Sebastian’s dance-music-theater creations draw from each art without being confined to easy definitions. This Saturday’s Sorry, I’m Just Human marks a culmination of two years of choreographic, musical, and theatrical experimentation.
View More Seven dancers. 200 Surveys. 4-inch Leather Boots. SORRY, I’M JUST HUMAN.
When the members of the Panic Hour talk about 9/11, reptilians, and the Federal Reserve, I don’t think they’re kidding. Imagine if Ron Paul wrote…
View More [48] FEDERAL DETENTION: THE MUSICAL (The Panic Hour): Fringe review
A remount of Jess Conda’s gloriously glitzy glam-rock musical that enjoyed a smash-hit world premiere at the 2012 Fringe, Brat Productions’ ETERNAL GLAMNATION invaded this…
View More [46] ETERNAL GLAMNATION (Brat Productions): Fringe review
One of the best bonuses of Philadelphia’s Fringe Festival is the nightly after-party at the Festival Bar (this year at Underground Arts), where everyone can…
View More [31] TRAGIC EVENTS (Erik Ransom): Fringe review
n HAMLETMACHINE and MEDEAPLAYS, now in seemless production at the space by The Renegade Company, Müller has reassembled classic texts and plot-points into a dislocating new context.
View More HAMLETMACHINE + MEDEAPLAYS = Renegade’s Richly Challenging Work
The story of Euripides’s third place finish in the 431 B.C. Athens Dionysia festival is one to warm the hearts of unsung writers everywhere. The great Greek…
View More Two Philadelphia companies take Medea in new directions