MINORITY portrays gentrification and its evils in a complexity lacking from the characters that inhabit the fictional Hope Street.
View More MINORITYLAND (Power Street Theatre): The G wordTag: Thomas Choinacky
A USER’S MANUAL (Thomas Choinacky): In search of a map
What does this spacial or architectural acknowledgement yield?
View More A USER’S MANUAL (Thomas Choinacky): In search of a mapThomas Choinacky Says There’s No Hope
The founder of SoLow Fest talks about his latest work, HOPELESSNESS, performed one night only October 8.
View More Thomas Choinacky Says There’s No HopeFEED (Applied Mechanics): 2016 Fringe review 14
Narrative, fiction, performance, and reality collide through the breaking of bread.
View More FEED (Applied Mechanics): 2016 Fringe review 14WE ARE BANDITS (Applied Mechanics): People like us don’t meet
With WE ARE BANDITS, director Rebecca Wright and Applied Mechanics are working against a brutal opponent: American cynicism.
They’ve turned the third-floor space of Asian Arts Initiative into what looks like a sprawling, minimalist installation piece. Tables, chairs, and little else delineate various spaces throughout the basketball-court-sized venue, including a city square, the apartments of various characters, a rooftop, and a church.
View More WE ARE BANDITS (Applied Mechanics): People like us don’t meetSOLOW FLASH INTERVIEWS 2014, EPISODE NINE: THOMAS CHOINACKY, SARAH VAN AUKEN & JAMES HARO
In the SoLow Fest this year, some 30+ artists are creating cheap cheap theater in formal and informal spaces around the city. Challenging the idea…
View More SOLOW FLASH INTERVIEWS 2014, EPISODE NINE: THOMAS CHOINACKY, SARAH VAN AUKEN & JAMES HARO