Why Deaf Theater is a Form of Resistance
This film follows Daymond Sands, a Deaf theatre program director, preparing his first original showcase, highlighting the cast’s heartfelt effort to bring Deaf perspectives center stage
Corruption Then, Corruption Now: Interview with IRC director Tina Brock about Gogol’s THE GOVERNMENT INSPECTOR
IRC director Tina Brock shares her insights and experiences in producing and directing Gogol’s THE GOVERNMENT INSPECTOR.
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From Spain, with Love: Angel Corella and PA Ballet’s Don Quixote
“There was really only one option,” laughs the Spaniard. “It could only be Don Quixote.”
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TWELFTH NIGHT (Filter Theatre in association with the Royal Shakespeare Company): A rousing Shakespearean travesty
The Filter ensemble shows the audience a good time with lots of music, noise, and laughs within a Shakespeare play environment.
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Raphael Xavier explains it all in one form or another
“In stand-up when you are in front of that audience, all your senses are completely heightened, you hear and see everything that is going on in the audience…” Xavier says with a laugh “then it’s all nerve.”
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V to X (GoKash Productions): Clear and present injustice
While most political theater in Philly is unfortunately limp, V TO X presents a clear and despicable injustice, and does so with real, emotionally complex characters
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THE SISTERHOOD (Mauckingbird): Queering Moliere
It doesn’t take a Moliere scholar to enjoy these zany characters, brilliantly brought to life by the ensemble.
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BALLET HISPANICO (Annenberg Center Live): Boldness and diversity of dances
The three dances Ballet Hispanico picked for the performance at the Annenberg Center show the diversity of Hispanic cultures and their dances.
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A TASTE OF THINGS TO COME (BCP): Delicious flavors
Sprinkled with furiously funny lines, steeped in talent, and infused with courageous choreography by Lorin Latorro, A TASTE OF THINGS TO COME is boldly brilliant theatrical buffet with something for everyone!
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THE GOVERNMENT INSPECTOR (IRC): Corruption!
A production that forefronts Gogol’s surprising, desperate, hypnotizing dialogue. Illustration by Mike Jackson.
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THE SISTERHOOD (MAUCKINGBIRD): A delightful hi-brow comedy skewers hi-brow pretensions
While some plays are heavy three course meals, THE SISTERHOOD is definitely dessert.
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STRENGTH & LONGING (PA Ballet): Longing for higher and stronger
The selections show artistic director Angel Corella’s close attention to the dancers’ talents and characters and his passion to bring out the best in them.
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Inspecting the Circus Sideshow of Government: IRC director Tina Brock talks Gogol
In this two-part interview with Idiopathic Ridiculopathy Consortium (IRC) director Tina Brock shares facts and her insights on Gogol’s The Government Inspector,
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Shhhh: Secret Show at the Painted Bride.
There’s not much I can tell you about the one-night performance at the Painted Bride Art Center on February 9, 2016. The content, performers, and format are a secret to the audience until the performance begins.
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EXIT STRATEGY (PTC): All due respect
Holter’s play calls out and subverts the “inspirational white teacher” motif in popular culture because EXIT STRATEGY avoids the Hollywoodization of the decay of America’s public school system.
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EZRALOW DANCE (Dance Affiliates): Showcase of groovy and unpredicted imagination
Daniel Ezralow, the director and choreographer of Ezralow Dance, has been internationally recognized and awarded for his visceral and imaginative work, which includes the opening…
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OR (Hedgerow): love, lust, loyalties and loads of laughter!
Set in London, 1660, Liz Duffy Adams’s rollicking historical romp explores the remarkable life of Aphra Behn, a spy, poet, and England’s first professional female playwright.
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The Last Days of the Society Hill Playhouse
A stalwart of Philadelphia theater since the 1960s, Society Hill Playhouse will close on April 1, 2016. This Spring’s programming marks the final chapter in a long history.
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Famous Philadelphians: Hannah Penn (1664–1726)
Hannah Callowhill Penn grew up in Bristol, England, in a prosperous Quaker family.
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HARVEY (Walnut): Burns slow, then hops right along
The story is a little dated, but that is part of its charm, like watching a Norman Rockwell painting come to life.
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TO KILL A MOCKINGBIRD (Media): Killing Lee’s mockingbird
In directing Christopher Sergel’s dramatic adaptation of TO KILL A MOCKINGBIRD, Jesse Cline is uncharacteristically too reverential about the material.
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