Fringe in Sketch: SHADOW HOUSE
SHADOW HOUSE was an impressive immersive piece
View More Fringe in Sketch: SHADOW HOUSETHE LONG TIDES (Nicole Quenelle): 2016 Fringe review 62
The layering of story elements, occasional improv, and comedic repetition accompanied with robust sound design breathes life into each new scene
View More THE LONG TIDES (Nicole Quenelle): 2016 Fringe review 62BATHING IN MOONLIGHT (McCarter): In the pale moonlight
While Nilo Cruz broaches some interesting subjects and often provides his characters with profound things to say, his world premiere play never takes off dramatically.
View More BATHING IN MOONLIGHT (McCarter): In the pale moonlightBODAS DE SANGRE (The Duende Cycle): 2016 Fringe review 61
Three years before his assassination during the Spanish civil war, Federico Garcia Lorca elaborated his theory of duende at the Argentinian premier of BODAS DE…
View More BODAS DE SANGRE (The Duende Cycle): 2016 Fringe review 61International Fringe 2016: A welcome to theater from around the world, including refugees
The International Philly Fringe: A welcome to 28 countries
View More International Fringe 2016: A welcome to theater from around the world, including refugeesDUTCH MASTERS (AMH Productions): 2016 Fringe review 60
AMH Productions finds the humor and poignancy in Keller’s quietly affecting consideration of race, class, and human connection
View More DUTCH MASTERS (AMH Productions): 2016 Fringe review 60CATCH TAKES BOK (Catch and Thirdbird): 2016 Fringe review 59
Brooklyn’s CATCH is a showcase for experimental artists in all genres—The Ed Sullivan Show on acid.
View More CATCH TAKES BOK (Catch and Thirdbird): 2016 Fringe review 59BILLOSOPHY: LIFE, CIRCUS, DEATH (Bill Forchion): 2016 Fringe review 58
A one-hour existentialist monologue filled with expressive movement, colorful costumes, funny props, apropos music, and audience participation
View More BILLOSOPHY: LIFE, CIRCUS, DEATH (Bill Forchion): 2016 Fringe review 58WITH FLINT AND STEEL (Duende): 2016 Fringe review 57
A highly experimental, improvisational, and fascinating Fringe performance
View More WITH FLINT AND STEEL (Duende): 2016 Fringe review 57WHEN SOUNDS COLLIDE (Fuse Vox): 2016 Fringe review 56
Music to rock, soul, jam out, or however you feel by.
View More WHEN SOUNDS COLLIDE (Fuse Vox): 2016 Fringe review 56WROUGHTLAND (Gunnar Montana): 2016 Fringe review 55
Gunar Montana’s choreography is seriously energetic, more downright sexual than subtly sensual.
View More WROUGHTLAND (Gunnar Montana): 2016 Fringe review 55PANDÆMONIUM (Nichole Canuso Dance Company): 2016 Fringe review 42.2
An exploration of divorce and disconnection in the California desert.
View More PANDÆMONIUM (Nichole Canuso Dance Company): 2016 Fringe review 42.2THE CHURCH BELLS ALL WERE BROKEN (Casabuena Cultural Productions): 2016 Fringe review 54
“God hates fags!”, “God hates you!”, “God hates porcupines!” It’s cathartic to hear the argument yelled back at the haters who so recently visited Philadelphia: “God is love!”
View More THE CHURCH BELLS ALL WERE BROKEN (Casabuena Cultural Productions): 2016 Fringe review 54Fringe in Sketch: DROWNING OPHELIA
I was especially drawn to the costumes, the charming quality in the men from different time periods, and the seemingly girl into woman hood plot.
View More Fringe in Sketch: DROWNING OPHELIABIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53
Haygen Brice Walker doesn’t aim for subtlety in the roasting humor of both Millennial political correctness and stereotypical southern backwardness, but he finds rich veins of comedy in his broad mine
View More BIRDIE’S PIT STOP (On the Rocks): 2016 Fringe review 53SILKEN VEILS (Pantea Productions): 2016 Fringe review 52
They recite Rumi, the poet champion of romantic love, and remind Darya how beautiful and painful love can be.
View More SILKEN VEILS (Pantea Productions): 2016 Fringe review 52THE BRIDGES OF MADISON COUNTY (Media Theatre): Atmospherically moody production
Loveliness and tenderness that breaks through the surface coldness are the hallmarks of the Media’s production of this delicate but sweepingly romantic musical.
View More THE BRIDGES OF MADISON COUNTY (Media Theatre): Atmospherically moody productionAN EVENING WITH MISTER JOHN (John Francisco/Mister John’s Music): 2016 Fringe review 51
BYOB elementary school music class: A PARTY WITH MISTER JOHN is the evening out you didn’t know you needed.
View More AN EVENING WITH MISTER JOHN (John Francisco/Mister John’s Music): 2016 Fringe review 51AN OBVIOUSLY FOGGOT (Poison Apple Initiative): 2016 Fringe review 50
Sometimes brutal, but always on point, AN OBVIOUSLY FOGGOT is the explosive, vibrant queer play we’ve been waiting for in this year’s festival.
View More AN OBVIOUSLY FOGGOT (Poison Apple Initiative): 2016 Fringe review 50EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49
A place where acrobatics meets theater, the theater meets the circus, and circus meets blue grass
View More EXILE 2588 (Almanac Dance Circus Theater): 2016 Fringe review 49