Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
Sherlock Holmes at Home in Northwest Philadelphia: THE VALLEY OF FEAR at the Ebeneezer Maxwell Mansion
Arthur Conan Doyle’s fictional detective stories are well suited to stage, with strong characters, a firm setting, and delicious plot lines.
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A MIDSUMMER NIGHT’S DREAM (Philadelphia Shakespeare Theatre): What fools these mortals be!
Philly Shakes’ production isn’t afraid to embrace the wonderfully silly and naughty aspects of Shakespeare, and the approach works like a charm.
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UNCANNY VALLEY (InterAct): What makes us human?
Post-modern technology collides with human ethics in InterAct Theatre Company’s revolving world-premiere production of playwright-in-residence Thomas Gibbons’ UNCANNY VALLEY.
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NATIONAL PASTIME (Bucks County Playhouse): 60-second review
It’s 1933 in the struggling radio station WZBQ in Baker City, Iowa. Owner Barry hatches an ingenious plan to resurrect a defunct baseball team, boost ratings, and save the station.
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SHE STOOPS TO CONQUER (Mechanical): An authentic delight!
What better place than Philadelphia’s historic Powel House for its resident company, The Mechanical Theater, to stage this historically faithful production.
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MACBETH (Arden): Shakepeare as spectacle [critical mass review #4]
It’s the fourth installment of the Critical Mass review of MACBETH at the Arden, but Julius Ferraro thinks too many works have already been written about an unremarkable piece of theater.
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HAMLET (Wilma): Blanka Zizka’s daring production amazes while keeping its distance
Not unlike the U.S. Constitution, HAMLET endures partly because its imperfections and spaces allow for different ways to read it.
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“I was born into Shakespeare, the American Shakespeare”: Alex Burns on directing MACBETH (Arden), part 1
I will never forget the first time I saw Hamlet. My sister and I were out playing on the street in Mount Airy, Philadelphia.
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“A conversation until it’s a fight”: Playwright Jeff Talbott talks about THE SUBMISSION (Quince)
An explosive tale of race, sexuality, and prejudice, THE SUBMISSION gave Jeff Talbott awards, acclaim, and a new life. Phindie talks to the playwright ahead of it’s Philadelphia premiere.
View More “A conversation until it’s a fight”: Playwright Jeff Talbott talks about THE SUBMISSION (Quince)
THE FAIR MAID OF THE WEST, PART I (PAC): A pirate adventure “worth gold!”
Thomas Heywood’s ridiculous rip-roaring romantic romp across the high seas of the English Renaissance is the latest in the Philadelphia Artists’ Collective’s acclaimed productions of rarely seen classics.
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Revolutionary Theater, Dance, and Circus: NICE AND FRESH at Cliveden historic house
This month, Cliveden opens its historic grounds for a two-night engagement of new performing arts.
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A Reversal of Roles for KC MacMillan: The director speaks to Phindie about her return to acting in THE FAIR MAID OF THE WEST (PAC)
Known to everyone in the Philadelphia theater community as a director, dramaturg, and associate artistic director of Lantern Theater Company, KC MacMillan is now adding actor…
View More A Reversal of Roles for KC MacMillan: The director speaks to Phindie about her return to acting in THE FAIR MAID OF THE WEST (PAC)
Physical, Naked Honesty On Stage: Interview with Zainab Jah, female Hamlet at the Wilma Theater
Interview with British actor Zainab Jah, who takes on the role of HAMLET at the Wilma Theater.
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IT FOLLOWS (dir. David Robert Mitchell): Movie review
The sophomore effort of three-first-name writer and director David Robert Mitchell is a 100-minute-long teen indie horror flick, and it’s taking everyone by surprise.
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Philadelphia Theater Calendar: April 2015
January | February | March | April | May | June July | August | September | October | November | December Macbeth. By William Shakespeare. March 5-April 19, 2015. Arden Theatre Company, 40 N. Second Street. ardentheatre.org. And Then There Were None. By Agatha Christie.…
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First Friday April 2015: Top arts picks from PaperClips
Here are some Top Picks for what not to miss this First Friday, April 3, handpicked for you by PaperClips.
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MACBETH (Arden): Numb from the neck down, well almost [critical mass review #3]
Jessica Foley gives this week’s critical mass take on MACBETH at the Arden, part of a new review series on Phindie.
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THE TAMING OF THE SHREW (Lantern): Capturing the passion and the parody
Director Charles McMahon equates the hot-blooded battle of wills between Kate and Petruchio with the intense, sensual, and stylized dance of the tango.
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OMG! The R&J Project brings Shakespeare to a new generation
The four recent college grads of Madness Most Discreet weren’t even in kindergarten when Baz Luhrmann Romeo +Juliet came out, but they hope their version will appeal to a new generation, as his did.
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LAST CHANCE: From law to lyrics, from classics to folk, interview with Jack Scott and Ingrid Rosenback, Philadelphia’s popular duo.
Last Chance, the musical duo of singer-songwriter Jack Scott (banjo and guitar) and fiddler-vocalist Ingrid Rosenback, has been playing together since 2011 and as a duo since 2012.
View More LAST CHANCE: From law to lyrics, from classics to folk, interview with Jack Scott and Ingrid Rosenback, Philadelphia’s popular duo.