Interviews

Kate Brennan

Philadelphia Misses Kate Brennan: Interview with the now NYC-based actor and producer

Kate Brennan lit up the Philadelphia stages for years as an actor and producer for BCKSEET Productions. Now NYC-based, she’s back in town this summer for an offbeat theater camp. Phindie asks her about this and her memories of Philly.

Tananya Garza.

30/30 Vision: Tamanya Garza on Latinos in Philadelphia theater

Phindie talked to Tamanya Garza, a longtime leader of the Philadelphia Latino theater community and director of EL NOGALAR, part of the three-play 30/30 series exploring Latino theater.

Photo © Jacques-Jean Tiziou / www.jjtiziou.net.

Interview with Charlotte Ford: The untenable career of a successful Philadelphia theater artist

Philadelphia’s theater scene is better than ever—haven’t you heard? But so few of its practitioners can eke out a living wage from it. This interview Charlotte Ford takes a serious look at how poor the health of the theater industry is in this city.

Peter Gaffney

THE FUTURE has arrived: Interview with Peter Gaffney, musical creator of BRAT’s latest production

In ALWAYS COMING SOON: THE FUTURE, BRAT Productions takes another look at what the future holds, and the auguries are not pretty: Derelict clowns, aggressive barkers, and obscene control culture. But THE FUTURE is funny and fun: It’s another of the entertaining rock cabarets which the company has launched in recent years,

makoto-hirano-charles-mcmahon-julius-caesar-japan

The fault, dear Brutus, Act III: Makoto Hirano interviews Lantern AD Charles McMahon about “Super Racist” Julius Caesar

Makoto Hirano asks Lantern artistic director Charles McMahon some tough questions about the “Super Racist” Julius Caesar. And a clearly contrite McMahon does his best to explain the process that lead to the company’s misguided choices.

Ben Grinberg rehearsing COMMUNITAS at Penn Treaty Park. Photo credit Justin Rose

Communitas Organizer: Interview with Ben Grinberg about his dance circus theater

Together with collaborator Nick Gillette, Ben Grinberg founded Almanac Dance Circus Theatre to offer production of his unique brand of acrobatic theater. Almanac’s inaugural show, Communitas, launches this May 22-24 at Christ Church Neighborhood House. Phindie asked Ben a few questions about the show and his new company.

Adrienne Mackey

Checking in with Adrienne Mackey: Musing on the future of theater arts and artists

Adrienne Mackey, 32, is the artistic director of Swim Pony Performing Arts, a performing arts company that prides itself on presenting work that is “loud, strange, and never seen before on earth.”

Directors Gallery Salon 1: Designing the Future

Directing the Future: An Interview with DG Founder Jill Harrison

Since moving to Philadelphia in 2009 (from New York, where she began her career), and joining the Philadelphia theater community as a freelance director, producer, and educator in the fall…

Josh McIlvain and Deborah Crocker serve up some fresh hot American Wisdom.

AMERICAN WISDOM (SmokeyScout): Interview with Playwright Josh McIlvain

And now, AMERICAN WISDOM, a mainstage collection of three of Josh’s one-acts, is a handshake between Philly and New York, featuring actors and directors from both sides of the ancient and abiding divide—and performing for one weekend in each city. What’s more, it was launched through an IndieGoGo campaign, representing McIlvain’s collaboration with his audiences.

Buckminster Fuller before his geode dome at Montreal's World Fair.

THE LOVE SONG OF R. BUCKMINSTER FULLER (FringeArts): Fringe’s First First Friday

Among the first presentations in this exciting space, THE LOVE SONG OF R. BUCKMINSTER FULLER, shows First Friday, April 4th, at 7 and 9pm. This part theater, part musical, part film is dubbed a “live documentary.” Acclaimed filmmaker Sam Green narrates, accompanied by an original score played by Yo La Tengo. Together they create the movie experience in front of the audience in real time. Nick Stuccio, president and Producing Artistic Director of FringeArts, sat down to chat about this unique offering, as well as the developments with the new space and Fringe Festival.

Krista Apple-Hodge portrays Queen Elizabeth I in the PAC’s MARY STUART (Photo credit: Kate Raines, Plate 3 Photography)

The Women of The PAC’s MARY STUART

The Philadelphia Artists’ Collective concludes its 2013-14 season with Friedrich Schiller’s MARY STUART, directed by PAC co-founding artistic director Dan Hodge (whose previous credits include the company’s potent inaugural production of THE DUCHESS OF MALFI in 2010).

Alex Bechtel The West

THE WEST Comes to Town: Interview with Creator Alex Bechtel

THE WEST is ensemble-devised musical theater, described as “an absurdist western music hall drama about the gun that killed Billy The Kid, the gun that didn’t, and truth and fiction in history, human relationships, and our day-to-day lives.”

From Callow Young Lover to Successful Playwright: Interview with Eric Conger, writer of BEAUTIFUL BOY

Eric Conger is leaving his mark as a successful new American playwright, whose four produced plays include BEAUTIFUL BOY, the story of a young man’s search for his birth parents. Henrik Eger caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.

We caught up with Eric to find out more about BEAUTIFUL BOY, which just had its world premier production at The Walnut Street Theatre.

john rosenberg

A NICE AND FRESH sendoff: John Rosenberg’s last show in Philadelphia

Phindie has been a long-term champion of playwright John Rosenberg and his Hella Fresh Theater. There are pretty much no companies in Philadelphia focused on full seasons of original work, certainly none of the caliber reached in Rosenberg’s best plays, 2013′s Hannah and 2012′s Alp d’Huez.

Celebrating Shakespeare at 450: An Interview with The Philadelphia Shakespeare Theatre’s Carmen Khan

Carmen Khan has devoted much of her life and professional career to Shakespeare. She is well known to the Philadelphia theater community as the founding artistic director and long-time executive…

christmas-carol-hedgerow

Considering A CHRISTMAS CAROL

You might call me a scrooge. The Philadelphia theater scene goes on hiatus in July and August, as most companies take a season break. And for me, December is like…

Daniel Student, artistic director of Plays & Players.

Daniel Student on Tarell Alvin McCraney: An interview with the Plays & Players director about the playwright and his works

Plays & Players Theatre is staging Marcus, Or the Secret of Sweet, the third part of Tarell Alvin McCraney’s acclaimed Brother/Sister series. Phindie spoke to P&P artistic director Daniel Student, who…

Roy Keiser

Roy Kaiser looks forward and back as Pennsylvania Ballet turns 50

Published by The Dance Journal. Reprinted with kind permission. Pennsylvania Ballet launches its 50th season this month with the celebrations, reunions and gala performances, but the company has already been…

Angela Smith as Harriet Smith, Trevor William Fayle as Mr. Elton, and Lauren Sowa as Emma Woodhouse in Lantern Theater Company's production of Jane Austen's EMMA (2013). Photo by Mark Garvin.

The Perfect Company in the Perfect City: REGENCY AND REVELRY at Lantern Theater Company

It’s now two hundred years ago that the famous line was published: “It is a truth universally acknowledged that a single man in possession of a good fortune must be…

Sarah Robinson. Lucinda's Bed. BrainSpunk. Fringe 2013.

Fringe interview: Sarah Robinson on LUCINDA’S BED, BrainSpunk Theater, and the monsters under her bed

Sarah Robinson produced and directed one of the highlights of the 2012 Fringe, Sarah Kane’s Crave. She’s also a regular feature on the boards in Philadelphia, appearing recently in SmokeyScout…