Introducing Cat on a Hot Tin Roof as “a thinking play,” Tennessee Williams wrote to his audiences: “I want to go on talking to you…
View More CAT ON A HOT TIN ROOF (Walnut Street Theatre): A thinking playTag: Bernard Havard
What’s going on behind the scenes?: Interview with Bernard Havard on working with his creative team at the Walnut Street Theatre
Bernard Havard shares his experiences with his creative team for A WOMAN OF NO IMPORTANCE by Oscar Wilde:
View More What’s going on behind the scenes?: Interview with Bernard Havard on working with his creative team at the Walnut Street TheatreAs if Oscar Wilde himself had arrived on the Walnut stage: Interview with Bernard Havard on casting and working with his actors
Part 2 of Henrik Eger’s interview with Walnut Theatre head Bernard Havard
View More As if Oscar Wilde himself had arrived on the Walnut stage: Interview with Bernard Havard on casting and working with his actorsRisks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
Bernard Havard discusses the risks of running a theater as few producers and directors would be willing to
View More Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street TheatreA WOMAN OF NO IMPORTANCE (Walnut Street): Dropping a stream of bon mots from the sofa
How wonderful that we have Oscar Wilde’s works and can go and see his plays
View More A WOMAN OF NO IMPORTANCE (Walnut Street): Dropping a stream of bon mots from the sofaA WOMAN OF NO IMPORTANCE (Walnut Street): 60-second review
A play of little importance
View More A WOMAN OF NO IMPORTANCE (Walnut Street): 60-second reviewPhiladelphia theater through the eyes of J. Cooper Robb, Part 2: 2004
Revisiting Philly theater history through the eyes of one of its finest critics.
View More Philadelphia theater through the eyes of J. Cooper Robb, Part 2: 2004PRIVATE LIVES (Walnut): Who is being mocked?
PRIVATE LIVES, as written by Coward, is funny because it exposes the savagery that exists beneath the polished façade of the English upper class.
View More PRIVATE LIVES (Walnut): Who is being mocked?Walnut Street Theatre: Part 3, The Changing Shape of Philadelphia Theater
Katelyn Behrman’s three-part series on the Walnut Street Theatre concludes with a consideration of the Walnut’s place in the changing landscape of Philadelphia theater.
View More Walnut Street Theatre: Part 3, The Changing Shape of Philadelphia TheaterThe Walnut Street Theatre: Part 2, Crafting a Popular Season
In the second of her three-part series on the Walnut Street Theatre, Katelyn Behrman looks at how the Walnut puts together its season of popular productions, and considers the opportunities presented by the second stage and rented facilities.
View More The Walnut Street Theatre: Part 2, Crafting a Popular SeasonThe Walnut Street Theatre: Part 1, The People’s Playhouse
In the first section three-part series, Kathryn Behrman sits down with Walnut artistic director Bernard Havard and other local theater folk to consider the playhouse’s commitment to popular entertainment.
View More The Walnut Street Theatre: Part 1, The People’s PlayhouseIs there money in theater? Where does it come from? Who gets it?
Phindie looks at tax returns for local theaters to see how much they brought in from what sources. We also look at who the best paid employee was for each “non-profit”.
View More Is there money in theater? Where does it come from? Who gets it?From Callow Young Lover to Successful Playwright: Interview with Eric Conger, writer of BEAUTIFUL BOY
Eric Conger is leaving his mark as a successful new American playwright, whose four produced plays include BEAUTIFUL BOY, the story of a young man’s search for his birth parents. Henrik Eger caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.
We caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.
View More From Callow Young Lover to Successful Playwright: Interview with Eric Conger, writer of BEAUTIFUL BOYTax time. Is there any money in theater?
Like the rest of us, theater companies have to file taxes. This tax day, we look at some information from the most recent publicly available tax returns (generally 2012) for some major and independent Philadelphia companies.
View More Tax time. Is there any money in theater?GOOD PEOPLE (Walnut): Grumpy Professor Review
GOOD PEOPLE is suffering a weak production at the venerable Walnut Street Theatre for seven weeks until April 28th. Criticizing the Walnut is like insulting…
View More GOOD PEOPLE (Walnut): Grumpy Professor ReviewWhy’s Everyone Such a Critic?
I’ve been a lover of the stage as long as I can remember. Mostly this love has been realized as a patron of local theaters.…
View More Why’s Everyone Such a Critic?