It’s now two hundred years ago that the famous line was published: “It is a truth universally acknowledged that a single man in possession of…
View More The Perfect Company in the Perfect City: REGENCY AND REVELRY at Lantern Theater CompanyCategory: Theater
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THE BROTHERS SIZE (Simpatico): 60-second review
The stories of the orishas, a pantheon of spirit personalities, has a lasting influence on the descendants of enslaved Africans throughout the Americas (The great…
View More THE BROTHERS SIZE (Simpatico): 60-second reviewDO NOT PUSH (GDP): Clown Symphony
Where invention, precision and skill are present, great theater is possible. Alex Suha, creator of DO NOT PUSH, has applied all of these attributes with a clever…
View More DO NOT PUSH (GDP): Clown SymphonyNICE AND FRESH October (SmokeyScout): New art pops up
Fresh from the inaugural weekend of NICE AND FRESH, I’m heartened to report that SmokeyScout Productions (founded by Josh McIlvain and Deborah Crocker in 2008)…
View More NICE AND FRESH October (SmokeyScout): New art pops up12 ANGRY MEN (Gokash): A revealing look at social justice
According to Wikipedia, 12 ANGRY MEN was originally a television play broadcast in 1954, eventually making its way to the (actual) stage and then to the silver…
View More 12 ANGRY MEN (Gokash): A revealing look at social justiceTHE MUSIC YOU REMEMBER (White Pines): An Introspective Journey through Love, Loss, and ‘60s Nostalgia
When burned-out middle-aged Professor Paul Diollio (Jerry Perna) learns via cell phone messages that he has been denied tenure, his car has been repossessed, and…
View More THE MUSIC YOU REMEMBER (White Pines): An Introspective Journey through Love, Loss, and ‘60s NostalgiaPARADE (Arden): A Musical Tragedy of Bigotry and Injustice
Set in Georgia between 1913 and 1915, PARADE examines the true story of Leo Frank, a transplanted Brooklyn-bred Jew accused of killing a thirteen-year-old girl…
View More PARADE (Arden): A Musical Tragedy of Bigotry and InjusticeEMMA (Lantern): Meddlesome Matchmaking and Regency Amusements
The Lantern opens its twentieth anniversary season with the Philadelphia premiere of Jane Austen’s class-conscious romantic comedy of manners, in which a young idle-rich heroine’s…
View More EMMA (Lantern): Meddlesome Matchmaking and Regency AmusementsNICE AND FRESH theater in Mount Airy
What a pleasant corner of Philadelphia is Mount Airy. A suburban urban neighborhood: trees and grass yards but also sidewalks and train lines; driveways and…
View More NICE AND FRESH theater in Mount AiryEMMA (Lantern): Philly falls for Austenmania
Over the past few years, there’s been a surprising and unlikely spark of interest in Jane Austen. Austen’s novels—Pride & Prejudice, Sense & Sensibility, Persuasion, et al—have…
View More EMMA (Lantern): Philly falls for AustenmaniaThe Best of the 2013 Philly Fringe Festival
Phindie‘s recent Critics’ Awards proved very popular. These awards used input from theater reviewers across town to compile a list of the best performers of…
View More The Best of the 2013 Philly Fringe FestivalTHE RAINMAKER (People’s Light): The Promise of Hope in Times of Hardship
People’s Light & Theatre Company has enjoyed success with its past offerings of masterworks about life in America in the first half of the 20th…
View More THE RAINMAKER (People’s Light): The Promise of Hope in Times of Hardship[78] STUDY HALL (Philly Improv Theater): Fringe review
The conceit of Philly Improv Theater’s STUDY HALL is that we the audience are a bunch of prep school students, awaiting a lecture in an…
View More [78] STUDY HALL (Philly Improv Theater): Fringe review[77] BAT BOY: THE MUSICAL (Life Theater Company): Fringe review
Weekly World News is known for a lot of things, but heartfelt sentiment isn’t one of them. Surprising, then, that the tabloid birthed BAT BOY:…
View More [77] BAT BOY: THE MUSICAL (Life Theater Company): Fringe review[76] BASTARD PIECE (No Face Performance Group): Fringe review
You are in a spacey kind of facility thing. It’s all white in there, with some technological lookin’ kinda lights. There are three doors; soon,…
View More [76] BASTARD PIECE (No Face Performance Group): Fringe review[75] REGGIE’S BRODIE: A VAUDEVILLE EXTRAVAGANZA (Cut House Productions): Fringe review
Is your only experience with burlesque the 2010 Christina Aguilera / Cher movie? Never fear: the good people of Cut House Productions are here to…
View More [75] REGGIE’S BRODIE: A VAUDEVILLE EXTRAVAGANZA (Cut House Productions): Fringe reviewVictor Fiorillo, A Doll’s House, and the role of the reviewer
A review by Victor Fiorillo of EgoPo Classic Theatre’s A Doll’s House got Phindie writer Julius Ferraro contemplating the role of reviewer. This is part of Phindie‘s…
View More Victor Fiorillo, A Doll’s House, and the role of the reviewer[72] XY SCHEHERAZADE (Unstuck Theater): Fringe review
XY SCHEHERAZADE works very hard to conjure the moment when “a story that you’re telling a friend becomes, for a minute, a shared perspective.” But…
View More [72] XY SCHEHERAZADE (Unstuck Theater): Fringe review[71] STRIPPED OF COMMON SENSE (Joint Bender Productions): Fringe review
“Back to the grind. Literally.” So begins a shift for five young women, dancing for a living. Set in the dressing room of a strip…
View More [71] STRIPPED OF COMMON SENSE (Joint Bender Productions): Fringe review[70] ONE YEAR (MamaCITA Five): Fringe review
Anyone stumbling into ONE YEAR by accident, like I did, will realize immediately that they had broken in on something transcendent. In front of a backdrop…
View More [70] ONE YEAR (MamaCITA Five): Fringe review