MOTHER COURAGE AND HER CHILDREN (Quintessence): Epic theater!
Quintessence Theatre brings to life a beautifully staged, truly epic production of Bertolt Brecht’s MOTHER COURAGE AND HER CHILDREN, as brilliantly directed by Alexander Burns.
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ELECTORAL DYSFUNCTION Returns (no, we don’t mean the Trump campaign)
As the electoral dysfunction of the 2016 presidential campaign nears to a much longed-for close, New York comedy show ELECTORAL DYSFUNCTION returns to Philadelphia for one night only, October 22, 2016, at 9pm.
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RUBBERBANDance Group (NextMove Dance): Hip-Hop, beyond borders
Over four decades, NextMove Dance (formerly Dance Affiliates) has led the dance scene in Philadelphia, bringing countless cutting-edge dance companies from around the world. As…
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Gaslighting Done Right: Interview with the cast of Hedgerow Theatre’s reinvented ANGEL STREET
Considering a trimmed, contemporized, and feminized version of a classic British drama
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CINDERELLA (PA Ballet): Enchanting ballet magic
The ballet shows the brave and caring intention of artistic director Angel Corella to the company and the Philadelphia ballet fans.
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Dinner Theater, Recooked
Irreverent local performers present two strange and sumptuous evenings of independent theater and comedy alongside food and cocktails
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A CLOSER WALK WITH PATSY CLINE (BRT): Fall to pieces over Patsy
Someone should sit down and write a dozen Country tunes for Jessica Wagner to record in the style of Patsy Cline.
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Talking EMPEROR JONES: Interview with the director and cast of O’Neill’s tragedy at the South Camden Theatre Company
Eugene O’Neill’s THE EMPEROR JONES kicks off the South Camden Theatre Company’s Fall season
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GROUNDED (InterAct): The killing screens
GROUNDED is a tale for our times: war is most hellish when it resembles office life, reality is most profound rendered in pixels.
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Pennsylvania Ballet II performs at Culture in the Courtyard
PB II performed under clear, blue skies, with William Penn as their backdrop
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THE BIRDS (Curio): Terror takes flight
This adaptation by master Irish playwright Conor McPherson finds its horror in the claustrophobic relationships between its four characters
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Opera in Sketch: BREAKING THE WAVES
This opera was really something else. An adaptation by Mizzy Mazzolli (music) and Royce Vavrek (libretto) of a movie by Lars von Trier.
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ELECTRA (Villanova): Sophocles gets electrified
Review of Sophocles’ Electra at Villanova Theatre
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Thomas Choinacky Says There’s No Hope
The founder of SoLow Fest talks about his latest work, HOPELESSNESS, performed one night only October 8.
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Leading the Blind: Interview with the director and cast of Irish Heritage Theatre’s MOLLY SWEENEY
We presented five questions to IRT’s Peggy Mecham, the director, and the three cast members: Kirsten Quinn as Molly Sweeney, the blind woman; Ethan Lipkin as the husband; and Michael P. Toner as the physician.
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MOLLY SWEENEY (Irish Heritage Theatre): That the blind may see
Turn off your phones, step away from your laptops, and run, don’t walk to the Irish Heritage Theatre’s first ever Barrymore-eligible production.
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Philly’s Kinda Cool episode 2.1: We back!
Would Sebastian would rather sleep with Hillary or Donald, what the hell his Fringe show was about, and what’s the worst way to cook an omelette?
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Drone Warfare Hits Home: Kittson O’Neill on InterAct’s GROUNDED
Kittson O’Neill plays a fighter pilot and expectant mother living in a desert suburb in the U.S. Southwest, controlling weapons which kill people in a distant foreign desert.
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THE MOUNTAINTOP (People’s Light): An original vision of Martin Luther King
Katori Hall’s creative re-imagining of Martin Luther King’s final night before his assassination in 1968 is delivered through forceful performances and an evocative design.
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Are Bitcoin Transactions Anonymous?
It is All in the Network
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