THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.2
THE SINCERITY PROJECT treats sincerity like a destination as intangible as a hyperobject is immeasurable—a destination to approach but never arrive at.
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THE SOUNDPROOF ROOM (The Soundproof Room): 2016 Fringe review 29
If upon arrival it feels as though you’ve stumbled into a new age-y meet-up, that’s because in a way it is
View More THE SOUNDPROOF ROOM (The Soundproof Room): 2016 Fringe review 29
CRAVE (Svaha Theatre): 2016 Fringe review 28
Depression and mental collapse run through Sarah Kane’s CRAVE, an indictment and exploration of love presented in a series of late-night showings.
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PANGAEA: A Folk Opera (Hum’n’bards): 2016 Fringe review 27
PANGAEA: A FOLK OPERA doesn’t seem to ask a question, but gives a heartfelt answer
View More PANGAEA: A Folk Opera (Hum’n’bards): 2016 Fringe review 27
REALITY CHECK (ETC Theater): 2016 Fringe review 26
Not without its own brand of social commentary, but mainly it’s just one damn good time
View More REALITY CHECK (ETC Theater): 2016 Fringe review 26
THEY’LL BE CALLIN’ US WITCHES (Queen Mab’s Men): 2016 Fringe review 25
Five wicked young women flavor this theatrical piece like a craft brew.
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I’M ENOUGH. Music to the show
I’M ENOUGH, a one night only flash performance by Sebastian Cummings, hits the stage of PhilaMOCA tonight.
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A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.2
Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans…
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STORY OF MY EYE (GOATPIG): 2016 Fringe review 24
The principle of Chekov’s Cucumber mandates that if you introduce an object to the audience it must be used to sodomize someone at some point in the production.
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TWO STORIES (Jillian Glace): 2016 Fringe review 23
A fine Fringe premier for choreographer Jillian Glace and her performers.
View More TWO STORIES (Jillian Glace): 2016 Fringe review 23
HER: THE FEMALE EXPERIENCE FROM BIRTH TO DEATH (Basement Poetry): 2016 Fringe review 22
An invitation to dwell inside the place that is unarguably woman, the womb
View More HER: THE FEMALE EXPERIENCE FROM BIRTH TO DEATH (Basement Poetry): 2016 Fringe review 22
ROOM 21 (Jace Clayton): 2016 Fringe review 21
We were lucky to have been in attendance for ROOM 21’s only performance—one as unique and undying in our minds as the Barnes itself.
View More ROOM 21 (Jace Clayton): 2016 Fringe review 21
A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.1
Deep Blue goes for the jugular with a serious staging of STREETCAR, Tennessee Williams’s beloved, hard, and overheated play
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THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1
Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real
View More THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1
THEN ATHENA (Allentown Public Theatre): 2016 Fringe review 18
A devised piece that addresses the roles of women in combat with both earnestness and humor
View More THEN ATHENA (Allentown Public Theatre): 2016 Fringe review 18
BEFORE I DIE (Tongue & Groove): 2016 Fringe review 17
The talented, quick-witted ensemble cast of comedians are accompanied by a live musician whose witty commentary drives plot forward.
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BEDLAM: SHAKESPEARE IN REHAB (Manayunk Theatre Company): 2016 Fringe review 16
Welcome to the Asylum! In Shakespeare’s day, thrill seekers had a choice between catching a show at the Globe and viewing the lunatics in Bedlam,…
View More BEDLAM: SHAKESPEARE IN REHAB (Manayunk Theatre Company): 2016 Fringe review 16
WHO WOULD BE KING (Liars and Believers): 2016 Fringe review 15
An ancient story with artful clowning and spacy synth score.
View More WHO WOULD BE KING (Liars and Believers): 2016 Fringe review 15
FEED (Applied Mechanics): 2016 Fringe review 14
Narrative, fiction, performance, and reality collide through the breaking of bread.
View More FEED (Applied Mechanics): 2016 Fringe review 14
DROWNING OPHELIA (Ensemble Atria & EagerRisk Theater): 2016 Fringe review 13
Jane’s subconscious is in the bathtub, and her name is Ophelia
View More DROWNING OPHELIA (Ensemble Atria & EagerRisk Theater): 2016 Fringe review 13