Who but Chris Davis would even think of a ONE-MAN APOCALYPSE NOW?
View More ONE-MAN APOCALYPSE NOW (Chris Davis): 2016 Fringe review 38
Category: Reviews
ELECTILE DYSFUNCTION (Act II Playhouse): A vote-getter
Puns, pokes, and irreverent portrayals take the place of debating issues
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THE INSTITUTE FOR RELATIVITY STUDIES (Brian Shapiro Presents): 2016 Fringe review 37
Comedy for people who want to have a little extra to think about after the show
View More THE INSTITUTE FOR RELATIVITY STUDIES (Brian Shapiro Presents): 2016 Fringe review 37
SOUTH PACIFIC (Walnut): A pleasure among the palm trees
One of the great Broadway musicals, SOUTH PACIFIC is always a pleasure.
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MATADOR (Ethos Physical Theatre Company) 2016 Fringe review 36
Love is the bloodiest sport of the all
View More MATADOR (Ethos Physical Theatre Company) 2016 Fringe review 36
THE 7-PERSON CHAIR PYRAMID HIGH WIRE ACT (Der Vorfuhreffekt Theatre): 2016 Fringe review 35
A Smokey Robinson-loving yeti aims to win a dance contest and a randomly chosen audience member delivers a love letter to the electromagnetic spectrum on behalf of a bat.
View More THE 7-PERSON CHAIR PYRAMID HIGH WIRE ACT (Der Vorfuhreffekt Theatre): 2016 Fringe review 35
THE CHILDREN OF EDGAR AND NINA (Jarrett McCreary and Bridget Reynolds) 2016 Fringe review 34
To move towards one another through the “sadness and pain of blues and seas.”
View More THE CHILDREN OF EDGAR AND NINA (Jarrett McCreary and Bridget Reynolds) 2016 Fringe review 34
THE HOUND OF THE BASKERVILLES (Hedgerow): Finding Sherlock
Thank goodness for Brock D. Vickers. In adapting one of Conan Doyle’s most popular Sherlock Holmes mysteries, he kept the intense tone of the original.
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MAKING THE FRINGE GREAT AGAIN (The Waitstaff): 2016 Fringe review 33
Fringe is like Christmas without all the bullshit and not just because of all the hanging balls you see.
View More MAKING THE FRINGE GREAT AGAIN (The Waitstaff): 2016 Fringe review 33
ANTIHERO (Tribe of Fools): 2016 Fringe review 32.1
Tribe of Fools returns to Fringe with a satirical look at the culture of comic book heroes.
View More ANTIHERO (Tribe of Fools): 2016 Fringe review 32.1
I FUCKING DARE YOU (Berserker Residents): 2016 Fringe review 31
The two pieces foment a rowdy audience that’s comfortable interacting and even going up on stage to help the chosen one achieve her mission
View More I FUCKING DARE YOU (Berserker Residents): 2016 Fringe review 31
CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30
Wilson and his dancers beautifully articulate humankind’s desire to belong.
View More CITIZEN (Reggie Wilson/Fist and Heel Performance Group): 2016 Fringe review 30
THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.2
THE SINCERITY PROJECT treats sincerity like a destination as intangible as a hyperobject is immeasurable—a destination to approach but never arrive at.
View More THE SINCERITY PROJECT (Team Sunshine Performance Corporation): 2016 Fringe review 19.2
THE SOUNDPROOF ROOM (The Soundproof Room): 2016 Fringe review 29
If upon arrival it feels as though you’ve stumbled into a new age-y meet-up, that’s because in a way it is
View More THE SOUNDPROOF ROOM (The Soundproof Room): 2016 Fringe review 29
CRAVE (Svaha Theatre): 2016 Fringe review 28
Depression and mental collapse run through Sarah Kane’s CRAVE, an indictment and exploration of love presented in a series of late-night showings.
View More CRAVE (Svaha Theatre): 2016 Fringe review 28
PANGAEA: A Folk Opera (Hum’n’bards): 2016 Fringe review 27
PANGAEA: A FOLK OPERA doesn’t seem to ask a question, but gives a heartfelt answer
View More PANGAEA: A Folk Opera (Hum’n’bards): 2016 Fringe review 27
REALITY CHECK (ETC Theater): 2016 Fringe review 26
Not without its own brand of social commentary, but mainly it’s just one damn good time
View More REALITY CHECK (ETC Theater): 2016 Fringe review 26
THEY’LL BE CALLIN’ US WITCHES (Queen Mab’s Men): 2016 Fringe review 25
Five wicked young women flavor this theatrical piece like a craft brew.
View More THEY’LL BE CALLIN’ US WITCHES (Queen Mab’s Men): 2016 Fringe review 25
A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.2
Upon entering the MAAS Space, with it’s exposed beams and brick walls, and wooden floors, the very sensation of being engulfed in 1940s New Orleans…
View More A STREETCAR NAMED DESIRE (Deep Blue Theatre Collective): 2016 Fringe review 20.2
STORY OF MY EYE (GOATPIG): 2016 Fringe review 24
The principle of Chekov’s Cucumber mandates that if you introduce an object to the audience it must be used to sodomize someone at some point in the production.
View More STORY OF MY EYE (GOATPIG): 2016 Fringe review 24