I ♥ ALICE ♥ I (Curio): Feels like home
I ♥ ALICE ♥ I at Curio Theatre feels a lot like home to Josh Herren
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EVERYTHING IS WONDERFUL (PTC): 60-second review
Philadelphia Theatre Company’s production of Chelsea Marcantel’s emotional and thought-provoking Everything is Wonderful is gorgeous
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HELLO, DOLLY! (touring): Call on Dolly
Josh Herren realizes he simply loves HELLO, DOLLY!
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[nyc] THE HEADLANDS (Lincoln Center): Unraveling a family history
Families, as we know, have secrets
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[nyc] CAMBODIAN ROCK BAND (Signature Theatre): Rocking Off-Broadway
Playwright Lauren Yee’s script is really two shows: an old-fashioned rock concert uncomfortably yoked to a somber history drama.
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BABEL (Theatre Exile): Uncertifiable
Theatre Exile’s newest offering left Josh Herren cold. He is trying to figure out why.
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HELLO DOLLY! (touring): 60-second review
They sure don’t write them like this anymore.
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THE SLEEPING BEAUTY (Royal Opera House Live Cinema): Authentic classic ballet, onscreen
An enchanted, glorious ballet at Ritz 5
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The History of The Missouri Fox Trotter Horse Breed
If you have ever paid attention when a horse purposely gaits, head down, and tail heightened, the animal will step with confident deliberation, showing off…
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How to Beat the Casino
We’re not sure if there are any gamblers out there who don’t actively want to beat the casino, after all that is pretty much the…
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What’s going on behind the scenes?: Interview with Bernard Havard on working with his creative team at the Walnut Street Theatre
Bernard Havard shares his experiences with his creative team for A WOMAN OF NO IMPORTANCE by Oscar Wilde:
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RACHEL (Quintessence): Screaming from the Past
A work of incredible importance to American theatrical history
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Considering Wilma’s Next Chapter: Blanka Zizka is joined by three co-directors
Changes are afoot at the Wilma Theater, with Blanka Zizka moving on from her role as sole artistic director after forty years in charge of the company.
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As if Oscar Wilde himself had arrived on the Walnut stage: Interview with Bernard Havard on casting and working with his actors
Part 2 of Henrik Eger’s interview with Walnut Theatre head Bernard Havard
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Risks can lead to financial loss: Interview with Bernard Havard on A WOMAN OF NO IMPORTANCE at the Walnut Street Theatre
Bernard Havard discusses the risks of running a theater as few producers and directors would be willing to
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OUTSIDE MULLINGAR (DTC): An Irish love story
A love story in which the course of love would run smooth if it weren’t for stubbornness, misunderstanding, and Irish prudery
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ONCE WERE BROTHERS: ROBBIE ROBERTSON AND THE BAND (dir. Daniel Roher): Film review
It’s the classic story of bands across eras and genres, but this is the story of The Band.
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JOHNNY DEPP: A RETROSPECTIVE ON LATE-STAGE CAPITALISM (Jenna Kuerzi + Val Dunn): Pirates of the leisure class
We’re all fucked, enjoy the show.
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SNATCHERS (dir. Benji Kleiman & Stephen Cedars): Film review
SNATCHERS is the next in a current wave of splatterfests with a social conscience, and it’s a top-tier entry.
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ELEANOR: AN AMERICAN LOVE STORY (Media Theatre): 60-second review
Pleasant to watch and quite informative, but little seems at stake
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