Henrik Eger talked to the founder of Dance Affiliates about the inner workings of the international dance scene in these more economically strapped times.
Eiko will introduce and explain the philosophy of Delicious Movement as a quiet, slow-paced, creative practice available to everyone
SmokeyScout Productions’ Nice and Fresh performing arts series is like a mini Fringe Festival each month
Nine point five hours, five pieces of theater, ten bicyclists, and no great plan on how we’re gonna eat: that was the format for day two of PHINDIE’S OFFICIAL FRINGE BIKE TOUR.
In SPLICE, a single flat wave of board whoops its way through the Leonard Pearlstein Gallery, which consists of about four rooms, vaguely defined by false walls.
WHAT NARWHALS TALK ABOUT WHEN THEY TALK ABOUT LOVE (Grace Mi-He Lee and Leslie Elkins): Fringe Review 77
Grace Mi-He Lee and Leslie Elkins set their work in Lee’s living room of her small home in South Philly in the on-and-off tradition of the Rowhouse Fringe.
Attempting to embrace “the space between…the familiar and unfamiliar” dancers run rampant through five “interfaces” of movement in #SHAMANICINTERFACES.
At last year’s Fringe Fest, we entered a blood-splattered BASEMENT filled with all the torment of a broken heart. Gunnar Montana brings us into a shiny, neon-galactic RESURRECTION ROOM this year.
FROM OUR LIVING ROOM comprises five original pieces—four duets and one solo—choreographed and performed by the all-female members of the emerging company Birds on a Wire.
Award-winning choreographer and artistic director Christopher Fleming has created a beautiful program of new works to open BalletFleming’s 2014-15 season.
Flynn and VanDenend Sorge captured the spirit of the Fringe season by experimenting within their art form as they intimately shared their pasts.
This project consists of six short dance films—three by collaborators Ashley Searles and Wim Winklewagon, and three by Anne-Marie Mulgrew & Dancers Company with Carmella Vassor-Johnson.
What is necessary? In NECESSARY EFFORTS, the mixed-bill production by The Naked Stark, the answer offered is the work of making.
BALLETX’s intimate performance featured a company dancer and performers from Murmuration, a dynamic and experimental ensemble.
Compelling in its investigation of untruths, half-truths, white lies, omissions, and embellishments, WOULD I LIE TO YOU? left me with questions. What is a lie? Is something a lie if we lie only to ourselves?