Music

TOUCHTONES (Arden): 60-second review

This treacly throwback neither titillates nor liberates.

America’s Diva Comes to Philadelphia: An interview with Renée Fleming

Renée Fleming has been at the forefront of classical music for three decades.

CABARET (Arden): Glücklich zu sehen?

CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.

After the O17: A reflection on Opera Philadelphia’s brave endeavor

This bountiful menu of music had something for every taste

Your guide to Opera Philadelphia’s O17 Festival

Here’s everything you need to know about the musical smorgasbord that awaits.

Opera Innovator: An Interview with David Devan ahead of the O17 Festival

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

WITH FLINT AND STEEL (Duende): 2016 Fringe review 57

A highly experimental, improvisational, and fascinating Fringe performance

WHEN SOUNDS COLLIDE (Fuse Vox): 2016 Fringe review 56

Music to rock, soul, jam out, or however you feel by.

BIG CRUNCH (TOLVA/Sam Congdon): 2016 Fringe review 45

A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.

[podcast] Jen Childs on I WILL NOT GO GENTLY

Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.

GROUCHO: A LIFE IN REVUE (ActorsNET): There’s no such thing as a sanity clause

Off stage, David Newhouse looks nothing like Groucho Marx. In makeup, Newhouse’s transformation is astounding.