Henrik Eger interviews the star of Hedgerow’s new production of a classical Greek tragedy.
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Tag: Megan Slater
ELECTRA (Villanova): Sophocles gets electrified
Review of Sophocles’ Electra at Villanova Theatre
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FIFTY DAYS AT ILIAM (Hannah Van Sciver): 2015 Fringe review 4
This original ensemble-devised piece explores the inspiration and moods of expressionist painter Cy Twombly’s series of canvases on the theme of the Trojan War.
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CORIOLANUS (SHAKESPEARE ROULETTE) (Reject): Not your average tragedy
This chaotic opus reaches Monty Python levels of absurdity one would never associate with Shakespeare’s own overlooked tragedy reject.
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Reject Shakespeare: New theater company presents an impromptu CORIOLANUS with a drinking game
Reject Theatre Project launches this week with an inventive take on Shakespeare’s CORIOLANUS courtesy of Lesley Berkowitz.
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KILL SHAKESPEARE: LIVE GRAPHIC NOVEL (Revolution Shakespeare and Hear Again Radio Project): Fringe Review 42
Revolution Shakespeare (dedicated to new approaches to the playwright) and Hear Again Radio Project (specializing in the recreation of vintage radio programs) have teamed up for an entertaining presentation of the popular graphic novel series KILL SHAKESPEARE.
View More KILL SHAKESPEARE: LIVE GRAPHIC NOVEL (Revolution Shakespeare and Hear Again Radio Project): Fringe Review 42
Why present an all-female production of KING LEAR? Revolution Shakespeare’s director lays down a persuasive case ahead of their reading
On Monday, May 12, 2014 (the day after Mother’s Day), upstart local Shakespeare company Revolution Shakespeare will present a staged reading of the Bard’s classic KING LEAR. The reading’s director, Samantha Bellomo tells Phindie what excites her about the decision to give the reading an all-female cast.
View More Why present an all-female production of KING LEAR? Revolution Shakespeare’s director lays down a persuasive case ahead of their reading
The City of Brotherly Bard: Revolution Shakespeare returns with a show and a webseries
Love sought is good, but given unsought, is better Philadelphia’s newest Shakespeare company, Revolution Shakespeare, will present the second offering of its inaugural season on…
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Flashpoint lights up the local scene with THE BENDS
Thom Weaver is familiar to me, as he may be to other Philadelphia theatergoers, because it seems every time I see a show with impressive…
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Philadelphia’s BRAT Productions makes the theater of the absurd even more absurd
Eugene Ionesco’s absurdest masterpiece The Bald Soprano (“La Cantatrice chauve”) ends as it begins: with an Englishwoman talking about french fried potatoes. Her husband isn’t listening, but this…
View More Philadelphia’s BRAT Productions makes the theater of the absurd even more absurd