As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 8: JUMP THE MOON (Philadelphia Opera Collective)
Category: Reviews
THEY ONLY COME OUT AT NIGHT: A GRAVEYARD CABARET (REV Theatre): 2015 Fringe review 60
Charles Dickens comes undead at this haunting site-specific show.
View More THEY ONLY COME OUT AT NIGHT: A GRAVEYARD CABARET (REV Theatre): 2015 Fringe review 60
INTO THE LIGHTS (Dancefusion & Ballet Fleming): 2015 Fringe review 59
Modern dance meets contemporary ballet in an expressive collaboration by two of Philadelphia’s top-notch companies.
View More INTO THE LIGHTS (Dancefusion & Ballet Fleming): 2015 Fringe review 59
IN TRANSIT: DANCE|MUSIC|THEATER (FringeArts / PMA): 2015 Fringe review 58
Staged in the American Art Galleries in the Philadelphia Museum of Art, this interactive pop-up work of art, gives a new insight into how to “experience” the…
View More IN TRANSIT: DANCE|MUSIC|THEATER (FringeArts / PMA): 2015 Fringe review 58
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
o subtitles necessary to hear praises sung for women astronomers of the late 19th century.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.2
JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
An experimental world-premiere opera gives voice to the unsung women heroes of astrophysics at Harvard in the 1890s, with a cutting-edge score, non-linear libretto, and expressionist movement.
View More JUMP THE MOON (Philadelphia Opera Collective): 2015 Fringe review 57.1
CAREFUL INJURIES (Other Case Notes Ensemble): 2015 Fringe review 56
Composed as a series of vignettes, CAREFUL INJURIES “began as an examination of physical states and expressions of comfort, fear, and exhaustion.”
View More CAREFUL INJURIES (Other Case Notes Ensemble): 2015 Fringe review 56
SUITE N˚2 (Encyclopédie de la Parole / Joris Lacoste): 2015 Fringe review 55
Part chorale work, part theater, and part compelling curated art, this peculiarly affecting piece examines the diversity of contemporary communication.
View More SUITE N˚2 (Encyclopédie de la Parole / Joris Lacoste): 2015 Fringe review 55
Fringe in Sketch 7: UNARMED (Arielle Pina)
As part of Phindie’s coverage of the 2015 Fringe Festival, Aaron Krolikowski is attending a series of shows and sketching what he sees.
View More Fringe in Sketch 7: UNARMED (Arielle Pina)
KILL WILL (Philadelphia Shakespeare Theatre): 2015 Fringe review 54
Seven actors explain, enact, and parody a series of Shakespeare’s “bloody bits” in this fast, furious, and funny mash-up of The Bard’s iconic death and battle scenes.
View More KILL WILL (Philadelphia Shakespeare Theatre): 2015 Fringe review 54
DANCES WITH SOCKS (Megan Flynn Dance): 2015 Fringe review 53
A series of short sketches of people in process. Carefully crafted dances that pulled the audience into the performers’ private worlds.
View More DANCES WITH SOCKS (Megan Flynn Dance): 2015 Fringe review 53
THE CART OF LOVE/EL CARRO DEL AMOR (Ana María Ruimonte/Owlsong Productions): Fringe review 52
An ambitious art project that seeks to combine multimedia, puppeteering, a baroque chamber orchestra and the singing of mezzo-soprano Ana María Ruimonte in a bilingual presentation.
View More THE CART OF LOVE/EL CARRO DEL AMOR (Ana María Ruimonte/Owlsong Productions): Fringe review 52
ACCORDING TO GOLDMAN (Act II): How to write a script
Act II opens its new season with a bang with Bruce Graham’s ACCORDING TO GOLDMAN
View More ACCORDING TO GOLDMAN (Act II): How to write a script
IT’S SO LEARNING (Berserker Residents): 2015 Fringe Review 51
Go back to school with The Berserker Residents in this highly interactive ensemble-devised piece, in which you are the student and your teachers are berserk!
View More IT’S SO LEARNING (Berserker Residents): 2015 Fringe Review 51
ALIAS ELLIS MACKENZIE (Lucidity Suitcase Intercontinental and CINEtica): 2015 Fringe review 50
Eleven skilled performers play crew or actors on the set of a Colombian TV show about 1980s American drug pilot and adventurer Barry Seal.
View More ALIAS ELLIS MACKENZIE (Lucidity Suitcase Intercontinental and CINEtica): 2015 Fringe review 50
UNARMED (Arielle Pina): 2015 Fringe review 49
By looking into the cultural divides between white and black Americans, UNARMED confronts a culture which teaches us to kill.
View More UNARMED (Arielle Pina): 2015 Fringe review 49
763 MILES (Annex Dance Company and Drye/Marinaro Dance Company): 2015 Fringe review 48
Two dance companies separated by 763 miles challenge audience to find connections between works created miles away.
View More 763 MILES (Annex Dance Company and Drye/Marinaro Dance Company): 2015 Fringe review 48
TALE OF THE PHANTOM SHIP (Temple Theater’s Sidestage): 2015 Fringe review 47
A talented collective of students from Temple University present an original musical inspired by a maritime legend from historic Prince Edward Island.
View More TALE OF THE PHANTOM SHIP (Temple Theater’s Sidestage): 2015 Fringe review 47
THE POP MUSICAL DIARY OF A GAY MAN (Christopher McGinnis): 2015 Fringe review 46
A fun coming-of-age musical using pop music of today and past decades, including Lady Gaga, Whitney Houston, Aerosmith, Rihanna, and more.
View More THE POP MUSICAL DIARY OF A GAY MAN (Christopher McGinnis): 2015 Fringe review 46
PURGATORY (Gunnar Montana): 2015 Fringe review 45
With a dynamic set and powerful imagery, Gunnar Montana explores of the influence and power of religion in modern society.
View More PURGATORY (Gunnar Montana): 2015 Fringe review 45