Recreates the breezy cynicism of a 1920s speakeasy
View More THE MURDER AND BOOZE CABARET (Love Drunk Life) 2019 Fringe reviewTag: Shamus Hunter McCarty
CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe review
CLOSE YOUR LEGS, HONEY is a cheery musical tackling the difficult subject of societal expectations for women and the shit women have to put up with.
View More CLOSE YOUR LEGS, HONEY — A NEW MUSICAL (PHIT/Hannah Parke & Shamus Hunter McCarty): 2018 Fringe reviewShamus’s Picks for the 2018 Fringe Festival
Are you staring at your September schedule completely overwhelmed? Have no fear! I have scoured the Fringe App so you don’t have to. But since…
View More Shamus’s Picks for the 2018 Fringe FestivalTheater in Sketch: TWELFTH NIGHT (Shakespeare in Clark Park)
Chuck Shultz sketches the al fresco production of TWELFTH NIGHT.
View More Theater in Sketch: TWELFTH NIGHT (Shakespeare in Clark Park)Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)
The EgoPo Classical Theater’s production of John Guare’s Lydie Breeze part III was asking the fundamental question, “what is ‘it’.”
View More Theater in Sketch: LYDIE BREEZE Part 3: MADAKET ROAD (EgoPo)LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow
COLD HARBOR is fast-paced and skillfully produced, with a large, stylistically diverse cast, but at its emotional core it is stiff and distant.
View More LYDIE BREEZE PART ONE: COLD HARBOR (EgoPo): Ambitious, sprawling, but emotionally hollow2018 Theater Preview: EgoPo Classic Theatre
EgoPo Classic Theatre focuses its 2017/18 series on the work of John Guare with the world premiere of Guare’s Lydie Breeze Trilogy as one fluid theatrical experience.
View More 2018 Theater Preview: EgoPo Classic TheatreTheater in Sketch: ANNA (EgoPo)
A loose adaptation by Brenna Geffer and her ensemble based on the novel, Anna Karenina by Leo Tolstoy.
View More Theater in Sketch: ANNA (EgoPo)MMF (Quince): A modern kind of love triangle
Dean loves Michael. Michael loves Jane. Jane loves Dean. Dean loves Jane. Jane loves Michael. Got it?
View More MMF (Quince): A modern kind of love triangleMale, Male, Female: Interview with GayFest! playwright David Kimple
Interview with the author of MMF.
View More Male, Male, Female: Interview with GayFest! playwright David KimpleTaming the Brew: ShakesBEER brings the Bard to a brewery with a drinky MIDSUMMER NIGHT’S DREAM
“The script is a little more silly and beer filled then Shakespeare originally wrote it,” says MTC’s artistic director Sean Connolly.
View More Taming the Brew: ShakesBEER brings the Bard to a brewery with a drinky MIDSUMMER NIGHT’S DREAMTHE SUBMISSION (Quince): Things we dare not even think about
THE SUBMISSION revels in its unique brand of pot stirring, inflammatory, back and forth that has the characters talk openly and passionately about things most people seem reluctant to even think of—racism and homophobia.
View More THE SUBMISSION (Quince): Things we dare not even think aboutTHE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY (The Renegade Company): 2014 Fringe Review 35
THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY captures the narrative, message, emotion, and beauty of its literary source without speaking a word
View More THE HUNCHBACK OF NOTRE DAME . . . A MUTE PLAY (The Renegade Company): 2014 Fringe Review 35Fringe preview: The Hunchback of Notre Dame, A Mute Play: Trailer
The Renegade Company presents a new work, The Hunchback of Notre Dame…A Mute Play, as its offering for the 2014 Philadelphia Fringe Festival.
View More Fringe preview: The Hunchback of Notre Dame, A Mute Play: TrailerGRIMMS’ JUNIPER TREE (Renegade): Important Lessons to Be Learned
Based on the dark and disturbing folktales of the Brothers Grimm, James Stover’s original world-premiere adaptation for the Renegade Company, GRIMMS’ JUNIPER TREE, examines the…
View More GRIMMS’ JUNIPER TREE (Renegade): Important Lessons to Be LearnedA CLOCKWORK ORANGE (Luna): Commedia dell’arte meets post-modern morality play
Luna Theater Company’s interpretation of Anthony Burgess’s 1962 novel is a unique marriage of the British author’s futuristic stylizations with disturbing a cappella songs with the historic conventions of masking and stock movement inspired by Italian commedia dell’arte. It’s a perfect match to tell the cutting-edge morality tale of teen ultra-violence and reform.
View More A CLOCKWORK ORANGE (Luna): Commedia dell’arte meets post-modern morality play