One of Shakespeare’s greatest hits, his first comedy, The Comedy of Errors, is playing at the Lantern Theater Company until June 16. Twins, shipwreck, mistaken…
View More THE COMEDY OF ERRORS (Lantern): Twins, shipwreck, mistaken identity, romance gone awryTag: Matteo Scammell
ASSASSINS (Arden): A celebration of psychopaths
The wall of the F. Otto Haas Stage features pictures of targets and X’s for murdered presidents. Starting with John Wilkes Booth’s killing of Abraham…
View More ASSASSINS (Arden): A celebration of psychopathsESCAPE TO MARGARITAVILLE (Walnut Street): A wackadoodle of a show
What a wackadoodle of a show! Part party, part pop musical, the Walnut Street Theatre’s production of Jimmy Buffett’s hit is an enjoyable evening, but…
View More ESCAPE TO MARGARITAVILLE (Walnut Street): A wackadoodle of a showEMPATHITRAX (PTC):What tools can… or, should you use to save a relationship?
How would knowing exactly what another person is feeling change your relationship, for better or for worse?
View More EMPATHITRAX (PTC):What tools can… or, should you use to save a relationship?Winning a Pulitzer, Directing a Pulitzer-winner
2022 Pulitzer Prize winner James Ijames directs the 2019 Pulitzer winner Fairview at the Wilma.
View More Winning a Pulitzer, Directing a Pulitzer-winnerPulitzer Podcast Review: STREETCAR NAMED DESIRE at the Arden
Chosen by Committee podcasters Josh Herren and Christopher Munden tear themselves from the Pulitzer bookcase to see a live Pulitzer-winning show.
View More Pulitzer Podcast Review: STREETCAR NAMED DESIRE at the ArdenTake a Sound Break with Lightning Rod Special’s New Audio Series
Lightning Rod Special launches new series of FREE theatrical audio works,
View More Take a Sound Break with Lightning Rod Special’s New Audio SeriesThey Knew What They Wanted by Sidney Howard (1925): Chosen by Committee Episode 7
Join the crew as we talk about the 2020 Pulitzer picks, West Coast optimism, and the 1925 Pulitzer winner
View More They Knew What They Wanted by Sidney Howard (1925): Chosen by Committee Episode 7THE LAST MATCH (Lantern): Set points
Playwright Anna Ziegler drops us deep into an intricate game of high-stakes tennis
View More THE LAST MATCH (Lantern): Set pointsTHERE (Wilma): 2019 Fringe review
THERE is not a place on Earth’s map. It is not a poem recital, nor is it a play.
View More THERE (Wilma): 2019 Fringe reviewTHERE (Wilma): 2019 Fringe review
Visually arresting and aurally haunting, THERE makes rarefied language solid and visceral
View More THERE (Wilma): 2019 Fringe reviewROMEO AND JULIET (Wilma): Wherefore do Romeo and Juliet?
What about Shakespeare do we want kids to like?
View More ROMEO AND JULIET (Wilma): Wherefore do Romeo and Juliet?SWEAT (PTC): What’s the matter with Reading?
Why does SWEAT appeal to us, as aging urban middle-to-upper-to-upper-upper-class theatergoers? Do we hope to understand? Relate? Gawk? What do we applaud?
View More SWEAT (PTC): What’s the matter with Reading?REALLY (Theatre Exile): Camera obscura
Discomfort is the name of the game here, but to what purpose?
View More REALLY (Theatre Exile): Camera obscuraBLOOD WEDDING (Wilma): Movement in the veins
Lorca’s BLOOD WEDDING makes a fitting vehicle for the Wilma Theater in-house troupe.
View More BLOOD WEDDING (Wilma): Movement in the veinsHELLO BLACKOUT (New Paradise Labs): 2017 Fringe review
More engrossing, more alienating, and more disciplined than its predecessor.
View More HELLO BLACKOUT (New Paradise Labs): 2017 Fringe reviewHELLO BLACKOUT! (New Paradise Laboratories): 2017 Fringe review
How can a radically plotless work communicate a complex and controversial theory?
View More HELLO BLACKOUT! (New Paradise Laboratories): 2017 Fringe reviewBUZZER (Theatre Exile): We wouldn’t come here if we didn’t live here
A provocative and dismaying story, conveyed through complex characters rather than through statistics and theories
View More BUZZER (Theatre Exile): We wouldn’t come here if we didn’t live hereHAND TO GOD (PTC): The human comedy with sock puppets
What a funny, nasty, smart show.
View More HAND TO GOD (PTC): The human comedy with sock puppetsNeal Zoren’s BEST OF PHILADELPHIA THEATER, 2016
Neal Zoren chose his favorite productions, directors, and actors from the last year.
View More Neal Zoren’s BEST OF PHILADELPHIA THEATER, 2016