Larry Shue’s 1979 farce has seen better days.
View More THE NERD (Bucks County Playhouse): 60-second reviewAuthor: Cameron Kelsall
PROJECT DAWN (People’s Light): The hug or the hammer
A well-intentioned but dull play about an important legal program in Philadelphia.
View More PROJECT DAWN (People’s Light): The hug or the hammerUNCLE VANYA (Quintessence): Tedious boring people
Good productions of Chekhov remind us of how vital his work still can be. Bad productions feed the narrative that his plays are dated, charmless, and inconsequential.
View More UNCLE VANYA (Quintessence): Tedious boring peopleHIR (Simpatico): We are all everything
Author’s note: Taylor Mac uses “judy” as a gender pronoun. This review reflects Mac’s preference. Taylor Mac’s work is unwieldy and absurdist, challenging and unsettling.…
View More HIR (Simpatico): We are all everythingDOGS OF RWANDA (InterAct): We are witnesses
A gripping solo play that asks tough questions and rejects easy answers
View More DOGS OF RWANDA (InterAct): We are witnessesMAKING HISTORY (Irish Heritage Theatre): Make Ireland Great Again
Brian Friel the Irish Chekhov.
View More MAKING HISTORY (Irish Heritage Theatre): Make Ireland Great AgainQuincy Tyler Bernstine in INTIMATE APPAREL: Stalwart supporting actor gets chance to shine
Although her name may not sound immediately familiar, Quincy Tyler Bernstine has been a force in theater for nearly two decades.
View More Quincy Tyler Bernstine in INTIMATE APPAREL: Stalwart supporting actor gets chance to shineGYPSY (Arden Theatre): Mary’s turn
Martello shines in an otherwise confused production of this classic musical.
View More GYPSY (Arden Theatre): Mary’s turnWEST SIDE STORY (Media Theatre): 60-second review
2018 is Leonard Bernstein’s centenary, and theaters around the country are programming his greatest works in his honor. Delaware County’s Media Theatre has taken the…
View More WEST SIDE STORY (Media Theatre): 60-second reviewBRIGHTON BEACH MEMOIRS (Act II Playhouse): The same old schtick
A play for people who need to be told how to feel.
View More BRIGHTON BEACH MEMOIRS (Act II Playhouse): The same old schtickTHE ABSOLUTE BRIGHTNESS OF LEONARD PELKEY (PTC): Just another queer tragedy
If you like your gay stories trite and tragic, this is the play for you.
View More THE ABSOLUTE BRIGHTNESS OF LEONARD PELKEY (PTC): Just another queer tragedyLocal playwright makes good: An interview with Jacqueline Goldfinger
It’s been a banner month for local playwright Jacqueline Goldfinger.
View More Local playwright makes good: An interview with Jacqueline GoldfingerSoloists of the Metropolitan Opera (Philadelphia Chamber Music Society): The cream of the crop
Philadelphia Chamber Music Society imported a deep bench of talent from New York for its final Sunday afternoon recital of the season.
View More Soloists of the Metropolitan Opera (Philadelphia Chamber Music Society): The cream of the cropInon Barnatan in recital (Philadelphia Chamber Music Society): Variation as the theme
Pianist Inon Barnatan stepped in for an ailing colleague, offering an exquisite and inventive recital that explored musical variations.
View More Inon Barnatan in recital (Philadelphia Chamber Music Society): Variation as the themeWHITE (Theatre Horizon): Representation matters
Playwright James Ijames offers a searing examination of the commodification of black experience.
View More WHITE (Theatre Horizon): Representation mattersAnthony Heald in GYPSY: Journeyman actor makes his way to Philadelphia
In a casting coup, Anthony Heald has come to Philadelphia to play Herbie in GYPSY at Arden Theatre.
View More Anthony Heald in GYPSY: Journeyman actor makes his way to PhiladelphiaLA RONDINE (Curtis Opera Theatre): Puccini’s elusive swallows flies to Philly
Curtis Opera Theatre fails to make the case for LA RONDINE as a neglected classic.
View More LA RONDINE (Curtis Opera Theatre): Puccini’s elusive swallows flies to PhillyMarriages of Figaro: Opera Philadelphia stars are partners on and off stage
Layla Claire and John Chest appear as Mozart’s unhappily married Count and Countess weeks before their own nuptials.
View More Marriages of Figaro: Opera Philadelphia stars are partners on and off stageTHE PRISONER OF ZENDA (Hedgerow Theatre): 60-second review
A sense of familiarity permeates THE PRISONER OF ZENDA, Matt Tallman’s adaptation of Anthony Hope’s novel of intrigue, adventure, and mistaken identity
View More THE PRISONER OF ZENDA (Hedgerow Theatre): 60-second reviewHow should Philadelphia Theatre Company rebrand itself?
Cameron Kelsall has some ideas for the new executive director.
View More How should Philadelphia Theatre Company rebrand itself?