RED, not to be confused with REDS, is a color, not a Commie. It refers to the impression given by one of ten huge canvases…
View More RED (Theatre Exile): Coloring an artist’s storyTag: Matt Pfeiffer
THE LIFESPAN OF A FACT (Lantern): Conveying a larger truth
In the political news in the past few years, the concern has been not with the lifespan of facts, but the lifespan of lies
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Bringing Shakespeare to Life: Interview with director Matt Pfeiffer about SHAKESPEARE IN LOVE (People’s Light)
Matt Pfeiffer talks love of Shakespeare and SHAKESPEARE IN LOVE
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ON THE EXHALE (Theatre Exile): A one-woman show handles a loaded issue
Martin Zimmerman’s visceral, thoroughly modern, elegant one-woman show inspired by the tragic 2012 Sandy Hook Elementary School mass shooting.
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On Target: Matt Pfeiffer talks about directing ON THE EXHALE
Director Matt Pfeiffer talks about directing a one-actor play about gun violence
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COMPLETENESS (Theatre Exile): Algorithms and geek romance
Seduction by examples of computational intractability
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CAMELOT (Act II Playhouse): 60-second review
CAMELOT is the example of a group of talent working together to create an amazing experience for the audience.
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HEISENBERG (Delaware Theatre Co.): 60-second review
What? Him again? Yes and no.
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HELLO BLACKOUT (New Paradise Labs): 2017 Fringe review
More engrossing, more alienating, and more disciplined than its predecessor.
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Theater in Sketch: TOMMY AND ME (Theatre Exile)
Looking at the past, TOMMY AND ME carries us into the psychological interaction between dreams and reality.
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BUZZER (Theatre Exile): We wouldn’t come here if we didn’t live here
A provocative and dismaying story, conveyed through complex characters rather than through statistics and theories
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TOMMY & ME (Theatre Exile): Theatrical touchdown
A lovely and elegiac look at how a sportswriter developed his love for football and friendship with an Eagles quarterback.
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TOMMY AND ME (Theatre Exile): There am I in the midst of them
TOMMY AND ME does a lot to make itself likable. Didinger’s love for McDonald is evident and provides a herculean effort towards making the play work. It’s incredibly tempting to allow yourself to be swept away in a sea of sincerity.
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THE TAMING OF THE SHREW (PA Shakes): Shrewd Shakespeare
A good production that benefits most when it puts farce aside and concentrates on two people using their will to create partnership and harmony
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STRAIGHT WHITE MEN (InterAct): Rattling cages…
Young Jean Lee’s brave societal exploration brings out the issues of privilege among, you guessed it—straight white men.
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Men At Some Time Are Masters of Their Fates: Interview with Maboud Ebrahimzadeh on THE INVISIBLE HAND
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
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The Invisible Hand of Director Matt Pfeiffer
Theatre Exile’s production of THE INVISIBLE HAND features an all-star creative team. We interviewed them.
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THE INVISIBLE HAND (Theatre Exile): A gripping, thinking person’s play about the wages of self-interest
To call THE INVISIBLE HAND dramatic would be an understatement.
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[podcast] J. Paul Nicholas on THE INVISIBLE HAND
J. Paul Nicholas on the politics and conversations that surround this well-executed production.
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You might be done with the past, but the past ain’t done with you: Matt Pfeiffer on O’Neill’s ANNA CHRISTIE
Matt Pfeiffer discusses the Eugene O’Neill play ahead of PAC’s reading.
View More You might be done with the past, but the past ain’t done with you: Matt Pfeiffer on O’Neill’s ANNA CHRISTIE