This treacly throwback neither titillates nor liberates.
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Tag: Music
America’s Diva Comes to Philadelphia: An interview with Renée Fleming
Renée Fleming has been at the forefront of classical music for three decades.
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CABARET (Arden): Glücklich zu sehen?
CABARET has taken on a new level of relevance, but Matthew Decker’s re-creation of Sam Mendes’ famous production remains stuck in the past.
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After the O17: A reflection on Opera Philadelphia’s brave endeavor
This bountiful menu of music had something for every taste
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Your guide to Opera Philadelphia’s O17 Festival
Here’s everything you need to know about the musical smorgasbord that awaits.
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Opera Innovator: An Interview with David Devan ahead of the O17 Festival
Opera Philadelphia’s innovative general director previews the upcoming O17 Festival.
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WITH FLINT AND STEEL (Duende): 2016 Fringe review 57
A highly experimental, improvisational, and fascinating Fringe performance
View More WITH FLINT AND STEEL (Duende): 2016 Fringe review 57
WHEN SOUNDS COLLIDE (Fuse Vox): 2016 Fringe review 56
Music to rock, soul, jam out, or however you feel by.
View More WHEN SOUNDS COLLIDE (Fuse Vox): 2016 Fringe review 56
BIG CRUNCH (TOLVA/Sam Congdon): 2016 Fringe review 45
A tale of queer liberation in a predictably dystopian sci-fi world. Prepare for merciless repetition.
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[podcast] Jen Childs on I WILL NOT GO GENTLY
Today’s podcast features artistic director, writer, and performer Jen Childs. We talk about the latest 1812 offering, I Will Not Go Gently where a stellar team of creatives breathe life into the faded career of “Sierra Mist”.
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GROUCHO: A LIFE IN REVUE (ActorsNET): There’s no such thing as a sanity clause
Off stage, David Newhouse looks nothing like Groucho Marx. In makeup, Newhouse’s transformation is astounding.
View More GROUCHO: A LIFE IN REVUE (ActorsNET): There’s no such thing as a sanity clause