Chuck Shultz sketches the al fresco production of TWELFTH NIGHT.

The preview at Meg Saligman’s Studio of FIGMAGO was a different kind of escape room. FIGMAGO was an escape off of the beaten path.

The SoLow Fest performances of different mediums and art forms on June 23rd showed dance, theater, and comedy.

Lantern Theater presented Don’t Dress For Dinner to close the 2017-18 season.

Maria Marten or The Murder in the Red Barn by the Philadelphia Artist Collective found the silly in the serious

Automatic Arts put together an art show with real action as part of SoLow Fest.

Doggie Hamlet brought out friends, children, and couples to sit around on some hay stacks as sheep and four performers entered the penned in area.

Ambiguous Dance Company collaborated with organist Ahreum Han to create an interdisciplinary show for PIFA 2018.

STRANGE DREAMS celebrates the spirit of love, war, and death and desensitizes the rest to just stuff in the world.

Chuck Schultz reviews Savoy’s annual Gilbert and Sullivan show in words and sketch.

Yannick Nevet-Seguin conducted the Philadelphia Orchestra in a semi-staged performance of Puccini’s TOSCA

Playwright Eric-Emmanuel Schmitt adapted his novella, Monsieur Ibrahim and the Flowers of the Koran, into a theatrical performance

Jaamil Olawale Kosoko makes us feel comfortable before getting all Prince Purple Rain on us. It’s great.

Koresh Dance presented INNER SUN at the Suzanne Roberts Theater April 26.

Next Move Dance presented Nia-Ni Chen company with the Ahn Trio

PASSAGE reminds sketch artist Chuck Schultz of a painting at the Philadelphia Museum by Sir Lawrence Alma-Tadema.

Artsi event on First Friday this April was a chance for audiences to see artists through a different lens.

The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”

It was interesting to compare last week’s reading of Shakespeare’s THE RAPE OF LUCRECE at the Rosenbach to the original presentation at the Broad Street Ministry in 2016.

A recent performance of HUMAN RITES, a world premiere production by InterAct Theatre, featured a talk with cultural psychologist Richard Shweder, whose work inspired playwright Seth Rozin.