Everyone is welcome in Bi Jean Ngos Vietnamese kitchen
View More In Search of the Kitchen Gods (1812 Productions): A recipe for successTag: Bi Jean Ngo
BABEL (Theatre Exile): Uncertifiable
Theatre Exile’s newest offering left Josh Herren cold. He is trying to figure out why.
View More BABEL (Theatre Exile): UncertifiablePlaying God: Jacqueline Goldfinger talks about her newest play
Jackie Goldfinger on building a tower to god.
View More Playing God: Jacqueline Goldfinger talks about her newest playAiming to Change: In CANDLES, a teenaged playwright tackles gun violence
A professional production of a prizewinning student-written play
View More Aiming to Change: In CANDLES, a teenaged playwright tackles gun violenceEUREKA DAY (InterAct): 60-second review
Another, brief take on InterAct Theatre’s latest production
View More EUREKA DAY (InterAct): 60-second reviewEUREKA DAY (InterAct): An infectious satire
No easy answers, no good guys/bad guys; it’s life as we cope with it, only funnier.
View More EUREKA DAY (InterAct): An infectious satireTHE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt not
Lantern Theater’s production of THE TEMPEST, Shakespeare’s last play, is an enjoyable, modest show, full of comedy and romance and the gentle spirit of human forgiveness.
View More THE TEMPEST (Lantern): Sounds and sweet airs that give delight and hurt notSENSITIVE GUYS (InterAct): Satirizing the dialectic of sex
What’s being satirized in this social satire? Good question, with several answers.
View More SENSITIVE GUYS (InterAct): Satirizing the dialectic of sexSTRANGE TENANTS (Sam Tower + Ensemble): 2017 Fringe review
STRANGE TENANTS is a genre-busting production couched in a classic setting.
View More STRANGE TENANTS (Sam Tower + Ensemble): 2017 Fringe reviewYOU FOR ME FOR YOU (Interact): Sisters in different worlds
This thoughtful production changes how we see the world and ourselves
View More YOU FOR ME FOR YOU (Interact): Sisters in different worlds36 VIEWS (Lantern): Using artifice to reveal truths
Visually beautiful and compelling in its coherence, 36 VIEWS weaves these intellectual concepts on the uncertainty of art and life with a wholly original style.
View More 36 VIEWS (Lantern): Using artifice to reveal truthsTHE NETHER (InterAct): Lolita in Nether-land
Accompanying sketches by Aaron Krolikowski, thesketchbookreporter.com.
View More THE NETHER (InterAct): Lolita in Nether-landLIGHTS RISE ON GRACE (Azuka): Cultural identities in the stage lights
Three cleverly interconnected survival stories about the complicated nature of life, love, and family.
View More LIGHTS RISE ON GRACE (Azuka): Cultural identities in the stage lightsSHIPWRECKED! (Walnut): A delight of theater
SHIPWRECKED! goes to the heart of storytelling. It doesn’t matter whether a tale is true or false as long as it engages and even thrills.
View More SHIPWRECKED! (Walnut): A delight of theaterSketching A WINTER’S TALE (SCP)
Thursday’s performance of A WINTER’S TALE by Shakespeare in Clark Park took place in the rain venue of Drexel’s Mandell Theater, but that didn’t stop…
View More Sketching A WINTER’S TALE (SCP)VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players): This time we have to succeed
VOICES is not just provocative; it is full of infectious hope that this time, united, we really will succeed.
View More VOICES OF A PEOPLE’S HISTORY OF THE UNITED STATES (Plays & Players): This time we have to succeedCAUGHT (InterAct): On the nature of art and truth
When artful deceptions permeate an artist’s life, it casts doubt on everything we believe but never really knew.
View More CAUGHT (InterAct): On the nature of art and truthCAUGHT (InterAct): The truth is just a lie
CAUGHT marks the first entry into InterAct’s season of all-new plays. What a great start.
View More CAUGHT (InterAct): The truth is just a lieWATER BY THE SPOONFUL (Arden Theatre): Dissonance v. harmony
The tragic news of Phillip Seymour Hoffman’s death by OD has, for the moment, wrested the subject of substance abuse from the shadows and thrust…
View More WATER BY THE SPOONFUL (Arden Theatre): Dissonance v. harmonySOME OTHER KIND OF PERSON (InterAct)
The title of Eric Pfeffinger’s SOME OTHER KIND OF PERSON, now in production by Interact Theatre Company, refers to a purposefully misquoted line of Aristotle,…
View More SOME OTHER KIND OF PERSON (InterAct)