This world premiere play takes a deeply affecting look at the social carnage caused by mass imprisonment.
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Category: Theater
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BULLSHOT CRUMMOND (Hedgerow): On-target farce
Mark Tallman’s brisk, amiable production moves easily between farcical comedy and intuitive and intelligent theater.
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HEDDA Gets Styled to Rock: Interview with designer Autumn Kietponglert
TV-famous fashion designer Autumn Kietponglert created a gorgeous mourning dress for an upcoming production of HEDDA GABLER.
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GOD OF CARNAGE (Montgomery Theater): A rich unraveling
Civilization is not easy to maintain. One knock and the lapse of a moment can set it off kilter.
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From the UK to Philadelphia to Broadway: An interview with actor Harry Smith
British-born actor Harry Smith talks about his background in the UK, his life and career in Philadelphia, and his upcoming debut on Broadway.
View More From the UK to Philadelphia to Broadway: An interview with actor Harry Smith
HIGH SOCIETY (Walnut): A curious Philadelphia Story
A curiously performed version of Arthur Kopit’s unnecessary rearranging and cheapening of The Philadelphia Story.
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What Theater Can Do that TV Can’t
The success of TV is based on its ability to entertain. Theater must be its own medium. It must say new things, create new forms, eschew entertainment in order to challenge, and let audiences turn on their minds.
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The Pope, the Writer, and the Saint: Catholic theater for Pope Francis’s visit to Philadelphia
Audiences in town to see the Pope are treated to a play by a Philadelphia playwright about a Philadelphia saint.
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Sowing a Parable for our Times: Octavia Butler’s PARABLE OF THE SOWER as a concert
Octavia Butler’s dystopian future seems especially relevant. Can we find respite in comradeship and song?
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BABY DOLL (McCarter): Not a girl, not yet a woman
In Tennessee Williams’s script for 27 Wagons Full of Cotton and the 1956 screenplay that derives from it, Baby Doll, everybody puts Baby in a corner.
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MAURITIUS (Stagecrafters): Stamp of suspense
Theresa Rebeck’s thriller with a philatelical twist leaves a stamp of suspense on an appreciative audience.
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Pope fever continues with ALTAR CALL
Random Acts of Theater and the Liberty Education Forum are riding the wave of Pope fever with the Philadelphia premiere of Melissa McBain’s ALTAR CALL,
View More Pope fever continues with ALTAR CALL
EURYDICE (Villanova Theatre): Death is a continuation of life
Death, as experienced in director James Ijames’s comic yet movingly evocative production of Sarah Ruhl’s play, is a continuation of life.
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THE EXTRA PEOPLE (Ant Hampton): 2015 Fringe review 71
A commentary on technology, as well as a platform for cultural and philosophic questions
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ALL MY SONS (People’s Light): A treat from the golden age of American theater
Seeing a naturalistic play by one of the masters of the form, Arthur Miller, with a cast and set that are as realistic and as authentically moving as the text, is a rarity and a treat.
View More ALL MY SONS (People’s Light): A treat from the golden age of American theater
PHOTOGRAPH 51 (Lantern): Discovering the secret of life
The backstory of Rosalind Franklin’s seminal image that led to the discovery of the double-helix structure of the DNA molecule is examined in an engrossing Philadelphia premiere.
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1.5 Million Men Missing: New play looks at “five to ten” and the devastation of the prison system
There are 1.5 million black men missing from American homes. V TO X examines who and where they are.
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SECOND SKULL (Sothis Music-Theater Ensemble): 2015 Fringe review 69
Sothis devises experimental theater to call attention to collective and conscious freedom.
View More SECOND SKULL (Sothis Music-Theater Ensemble): 2015 Fringe review 69
When an actor cannot move, the director has to jump in: Tina Brock is the new KING in the sold-out final performances of Ionesco’s classic
Director Tina Brock shares her thoughts as she steps into the lead role for IRC’s final performances of EXIT THE KING
View More When an actor cannot move, the director has to jump in: Tina Brock is the new KING in the sold-out final performances of Ionesco’s classic
NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64
A theater company, in the midst of financial crisis, ventures into new and risky territory in its upcoming production of The Tempest.
View More NOT FOR PROFIT (Ferdinand): 2015 Fringe review 64