This treacly throwback neither titillates nor liberates.

Renée Fleming has been at the forefront of classical music for three decades.

CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.

This bountiful menu of music had something for every taste

Here’s everything you need to know about the musical smorgasbord that awaits.

Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.

A highly experimental, improvisational, and fascinating Fringe performance

Music to rock, soul, jam out, or however you feel by.

A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.

Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.

Off stage, David Newhouse looks nothing like Groucho Marx. In makeup, Newhouse’s transformation is astounding.