical experience.
View More 2018 Theater Preview: EgoPo Classic TheatreBLOOD WEDDING (Wilma): Movement in the veins
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
View More BLOOD WEDDING (Wilma): Movement in the veinsSEAGULL (EgoPo): A comedy of torn hearts and thwarted dreams
The pathetically unfulfilled romantic expectations! The sad characters and absurd human comedy! EgoPo nails it, and beautifully. Sketches by Chuck Schultz.
View More SEAGULL (EgoPo): A comedy of torn hearts and thwarted dreamsAN OCTOROON (Wilma): A melodrama, a social commentary, an experience
Beyond being entertaining and thought-provoking, Branden Jacobs-Jenkins’s AN OCTOROON is an experience
View More AN OCTOROON (Wilma): A melodrama, a social commentary, an experienceChickabiddy to Perform in the MANTIS SINGER/SONGWRITER SHOWCASE at The Troc
Multi-talented theater artists Aaron Cromie and Emily Schuman formed Chickabiddy in 2015.
View More Chickabiddy to Perform in the MANTIS SINGER/SONGWRITER SHOWCASE at The TrocWhat Can The Wilma Do With $10 Million?
A new $10 million in funds includes money for an updated facade, a cafe space, and a 10-member artistic company.
View More What Can The Wilma Do With $10 Million?HANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindness
A world-premiere stage adaptation of Mary Mapes Dodge’s 19th-century children’s story delivers a clear message about the importance of kindness and understanding.
View More HANS BRINKER AND THE SILVER SKATES (Arden): The sweet rewards of hope, understanding, and kindnessANTIGONE (Wilma): Spectacular, but a spectacular failure
The man behind the 2013 Fringe Festival hit AJAX, The Madness directs his version of ANTIGONE for the Wilma Theater.
View More ANTIGONE (Wilma): Spectacular, but a spectacular failurePicks for Best in Theater, 2014/15, by Philly Reviewer Neal Zoren
Each year, Philadelphia-based reviewer Neal Zoren announces his choices for the Helen and Morris Zoren Awards for World Theater. A fair number of the picks on Neal’s list are performers and productions from the Philadelphia area.
View More Picks for Best in Theater, 2014/15, by Philly Reviewer Neal ZorenROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in three parts
Tom Stoppard’s ROSENCRANTZ AND GUILDENSTERN ARE DEAD is perhaps the most ubiquitous work of postmodern drama.
View More ROSENCRANTZ AND GUILDENSTERN ARE DEAD (Wilma): A contemporary classic, in three partsHAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distance
Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.
View More HAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distanceShakespeare vs Stoppard: Exploring the Wilma’s dream pairing of HAMLET and ROSENCRANTZ AND GUILDENSTERN ARE DEAD
Two of the best plays in the English language share most of the same characters and much of the same dialog. The Wilma is doing them in successive productions.
View More Shakespeare vs Stoppard: Exploring the Wilma’s dream pairing of HAMLET and ROSENCRANTZ AND GUILDENSTERN ARE DEADTheater Artists Making Beautiful Music in NY and Philly
The theater community contains a wealth of multi-talented artists who are not only gifted actors, but also highly skilled singers, musicians, and composers.
View More Theater Artists Making Beautiful Music in NY and PhillyClassic Plays, Living Playwrights? Interview with Ian August, author of THE MOOR’S SON (PAC)
Katherine Fritz sat down with Ian August to chat Shakespeare, history, and what it means to be the guy who says, “I think I’d like to write a sequel to Shakespeare’s Titus Andronicus.”
View More Classic Plays, Living Playwrights? Interview with Ian August, author of THE MOOR’S SON (PAC)DEATH OF A SALESMAN (EgoPo): A Jewish take on the classic of American theater
DEATH OF A SALESMAN is often seen as a cultural comment on the American Dream, in EgoPo’s production it is a moving look at a man, his son, and their personal tragedies.
View More DEATH OF A SALESMAN (EgoPo): A Jewish take on the classic of American theaterThe Return of the mEEps (White Pines)
Ed Swidey’s mEEps return for a one-night only show at White Pines place in Elkins Park, May 9, 2014.
View More The Return of the mEEps (White Pines)GINT (EgoPo): Ibsen as American folklorist
Romulus Linney’s GINT, now in an engaging staging by EgoPo Productions, does an admirable job of translating this modernist classic for contemporary audiences. Linney reworks the story so it seems to have been lifted straight from the annals of American folklore.
View More GINT (EgoPo): Ibsen as American folklorist