Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
The Bard, no longer relegated to elite theatrical institutions, has found his way to a popular University City bar.
View More SHAKESPEARE @ THE BAR: THE TAMING OF THE SHREW (Margo Jones Syndicate): 2016 Fringe review 43A testament to what Fringe can do: defy genre, defy theme, defy medium, and somehow still manage to be cohesive and emotionally haunting
View More PANDÆMONIUM (Nichole Canuso Dance Company / Early Morning Opera): 2016 Fringe review 42.1Edgar Allen Poe’s macabre imagination manifests itself through Forgotten Lore Theatre Company’s ASHES OF A DEAD PHILOSOPHY. This promenade theatre installment occupies a room in…
View More ASHES OF A DEAD PHILOSOPHY (Forgotten Lore Theatre Company): 2016 Fringe review 41“Welcome to hell,” hostess Dana says upon meeting brand-new waitress Sarah
View More RIGHT BEHIND (Lozzi Productions): 2016 Fringe review 40Soaring out of the gates with effortless acrobatics, Tribe of Fools’ robust remount of ANTIHERO is a true theatrical powerhouse
View More ANTIHERO (Tribe of Fools): 2016 Fringe review 32.2Museums are always looking for ideas to bring new visitors to aging attractions, and in ARTSHIP OLYMPIA Independence Seaport Museum has found a charming, fringey way.
View More ARTSHIP OLYMPIA (Philadelphia Sculptors): 2016 Fringe review 39Who but Chris Davis would even think of a ONE-MAN APOCALYPSE NOW?
View More ONE-MAN APOCALYPSE NOW (Chris Davis): 2016 Fringe review 38Puns, pokes, and irreverent portrayals take the place of debating issues
View More ELECTILE DYSFUNCTION (Act II Playhouse): A vote-getterComedy for people who want to have a little extra to think about after the show
View More THE INSTITUTE FOR RELATIVITY STUDIES (Brian Shapiro Presents): 2016 Fringe review 37One of the great Broadway musicals, SOUTH PACIFIC is always a pleasure.
View More SOUTH PACIFIC (Walnut): A pleasure among the palm treesLove is the bloodiest sport of the all
View More MATADOR (Ethos Physical Theatre Company) 2016 Fringe review 36A Smokey Robinson-loving yeti aims to win a dance contest and a randomly chosen audience member delivers a love letter to the electromagnetic spectrum on behalf of a bat.
View More THE 7-PERSON CHAIR PYRAMID HIGH WIRE ACT (Der Vorfuhreffekt Theatre): 2016 Fringe review 35To move towards one another through the “sadness and pain of blues and seas.”
View More THE CHILDREN OF EDGAR AND NINA (Jarrett McCreary and Bridget Reynolds) 2016 Fringe review 34Thank goodness for Brock D. Vickers. In adapting one of Conan Doyle’s most popular Sherlock Holmes mysteries, he kept the intense tone of the original.
View More THE HOUND OF THE BASKERVILLES (Hedgerow): Finding SherlockFringe is like Christmas without all the bullshit and not just because of all the hanging balls you see.
View More MAKING THE FRINGE GREAT AGAIN (The Waitstaff): 2016 Fringe review 33Tribe of Fools returns to Fringe with a satirical look at the culture of comic book heroes.
View More ANTIHERO (Tribe of Fools): 2016 Fringe review 32.1The two pieces foment a rowdy audience that’s comfortable interacting and even going up on stage to help the chosen one achieve her mission
View More I FUCKING DARE YOU (Berserker Residents): 2016 Fringe review 31Wilson and his dancers beautifully articulate humankind’s desire to belong.
View More CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30Henrik Eger talks to Fringe playwright Haygen Brice Walker of BIRDIE’S PIT STOP (AND THE TRIBE OF QUEERS WHO FUCKED EVERYTHING UP).
View More A Little Bird Who Fucks Everything Up: Interview with Haygen Brice Walker, the new enfant terrible of PhiladelphiaTHE SINCERITY PROJECT treats sincerity like a destination as intangible as a hyperobject is immeasurable—a destination to approach but never arrive at.
View More THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.2