REALITY CHECK (ETC Theater): 2016 Fringe review 26
Not without its own brand of social commentary, but mainly it’s just one damn good time
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THEY’LL BE CALLIN’ US WITCHES (Queen Mab’s Men): 2016 Fringe review 25
Five wicked young women flavor this theatrical piece like a craft brew.
View More THEY’LL BE CALLIN’ US WITCHES (Queen Mab’s Men): 2016 Fringe review 25
I’M ENOUGH. Music to the show
I’M ENOUGH, a one night only flash performance by Sebastian Cummings, hits the stage of PhilaMOCA tonight.
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A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.2
Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans…
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STORY OF MY EYE (GOATPIG): 2016 Fringe review 24
The principle of Chekov’s Cucumber mandates that if you introduce an object to the audience it must be used to sodomize someone at some point in the production.
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TWO STORIES (Jillian Glace): 2016 Fringe review 23
A fine Fringe premier for choreographer Jillian Glace and her performers.
View More TWO STORIES (Jillian Glace): 2016 Fringe review 23
HER: THE FEMALE EXPERIENCE FROM BIRTH TO DEATH (Basement Poetry): 2016 Fringe review 22
An invitation to dwell inside the place that is unarguably woman, the womb
View More HER: THE FEMALE EXPERIENCE FROM BIRTH TO DEATH (Basement Poetry): 2016 Fringe review 22
ROOM 21 (Jace Clayton): 2016 Fringe review 21
We were lucky to have been in attendance for ROOM 21’s only performance—one as unique and undying in our minds as the Barnes itself.
View More ROOM 21 (Jace Clayton): 2016 Fringe review 21
A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.1
Deep Blue goes for the jugular with a serious staging of STREETCAR, Tennessee Williams’s beloved, hard, and overheated play
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THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.1
Uproariously funny, liberatingly bare-assed, and gut-wrenchingly real
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THEN ATHENA (Allentown Public Theatre): 2016 Fringe review 18
A devised piece that addresses the roles of women in combat with both earnestness and humor
View More THEN ATHENA (Allentown Public Theatre): 2016 Fringe review 18
BEFORE I DIE (Tongue & Groove): 2016 Fringe review 17
The talented, quick-witted ensemble cast of comedians are accompanied by a live musician whose witty commentary drives plot forward.
View More BEFORE I DIE (Tongue & Groove): 2016 Fringe review 17
BEDLAM: SHAKESPEARE IN REHAB (Manayunk Theatre Company): 2016 Fringe review 16
Welcome to the Asylum! In Shakespeare’s day, thrill seekers had a choice between catching a show at the Globe and viewing the lunatics in Bedlam,…
View More BEDLAM: SHAKESPEARE IN REHAB (Manayunk Theatre Company): 2016 Fringe review 16
WHO WOULD BE KING (Liars and Believers): 2016 Fringe review 15
An ancient story with artful clowning and spacy synth score.
View More WHO WOULD BE KING (Liars and Believers): 2016 Fringe review 15
FEED (Applied Mechanics): 2016 Fringe review 14
Narrative, fiction, performance, and reality collide through the breaking of bread.
View More FEED (Applied Mechanics): 2016 Fringe review 14
DROWNING OPHELIA (Ensemble Atria & EagerRisk Theater): 2016 Fringe review 13
Jane’s subconscious is in the bathtub, and her name is Ophelia
View More DROWNING OPHELIA (Ensemble Atria & EagerRisk Theater): 2016 Fringe review 13
A GOOD NIGHTS SLEEP (The Colored Girls Museum): 2016 Fringe review 12
A GOOD NIGHTS SLEEP is about the reclamation of the colored girl’s experience, finding the strength and beauty in it, acknowledging barriers to healing and developing tools for survival and liberation.
View More A GOOD NIGHTS SLEEP (The Colored Girls Museum): 2016 Fringe review 12
THE SWORD OF THE UNICORN (New Works): 2016 Fringe review 11
A multi-colored, multi-realm reimagining of the hero’s journey as it relates to the never-ending quest of being true to oneself
View More THE SWORD OF THE UNICORN (New Works): 2016 Fringe review 11
IN THE CLEARING (Birds on a Wire): 2016 Fringe review 10
An all girls dance group presents a mysterious dance performance.
View More IN THE CLEARING (Birds on a Wire): 2016 Fringe review 10
NOTES OF A NATIVE SONG (Stew and Heidi Rodewald): 2016 Fringe review 9
“Won’t you follow me down to Baldwin Country? This ain’t your mama’s Baldwin Country.” The show opens with offhand remarks by Stew, a large black…
View More NOTES OF A NATIVE SONG (Stew and Heidi Rodewald): 2016 Fringe review 9