Phindie is the place for Philadelphia coverage coverage, with the best previews, interviews with artists, and reviews.
Philadelphia’s theater scene is better than ever—haven’t you heard? But so few of its practitioners can eke out a living wage from it. This interview Charlotte Ford takes a serious look at how poor the health of the theater industry is in this city.
View More Interview with Charlotte Ford: The untenable career of a successful Philadelphia theater artist
I have taken the train up from Philadelphia to the New York Theatre Workshop to see how RED-EYE to HAVRE de GRACE has fared since I last saw it. I had discovered it in the Philadelphia Live Arts workshop production in 2005. Between that iteration and the world premiere at Philadelphia Fringe Festival in 2012, an evolutionary process took place.
View More RED-EYE TO HAVRE DE GRACE (Lucidity Suitcase Intercontinental): New York Theatre Workshop sees a reshaped Philly Fringe hit
Phindie‘s recent Critics’ Awards proved very popular. These awards used input from theater reviewers across town to compile a list of the best performers of…
View More The Best of the 2013 Philly Fringe Festival
The conceit of Philly Improv Theater’s STUDY HALL is that we the audience are a bunch of prep school students, awaiting a lecture in an…
View More [78] STUDY HALL (Philly Improv Theater): Fringe review
Weekly World News is known for a lot of things, but heartfelt sentiment isn’t one of them. Surprising, then, that the tabloid birthed BAT BOY:…
View More [77] BAT BOY: THE MUSICAL (Life Theater Company): Fringe review
You are in a spacey kind of facility thing. It’s all white in there, with some technological lookin’ kinda lights. There are three doors; soon,…
View More [76] BASTARD PIECE (No Face Performance Group): Fringe review
Is your only experience with burlesque the 2010 Christina Aguilera / Cher movie? Never fear: the good people of Cut House Productions are here to…
View More [75] REGGIE’S BRODIE: A VAUDEVILLE EXTRAVAGANZA (Cut House Productions): Fringe review
Beyond the Light is a devised puppetry/theater/music/acrobatics/dance exploring unrequited love through whimsical, nighttime wonderment. A blonde boy and a black-haired girl stand in separate shadows,…
View More [74] BEYOND THE LIGHT (Leila Ghaznavi and Pantea Productions): Fringe review
AKA performance is a new dance collective, formed by young choreographers Katrina Atkin, Ann-Marie Gover, and Alessandra Delle Grotti to showcase their individual approaches to…
View More [73] ROOTS (AKA performance): Fringe review
A review by Victor Fiorillo of EgoPo Classic Theatre’s A Doll’s House got Phindie writer Julius Ferraro contemplating the role of reviewer. This is part of Phindie‘s…
View More Victor Fiorillo, A Doll’s House, and the role of the reviewer
XY SCHEHERAZADE works very hard to conjure the moment when “a story that you’re telling a friend becomes, for a minute, a shared perspective.” But…
View More [72] XY SCHEHERAZADE (Unstuck Theater): Fringe review
“Back to the grind. Literally.” So begins a shift for five young women, dancing for a living. Set in the dressing room of a strip…
View More [71] STRIPPED OF COMMON SENSE (Joint Bender Productions): Fringe review
Anyone stumbling into ONE YEAR by accident, like I did, will realize immediately that they had broken in on something transcendent. In front of a backdrop…
View More [70] ONE YEAR (MamaCITA Five): Fringe review
This is the only place where baby doll dismembering, Santa Claus chopping, guts wearing, head smashing, dub-step listening, and wrapping a woman in plastic are…
View More [69] BASEMENT (Gunnar Montana): 2013 Fringe Review
Theatre for Transformation is a Lancaster-based company focused on performing African-American stories for diverse audiences. This active group has toured their original works to over…
View More [68] EMANCIPATION SWEET, A PLAY WITH MUSIC (Theatre for Transformation): Fringe review
Mia McCullough’s LUCINDA’s BED has a great premise: a monster hiding under a young girl’s bed continues to haunt her into adulthood. The monster (Brendan…
View More [67] LUCINDA’S BED (Brainspunk Theater): Fringe review
You know that scene at the end of The Matrix (spoiler alert) where Neo sees the green code and jumps into Agent Smith’s belly and makes him…
View More [56.2] THE TALKBACK (Berserker Residents): Fringe review
An exciting new company with a promising future, Birds on a Wire Dance Theatre presents a mini-festival of six short world-premiere performances in HATCH. Led…
View More [66] HATCH (Birds on a Wire Dance Theatre): Fringe review
Picture the scene: You are a child under ten years old; you meet three other children, each quite young, Brendan (Patrick Lamborn) is a mandolin prodigy…
View More [65] A MYSTERY? (Dragon’s Eye Theatre): Fringe review
They are some of the oldest and most widely known stories in the books. They are stories of migrations, grueling journeys, and burning destinies. They are about…
View More [64] MOSES(ES) (Reggie Wilson/Fist & Heel Performance Group): Fringe Review