If you’ve ever seen an inscription in a used book and envisioned the person who wrote it, or stumbled upon a note meant for someone else and marveled, FOUND is speaking to you
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Category: Reviews
AN AMERICAN IN PARIS (Broadway Philadelphia): Put on your dancing shoes, watch your spirits climb
If your dancing shoes aren’t quite up to the task, this show will do the trick.
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Imogen Cooper (McCarter): Concert review
The distinguished British pianist Imogen Cooper presented several works for piano on November 9, 2016, at the McCarter Theatre Center in Princeton.
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AN ILIAD (Lantern): Homer sweet homer
AN ILIAD brings Homer’s characters and their epic struggle to life using just a sole narrator and musical accompaniment.
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THE WIZARD OF OZ (Walnut): Just like you remember it!
There’s no place like home, and this winter you don’t need to drive very far to learn that lesson again at the Walnut Street Theater’s musical THE WIZARD OF OZ.
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SUNSET, O639 HOURS (BalletX): A ballet masterpiece
Like other masterpieces of ballet, SUNSET, O639 HOURS grows by itself and lets the dancers grow.
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DUBLIN BY LAMPLIGHT (Inis Nua / Drexel MPiRP): Irish theater for the theatrical
Inis Nua Theatre Company’s 2011 breakout hit DUBLIN BY LAMPLIGHT returns to the stage in partnership with Drexel University’s Mandell Professionals in Residence Project
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REVOLUTION (PA Ballet): Revolution for our mind
Dance is an ever-changing artform: the standard themes change, technique changes,audiences change. Even such key aspects and tools as the body shape of the dancers change.
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MARISOL (Villanova): Wake up call by golf club
José Rivera’s fantastically powerful portent of a world is fabulously riveting as directed by James Ijames at Villanova Theatre.
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MAURITIUS (Act II): Feeling the philatelia
Act II Playhouse gets all dramatic with Theresa Rebeck’s MAURITIUS
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MARTHA GRAHAM DANCE COMPANY (NextMove DANCE): Timeless dances
As a pioneer dancer and choreographer, Martha Graham established the root of modern dance almost single-handedly.
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DELIRIUM (EgoPo): 60-second review
At 800+ pages, Fyodor Dostoevsky’s The Brothers Karamazov would not seem ideally suited to theatrical interpretation.
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[NYC] HEISENBERG and VIETGONE (Manhattan Theatre Club): A weekend report
Thoughts on two shows, HEISENBERG and VIETGONE, under the auspices of the Manhattan Theatre Club.
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BREATHE SMOKE (Orbiter 3): These are times of change
Williams avoids the metatheatrics associated with plays about performance for an inquiry into painful transitions we all must undergo.
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GUARDS AT THE TAJ (Theatre Exile): Beauty and brutality join hands
The debate central to Rajiv Joseph’s absorbing new play isn’t just talk: when you lose this one, you really lose.
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BELCEA STRING QUARTET in recital at Princeton University
The Belcea String Quartet appeared on the Richardson Auditorium stage in Alexander Hall on the campus of Princeton University on October 13, 2016.
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MYSTERY IN THE HOUSE OF USHER: A POE TALE (Ebenezer Maxwell Mansion): A morbidly fun affair
The spirits of Edgar Allen Poe’s tales come alive in the historical Ebenezer Maxwell Mansion.
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THIS IS THE WEEK THAT IS: THE ELECTION SPECIAL (1812 Productions): Yuugely funny
Ho boy, it’s been quite the election cycle. Thankfully, Philadelphia has 1812 Productions to ease the pain with its annual satirical show.
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RADIANT VERMIN (Inis Nua): Devilishly good home redecoration
An entertaining cautionary tale about the wages of greed and consumerism
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DISGRACED (McCarter): No disgrace here
A divinely thorough production of an honest, far reaching play.
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