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Tag: 2017 Philadelphia Fringe Festival

Features Fringe Festival Fringe reviews Reviews Theater

A PERIOD OF ANIMATE EXISTENCE (Pig Iron): Creating an environment for thought

Lily Kind October 6, 2017 No Comments

It is our job as artists to create environments for people to see things differently. Pig Iron did that.

Sketches by Chuck Schultz.

View More A PERIOD OF ANIMATE EXISTENCE (Pig Iron): Creating an environment for thought
Fringe Festival Fringe reviews Reviews Theater

ALCHEMIST (Chris Davis & Mary Tuomanen): 2017 Fringe review

Kathryn Osenlund September 25, 2017 2 Comments

A friend “knows who you are and forgives you for it.”

View More ALCHEMIST (Chris Davis & Mary Tuomanen): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

TRIAGE (Bent Antennae): 2017 Fringe review

Dorie Byrne September 25, 2017 No Comments

TRIAGE is a loosely formed conceit in which a manic-fairy-pixie host wearing a gas mask prances around, forcing the audience to watch bad improv. It’s…

View More TRIAGE (Bent Antennae): 2017 Fringe review
Features Fringe Festival Theater

Fringe in Sketch: HOME (Geoff Sobelle)

Chuck Schultz September 21, 2017 No Comments

Our personal space is our own

View More Fringe in Sketch: HOME (Geoff Sobelle)
Fringe Festival Fringe reviews Reviews Theater

LABOR OF LOVE (The Waitstaff): 2017 Fringe review

Christopher Munden September 20, 2017 No Comments

Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.

View More LABOR OF LOVE (The Waitstaff): 2017 Fringe review
Features Fringe Festival Theater

Fringe in Sketch: MARX IN SOHO (Iron Age)

Chuck Schultz September 20, 2017 No Comments

MARX IN SOLO by Howard Zinn is directed by John Doyle for Iron Age Theatre.

View More Fringe in Sketch: MARX IN SOHO (Iron Age)
Dance Fringe Festival Fringe reviews Reviews Theater

LEAPS OF FAITH AND OTHER MISTAKES (Almanac): 2017 Fringe review

Dorie Byrne September 18, 2017 No Comments

A beautiful spectacle, full of humor, sadness, joy and handstands

View More LEAPS OF FAITH AND OTHER MISTAKES (Almanac): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

HOME (Geoff Sobelle): 2017 Fringe review

Kathryn Osenlund September 14, 2017 No Comments

Bringing it all back home

View More HOME (Geoff Sobelle): 2017 Fringe review
Dance Features Fringe Festival Fringe reviews Theater

LEAPS OF FAITH AND OTHER MISTAKES (Almanac Dance Circus Theatre): 2017 Fringe review

Christopher Munden September 14, 2017 No Comments

Four seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics

View More LEAPS OF FAITH AND OTHER MISTAKES (Almanac Dance Circus Theatre): 2017 Fringe review
Dance Fringe Festival Fringe reviews Reviews

INTERIOR (Leah Stein Dance Company): 2017 Fringe review

Eri Yoneda September 14, 2017 No Comments

Every aspect, element, sound, and movement feels meaningful and intentional

View More INTERIOR (Leah Stein Dance Company): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

STRANGE TENANTS (Sam Tower + Ensemble): 2017 Fringe review

Dorie Byrne September 13, 2017 No Comments

STRANGE TENANTS is a genre-busting production couched in a classic setting.

View More STRANGE TENANTS (Sam Tower + Ensemble): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

FISHTOWN: A Hipster Noir (Tribe of Fools): 2017 Fringe review

Kathryn Osenlund September 12, 2017 2 Comments

This is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.

View More FISHTOWN: A Hipster Noir (Tribe of Fools): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

HELLO BLACKOUT (New Paradise Labs): 2017 Fringe review

Julius Ferraro September 10, 2017 No Comments

More engrossing, more alienating, and more disciplined than its predecessor.

View More HELLO BLACKOUT (New Paradise Labs): 2017 Fringe review
Fringe Festival Fringe reviews Reviews Theater

EUGÈNE IONESCO’S THE BALD SOPRANO (Idiopathic Ridiculopathy Consortium): 2017 Fringe review

Julius Ferraro September 9, 2017 No Comments

The Bald Soprano always wears her hair in the same style. And The Bald Soprano, written in 1950 by Eugene Ionesco as a “tragedy of…

View More EUGÈNE IONESCO’S THE BALD SOPRANO (Idiopathic Ridiculopathy Consortium): 2017 Fringe review

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