CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review
CLOSE MUSIC FOR BODIES is sensual choral performance. Sixty-five of us follow the directions of the performers and position, and re-position, ourselves around the big, open…
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17C (Big Dance Theater): 2017 Fringe review
Big Dance Theater has built a reputation of articulate and speculative work, pairing theater and dance to dissect both historical and contemporary ideals. 17c is…
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TRIAGE (Bent Antennae): 2017 Fringe review
TRIAGE is a loosely formed conceit in which a manic-fairy-pixie host wearing a gas mask prances around, forcing the audience to watch bad improv. It’s…
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LIBERTY CITY RADIO THEATRE (Bill Arrowood & Liberty City Radio Theatre): 2017 Fringe review
Old style ‘On’ and ‘Applause’ signs light up. The show starts.
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THE STORYTELLERS (Joy Madden): 2017 Fringe review
“We are storytellers,” Joy Madden begins.
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Fringe in Sketch: DEAR DIARY LOL (AntiGravity Theatre Project)
Anti Gravity Theatre Project presents a theatrical excavation of their middle school diaries by staging the unaltered words found inside.
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THE MAGIC FLUTE (Opera Philadelphia): A dazzling reinvented Mozart at the O17 Festival
Opera Philadelphia challenges our preconceptions of opera with its O17 Festival
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THESE TERRIBLE THINGS (Berserker Residents): 2017 Fringe review
The Berserker Residents may parody the conventions of theater, but they clearly believe in its power
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AMERICANA PSYCHOBABBLE (Alexandra Tatarsky): 2017 Fringe review
Tatarsky’s daring, inventive, rapid-fire wordplay is unlike anything you’ll see on a Philly stage
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BYE BYE LIVER (Happy Hour Live, LLC): 2017 Fringe review
A sketch-comedy, drinking play designed to get you drunk while making you laugh at the absurdities of over-imbibing.
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Fringe in Sketch: UBU FAUST (Broderick Jones with Leila and Pantea Productions)
Puppets and the devil! Chuck Schultz sketches.
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THE TURN OF THE SCREW (Leila and Pantea Productions): 2017 Fringe review
An inventive and terrifying take on a classic ghost story
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AIRSWIMMING (Half Key Theater Company): 2017 Fringe review
Shuchman and Johnson take us through the trenches of psychological warfare with unforgettable performances
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Fringe in Sketch: HOME (Geoff Sobelle)
Our personal space is our own
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UBU FAUST (Broderick Jones with Leila and Pantea Productions): 2017 Fringe review
Alfred Jarry, Doctor Faustus, and Punch & Judy combine in hilarious puppetry.
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BIND (Corinna Burns): 2017 Fringe review
An ambitious, unfinished work by one of Philadelphia’s best.
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Fringe in Sketch: THE FREN BANKLIN EXPERIENCE
Fren Banklin comes to the sketchbook reporter’s dining room.
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CLOSE MUSIC FOR BODIES (Michael Kiley): 2017 Fringe review
Anyone who has sung around a campfire can attest to the power of music to elicit feelings of closeness
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LABOR OF LOVE (The Waitstaff): 2017 Fringe review
Sketch comedy group The Waitstaff is the longest continuously producing company in the Philadelphia Fringe Festival. They must be doing something right.
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Fringe in Sketch: MARX IN SOHO (Iron Age)
MARX IN SOLO by Howard Zinn is directed by John Doyle for Iron Age Theatre.
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