Adventure, reunion, and love intertwine to create a scrappy maritime tale of marauding and romance.
View More THE SEA VOYAGE (PAC): 2019 Fringe review
Category: Fringe Festival
Phindie is the place for Philadelphia coverage coverage, with the best previews, interviews with artists, and reviews.
Fringe is Here. Fringe is Queer.
Fringe if you’re glad to be gay, Fringe if you’re happy that way.
View More Fringe is Here. Fringe is Queer.
LAVENDER LIFE (Ultra V Theatre Company): 2019 Fringe review
Lisa Panzer kicks off Phindie’s review coverage of the 2019 Fringe Festival
View More LAVENDER LIFE (Ultra V Theatre Company): 2019 Fringe review
A Welcome to the International Artists at the 2019 Fringe Festival
Henrik Eger greets international Fringe artists.
View More A Welcome to the International Artists at the 2019 Fringe Festival
Free At Last: A guide (and some picks) to the first Philly FREE FRINGE
Fringeing the Fringe with the Free Fringe
View More Free At Last: A guide (and some picks) to the first Philly FREE FRINGE
20 Picks for the 2019 Philadelphia Fringe Festival
Hey, what shows should I see this Fringe?
View More 20 Picks for the 2019 Philadelphia Fringe Festival
Fringe preview: Motherhood, race, and fairy tales
Brown-Eyed Rapunzel at Philly PACK considers mothering a mixed-race child
View More Fringe preview: Motherhood, race, and fairy tales
Fringe preview: A run to Wawa
Fringe favorites Tribe of Fools look at the unlikely places people consider home
View More Fringe preview: A run to Wawa
Fringe preview: Sail away with the PAC
Philadelphia Artists’ Collective hits the water with another Fringe gem.
View More Fringe preview: Sail away with the PAC
Fringe preview: Darkness on the edge of acrobatics
Almanac returns to the Fringe Festival with a consideration of illness and trauma
View More Fringe preview: Darkness on the edge of acrobatics
Fringe preview: Going with the flow
Audiences will gush about this Fringe show taking a light-hearted look at menstruation
View More Fringe preview: Going with the flow
Letter from Edinburgh: A dilettante at large reviews
Toby Zinman reviews shows from the 2019 Edinburgh Fringe
View More Letter from Edinburgh: A dilettante at large reviews
Calling Philly Residents Who Love Dance
ringeArts is calling for participants for a 100-person participatory dance piece that moves through the streets of Philadelphia.
View More Calling Philly Residents Who Love Dance
Theater of the Extreme: Amanda Schoonover looks back on PHAEDRA’S LOVE
Henrik Eger talks to actor Amanda Schoonover about Sarah Kane and her career.
View More Theater of the Extreme: Amanda Schoonover looks back on PHAEDRA’S LOVE
PLUNGE (Brian Sanders JUNK): 2018 Fringe review
PLUNGE is yet another fruit of Brian Sanders’ creative genius
View More PLUNGE (Brian Sanders JUNK): 2018 Fringe review
Dance in Sketch: CAEN AMOUR at Fringe Festival and Alliance Francaise
Sketches of Trajal Harrell and CAEN AMOUR.
View More Dance in Sketch: CAEN AMOUR at Fringe Festival and Alliance Francaise
GARDENS SPEAK (Tania El Khoury): 2018 Fringe review
GARDENS SPEAK is a metaphysical experience of death and injustice… and a tangible experience of growth and self-expansion.
View More GARDENS SPEAK (Tania El Khoury): 2018 Fringe review
Fringe in Sketch: TIAN WEN (Hua Hua Zhang’s Visual Expressions)
Tian Wen: Heavenly Questions for Modern Times uses modern dance and the art of puppetry to thematically combine ancient Chinese art forms with new hybrid movements from classical and contemporary dance.
View More Fringe in Sketch: TIAN WEN (Hua Hua Zhang’s Visual Expressions)
PAPRIKA PLAINS (Natalie Fletcher / Jessica Noel): 2018 Fringe review
Like a Joni Mitchell song, PAPRIKA PLAINS is intimate, artful, and affecting.
View More PAPRIKA PLAINS (Natalie Fletcher / Jessica Noel): 2018 Fringe review
TIAN WEN: Heavenly Questions for Modern Times (Hua Hua Zhang’s Visual Expressions): 2018 Fringe review
Am I dreaming of being a butterfly or is the butterfly dreaming of being me?
View More TIAN WEN: Heavenly Questions for Modern Times (Hua Hua Zhang’s Visual Expressions): 2018 Fringe review