Paul Kuhn

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Fringe in Sketch: I, PEASEBLOSSUM (Curio Theatre)

I, PEASEBLOSSOM was a great character study for me. I wanted to keep capturing the many sides of Brian McCann.

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I, PEASEBLOSSOM (Curio): 2017 Fringe review

I, PEASEBLOSSOM is a lark, even compared to its light-hearted inspiration, A Midsummer Night’s Dream.

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2017 Barrymore nominees: In their own words

Phindie asked this year’s crop of Barrymore Award nominees about their experience of being nominated.

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WAITING FOR GODOT (Curio): Highlighting the hilarity of Beckett’s classic

Curio’s designers have created a bubble of no time, no place, in which anything or nothing can happen.

Alee Spadoni as Charlotte in Curio Theatre Company's ANTAGONYMS. Photo by Rebecca Gudelunas

ANTAGONYMS (Curio): What are any of us but destructive dualities

The messiness in Rachel Gluck’s debut play is what make it most lifelike. In the end, what are any of us but destructive dualities, fighting between our desires and our own self-interest?

Paul Kuhn's scenic design for Curio's production of The Birds earned him  a well-deserved and long-overdue nomination.

THE BIRDS (Curio): Terror takes flight

This adaptation by master Irish playwright Conor McPherson finds its horror in the claustrophobic relationships between its four characters

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THE CRIPPLE OF INISHMAAN (Curio): A light surface has a dark pull

Something funny across the surface with dark issues riding just under it.

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DEATH OF A SALESMAN (Curio): Bringing Arthur Miller to life

Curio’s production underscores the delusion and the rawness of the lives of the Loman family.

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THE BALD SOPRANO (Curio): The absurd banality of everyday conversation

Ionesco offers comically entertaining insight on the careless and constant cacophony that passes for communication but is just platitudinous twaddle.

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Arming GABLER: Prop designer Paul Kuhn talks about his work on HEDDA GABLER

Paul Kuhn is perhaps the finest designer in Philadelphia’s independent theater. He tells Phindie about his prop design for a site-specific production of Ibsen’s HEDDA GABLER.

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THE HANDMAID’S TALE (Curio): One woman’s poignant and personal story

A timely retelling of Margaret Atwood’s classic dystopian novel.

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ZOMBIES . . . WITH GUNS (Tribe of Fools): 2015 Fringe Review 18

The Zombie Apocalypse invades the Fringe with Tribe of Fools’ zany foray into the fright genre, with a serious socio-political message about gun violence.

Kyra Baker, Newton Buchanan, Andrew J. Carroll, Aetna Gallagher, and Doug Greene in NOISES OFF. Photo by Kyle Cassidy.

NOISES OFF (Curio): Utter nonsense, superbly structured and out of control

Michael Frayn’s enormously popular 1980s play is a zany farce about doors and sardines, relationships, and mistakes.

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OTHELLO (Curio): A different approach to an iconic tragedy

This original take on OTHELLO has more the feel of a farcical comedy than an ironic tragedy

Ken Opdenaker, Paul Kuhn (center) and Steve Carpenter.in THE MATTER OF FRANK SCHAEFER. Photo by Rebecca Miglionico.

THE MATTER OF FRANK SCHAEFER (Curio): Go and do likewise

Curio personalizes a national news story: THE MATTER OF FRANK SCHAEFER, a Methodist priest defrocked for officiating his son’s same sex wedding.

Aetna Gallagher and Brian McCann in Curio Theatre Company's OEDIPUSSY.

OEDIPUSSY (Curio): Shenanigans, tomfoolery and ballyhoo reign

OEDIPUSSY isn’t something to analyze, it’s just something to enjoy— an antidote to life’s heavy stuff. Appealingly physical and comically overwrought, it’s tons of fun. The most amazing thing about this lunatic version is that the epic tragic story actually emerges through all the clowning, sight gags and laughter.

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Is there money in theater? Where does it come from? Who gets it?

Phindie looks at tax returns for local theaters to see how much they brought in from what sources. We also look at who the best paid employee was for each “non-profit”.

DANCING AT LUGHNASA (Curio): Casting Disaster

The summer of 1998, I permanently moved out of my mother’s house. (My mother moved down to Nashville abruptly and without me.) So I traveled to Ireland and saw Brian…

Dana Kreitz as Olivia and Merci Lyons-Cox as Oliver in Curio Theatre Company's GENDER COMEDY. Photo by Claire Horvath.

GENDER COMEDY: A LESS STUPID TWELFTH NIGHT GAY FANTASIA (Curio): A loving parody brings infectious glee

Harry Slack has cut the gaping holes in Shakespeare’s logic into microscope slides, and the result is a hilarious and self-aware send-up of the rarely-discussed flaws in the work of our most beloved playwright.

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THE HOUND OF THE BASKERVILLES (Curio): 60-second review

“Rare moths, wives pretending to be sisters,” deadly moors, escaped killers, and a legendary hellhound: the plot points of Arthur Conan Doyle’s THE HOUND OF THE BASKERVILLES are ripe for…