Music

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America’s Diva Comes to Philadelphia: An interview with Renée Fleming

Renée Fleming has been at the forefront of classical music for three decades.

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CABARET (Arden): Glücklich zu sehen?

CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.

Un_Sung (Lauren Whitehead, center) surrounded by ghosts in We shall not be moved.(from left, Tendayi Kuumba, Caci Cole Pritchett, Michael Bishop and Duane Lee Holland, Jr.).Photo by Dave DiRentis

After the O17: A reflection on Opera Philadelphia’s brave endeavor

This bountiful menu of music had something for every taste

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Your guide to Opera Philadelphia’s O17 Festival

Here’s everything you need to know about the musical smorgasbord that awaits.

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Opera Innovator: An Interview with David Devan ahead of the O17 Festival

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

Pictured: Gabriel Cabezas, Chloe Felesina, Edgar Anido, Emilie-Anne Gendron    Photo Credit: Bill Hebert

WITH FLINT AND STEEL (Duende): 2016 Fringe review 57

A highly experimental, improvisational, and fascinating Fringe performance

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WHEN SOUNDS COLLIDE (Fuse Vox): 2016 Fringe review 56

Music to rock, soul, jam out, or however you feel by.

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BIG CRUNCH (TOLVA/Sam Congdon): 2016 Fringe review 45

A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.

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[podcast] Jen Childs on I WILL NOT GO GENTLY

Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.

Susan Ferrara Barto (left) and David Newhouse in GROUCHO: A LIFE IN REVUE.

GROUCHO: A LIFE IN REVUE (ActorsNET): There’s no such thing as a sanity clause

Off stage, David Newhouse looks nothing like Groucho Marx. In makeup, Newhouse’s transformation is astounding.