The Last Days of the Society Hill Playhouse
A stalwart of Philadelphia theater since the 1960s, Society Hill Playhouse will close on April 1, 2016. This Spring’s programming marks the final chapter in a long history.
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Famous Philadelphians: Hannah Penn (1664–1726)
Hannah Callowhill Penn grew up in Bristol, England, in a prosperous Quaker family.
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HARVEY (Walnut): Burns slow, then hops right along
The story is a little dated, but that is part of its charm, like watching a Norman Rockwell painting come to life.
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TO KILL A MOCKINGBIRD (Media): Killing Lee’s mockingbird
In directing Christopher Sergel’s dramatic adaptation of TO KILL A MOCKINGBIRD, Jesse Cline is uncharacteristically too reverential about the material.
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Ranking 50 Years of Philadelphia Theater
Rankings from 1967 until 2015 for best actor (male), best actor (female), best supporting actor (male), best supporting actor (female), best production, and best director.
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#THEREVOLUTION (InterAct): The vapid rebellion
What would happen if a bunch of early-20-something city-dwelling music-video-watching lower-middle-class variously privileged poorish Americans launched a violent revolution against the state?
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THE IT GIRL (Simpatico): Sounds of silence that still resonate
A world-premiere fictionalized bio-play on silent-film star Clara Bow captures the era and the lessons of her life and career as seen through a contemporary lens.
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OSCAR WILDE: FROM THE DEPTHS (Lantern): A love that dared not speak its mind
With his brilliant work and tragic arc, Oscar Wilde remains a fascinating figure.
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REVERIE (Drexel Dance Ensemble): Young artistry on display
An anthology showcase, where most of the choreographers and all of the dancers were students.
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ESCUELA (Guillermo Calderón/ FringeArts): You say you want a revolution
A narrowly focused, transportative work about a cell of Marxist revolutionaries, like entering a fading kodachrome snapshot.
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SORRY, BROKEN PIANO (Art Church): Indie shock jock drama
A podcast DJ and his tireless producer on a mission to conquer the late-night dregs-of-society demographic.
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THE LANGUAGE ARCHIVE (BRT): A poetic parable about the language of love
Julia Cho’s lofty romantic comedy examines the beauty of language and the failure of humans to communicate.
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PINK PUNCH (Art Church): Rosemary’s baby shower—one hell of a weird ride
If the ninth circle of hell decided to host a baby shower, it would resemble something like PINK PUNCH by Cara Blouin.
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Two Philadelphia Companies Shine at APAP 2016
Koresh Dance Company and Kun-Yang Lin/Dancers perform in a APAP showing.
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THE PIANO LESSON (McCarter): A fine tune
Baikida Carroll’s PIANO LESSON is August Wilson as it’s meant to be seen.
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GOD BLESS BASEBALL (FringeArts/Toshiki Okada): Explaining the rules of the game
Toshiki Okada’s new play is an allegorically complex performance about baseball that isn’t about baseball.
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ON THE ROAD AGAIN (Act II): 60-second review
What better way to celebrate the cluster that is travel but with a charming show all about it in Ambler!
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More Flamenco. More Wine. Tablao Philly returns with flamenco superstar Almudena Serrano
Pasión y Arte brings flamenco superstar Almudena Serrano to the Asian Arts Initiative for the second Tablao Philly
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Building a Diverse Audience for Theater: Interview with playwright/actor/director Kash Goins
How can theater attract people of all socio-economic, educational, and ethnic backgrounds?
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FUNNYMAN (Arden): Comedy on the brink of tragedy
A new play by Bruce Graham considers the sadness that often underlies comedy and the need to adapt to changing styles and the struggles of life.
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