This fall sees Revolution Shakespeare’s first full production: a New Orleans-inspired MACBETH, from October 1-12.
View More The firstlings of their heart: MACBETH marks Revolution Shakespeare’s first full productionCategory: Previews
Upcoming theater and arts in Philadelphia
Enter the Fringe: the MOST and BEST coverage of the 2014 Philadelphia Fringe Festival + some picks
Phindie is providing more Festival coverage than any other publication, and BETTER!
View More Enter the Fringe: the MOST and BEST coverage of the 2014 Philadelphia Fringe Festival + some picksFringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David Morse
Part of an ongoing international tour, FringeArts’ 13-performance engagement of White Rabbit, Red Rabbit follows the playwright’s rules: A script waits in a sealed envelope. ach night, a different actor steps on stage and opens the envelope, reading the script aloud for the first—and last—time.
View More Fringe preview: Actor schedule for WHITE RABBIT, RED RABBIT includes David MorseMauckingbird Presents Staged Readings of Two Gay Milestones
Two groundbreaking plays in the history of queer theater–Lillian Hellman’s THE CHILDREN’S HOUR and Mart Crowley’s THE BOYS IN THE BAND—will be presented in the format of staged readings over the next two weekends by Mauckingbird Theatre Company.
View More Mauckingbird Presents Staged Readings of Two Gay MilestonesPlaywright to playwright: Chris Davis (Anna K) interviewed by Douglas Williams (Safe Space)
In this special Phindie feature, Holly’s Dead Soldiers alums Douglas Williams and Chris Davis talk about Chris’s new work and his recent trip to Scotland for the world-famous Edinburgh Fringe.
View More Playwright to playwright: Chris Davis (Anna K) interviewed by Douglas Williams (Safe Space)Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer
The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.
View More Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer2013/14 Critics’ Awards: The best in Philadelphia theater
For the second year, Phindie asked local theater writers to vote on the best theatrical work produced in or near the city in the 2013/14 theater season.
View More 2013/14 Critics’ Awards: The best in Philadelphia theater10 Fringe Dance Picks: Lew Whittington on the best of the 2014 Fringe Festival
Dance writer Lew Whittington gives 10 “moving” picks for the 2014 Fringe Festival
View More 10 Fringe Dance Picks: Lew Whittington on the best of the 2014 Fringe FestivalFringe Picks: Daniel Student gives his shameless plugs and insider tips
Plays and Players Theatre is host to x shows in this year’s Philadelphia Fringe Festival and the upstairs bar is a regular after-show spot for Fringe performers, so Daniel Student, artistic director of the resident theater company, has his finger on the festival pulse. Daniel told Phindie what he’s looking forward to this year, at P&P and beyond.
View More Fringe Picks: Daniel Student gives his shameless plugs and insider tipsIntroducing the Fringe/Fringe Festival, which you probably won’t want to miss
A backwoods exorcism by a snake-handling preacher, a community-building sleepover play about death, devised theater by dangerous women, and a gallery where live mannequins and their art intersect: we’re hoping the newly-birthed Fringe/Fringe Festival turns out to be as freaky and compelling as its play synopses promise.
View More Introducing the Fringe/Fringe Festival, which you probably won’t want to missPhotographing Quince Productions’ YOU KNOW MY NAME: A DANIEL TALBOTT TRIO
In shooting YOU KNOW MY NAME: A DANIEL TALBOTT TRIO, I wanted to capture not only the unique world in which Talbott’s plays occur, but the very different worlds of these three short plays. A kitchen (Break My Face on Your Hand), a public bench (You Know My Name), and a bedroom (What Happened When) become joyous, sinister, hopeful, despairing, or reassuring places as the plays move along and flow into one another.
View More Photographing Quince Productions’ YOU KNOW MY NAME: A DANIEL TALBOTT TRIOQueer and Christian: a preview of NEXT FALL (Quince, GayFest! 2014)
This Wednesday, Quince Productions continues an exciting GayFest! with the opening of Next Fall, playwright/actor Geoffrey Nauffts’ Tony Award-nominated play. Next Fall tackles big issues without…
View More Queer and Christian: a preview of NEXT FALL (Quince, GayFest! 2014)Kyle Cassidy Photo Essay: THE GLASS MENAGERIE (Commonwealth Classic Theatre)
Kyle Cassidy photographs Commonwealth Classic Theatre Company’s production of Tennessee Williams’s THE GLASS MENAGERIE, now onstage at the Off Broad Street Theatre.
View More Kyle Cassidy Photo Essay: THE GLASS MENAGERIE (Commonwealth Classic Theatre)STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS (Quince), GayFest! 2014.
“What’s really interesting to me is that in just a few years since “Standing on Ceremony” came out, some of the pieces are already ‘period pieces.’ There is, for instance, one piece about two women flying from California to Iowa because marriage is legal in Iowa but not California (it was while Proposition 8 was still making its way through the courts). And the two women are saying things like, ‘Can you believe we live in California and have to fly to Iowa to get married?’ Well that, of course, is no longer the case. So in a way it’s a primer on recent history and an indication of how quickly things change!”
View More STANDING ON CEREMONY: THE GAY MARRIAGE PLAYS (Quince), GayFest! 2014.Playwright on Playwright: Two charming people interview one another
Daniel Talbott (You Know My Name: A Daniel Talbott Trio) and Kathleen Warnock (Some Are People), two of the playwrights with work in this year’s GayFest!, happen to be old friends and professional colleagues. These two unique personalities interview each other about their participation in Quince Productions’ festival, their writing habits, and a slew of other topics from desserts to dreams.
View More Playwright on Playwright: Two charming people interview one anotherQuince Productions’ GayFest! kicks off with HEAD OVER HEELS
Philadelphia’s first and largest LGBTQ theater festival, GayFest! by Quince Productions, returns this August 5-23 to Plays and Players Skinner Studio. Opening this year’s festival is the The Bang Group’s HEAD OVER HEELS, a high energy mix of concert dance, slapstick, and musical theater in a cabaret setting. Artistic director and choreographer David Parker took time with me to offer some insights into the dance and his New York City dance ensemble’s interests in creating the piece.
View More Quince Productions’ GayFest! kicks off with HEAD OVER HEELSDeb Miller’s 15 Top Picks for the 2014 Philadelphia Fringe Festival
Phindie will provide more Philly Fringe Festival coverage than any publication in the world! Coverage begins with 15 picks from star Phindie writer Deb Miller.
View More Deb Miller’s 15 Top Picks for the 2014 Philadelphia Fringe FestivalThe Bearded Ladies and Opera Philadelphia present Stage 2 in the development of Warhol-inspired ANDY: A Popera
Wednesday, July 16th, The Bearded Ladies and Opera Philadelphia will lay down stakes in the lobby of the Wilma Theatre, and, for two short weeks, perform an hour-long cabaret inspired by the outrageously influential life of Andy Warhol. Featuring original music by Heath Allen.
View More The Bearded Ladies and Opera Philadelphia present Stage 2 in the development of Warhol-inspired ANDY: A PoperaSee Me, Feel Me: New guys New Cavern rock out THE WHO’S TOMMY
The Who’s 1969 concept album TOMMY kicks ass. It’s a real rockists rock album, from the golden age of British rock. The 1975 movie and 1993…
View More See Me, Feel Me: New guys New Cavern rock out THE WHO’S TOMMYArrogantly profiling American history: An interview with Colin Quinn, starring at the Philadelphia Theatre Company
Let me say it up front: Unconstitutional, running through July 6th at the Philadelphia Theatre Company, is a tour de force stronger than the Tour de France.
The famous Quinn, familiar to Saturday Night Live fans, presents his observations on the quirks of life in the U.S. at such a neck-breaking pace that I thought I was participating as a bidder at an auction, where the auctioneer speaks at world record speed so that I, as one of his “bidders,” was unsure at times if I was buying or not. So as not to miss his many powerful insights, wrapped in highly addictive humor, I was forced to listen carefully. And listen I did.
View More Arrogantly profiling American history: An interview with Colin Quinn, starring at the Philadelphia Theatre Company