It is our job as artists to create environments for people to see things differently. Pig Iron did that.
Sketches by Chuck Schultz.
View More A PERIOD OF ANIMATE EXISTENCE (Pig Iron): Creating an environment for thoughtIt is our job as artists to create environments for people to see things differently. Pig Iron did that.
Sketches by Chuck Schultz.
View More A PERIOD OF ANIMATE EXISTENCE (Pig Iron): Creating an environment for thoughtA friend “knows who you are and forgives you for it.”
View More ALCHEMIST (Chris Davis & Mary Tuomanen): 2017 Fringe reviewTRIAGE is a loosely formed conceit in which a manic-fairy-pixie host wearing a gas mask prances around, forcing the audience to watch bad improv. It’s…
View More TRIAGE (Bent Antennae): 2017 Fringe reviewOur personal space is our own
View More Fringe in Sketch: HOME (Geoff Sobelle)Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.
View More LABOR OF LOVE (The Waitstaff): 2017 Fringe reviewMARX IN SOLO by Howard Zinn is directed by John Doyle for Iron Age Theatre.
View More Fringe in Sketch: MARX IN SOHO (Iron Age)A beautiful spectacle, full of humor, sadness, joy and handstands
View More LEAPS OF FAITH AND OTHER MISTAKES (Almanac): 2017 Fringe reviewBringing it all back home
View More HOME (Geoff Sobelle): 2017 Fringe reviewFour seafarers embark on a voyage of escapism and mutual self-discovery, expressed through breathtakingly impressive acrobatics
View More LEAPS OF FAITH AND OTHER MISTAKES (Almanac Dance Circus Theatre): 2017 Fringe reviewEvery aspect, element, sound, and movement feels meaningful and intentional
View More INTERIOR (Leah Stein Dance Company): 2017 Fringe reviewSTRANGE TENANTS is a genre-busting production couched in a classic setting.
View More STRANGE TENANTS (Sam Tower + Ensemble): 2017 Fringe reviewThis is what you’re looking for. This is Fringe. Tribe of Fools delivers the goods… again.
View More FISHTOWN: A Hipster Noir (Tribe of Fools): 2017 Fringe reviewMore engrossing, more alienating, and more disciplined than its predecessor.
View More HELLO BLACKOUT (New Paradise Labs): 2017 Fringe reviewThe Bald Soprano always wears her hair in the same style. And The Bald Soprano, written in 1950 by Eugene Ionesco as a “tragedy of…
View More EUGÈNE IONESCO’S THE BALD SOPRANO (Idiopathic Ridiculopathy Consortium): 2017 Fringe review