Puppet slams, Faust, and Ghost Stories: Interview with Leila Ghaznavi
Leila Ghaznavi is working on THREE different shows this Fringe Festival.
Broderick Jones
Now trending…
Opera Innovator: An Interview with David Devan ahead of the O17 Festival Opera Philadelphia’s innovative general director previews the upcoming O17 Festival. 
No Words for Arielle Pina’s NO INTRODUCTION or A White Viewer’s Guide to Reacting to No INTRODUCTION Arielle Pina doesn’t have words for it. She can talk about colorism , but there’s not a way to neatly explain how it has affected her. 
A Woman Who Dares: Interview with KC MacMillan KC MacMillan talks about making the transition from freelance artist to administrative director, what she envisions for the next phase of her career, and what advice she has for young women who aspire... 
Literary Legacy: A History of Philadelphia Writers If you would not be forgotten, as soon as you are dead and rotten, either write things worth the reading, or do things worth the writing. 
We Are All Chelsea Manning: Inis Nua actors on what THE RADICALISATION OF BRADLEY MANNING means to them We asked the actors in this challenging production: Who is Bradley Manning to you?
From the archives…
SENSE AND SENSIBILITY (Hedgerow): I hated Jane Austen, but I love this
I took a seat on one of the long, cushioned benches at the unusual Hedgerow Theatre, a grist mill from the 1800s, for the opening night of SENSE AND SENSIBILITY. Satisfied that at least I was introduced to such a beautiful place, I wondered what Jane Austen was going to smother me with this time.
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